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In the AI Economy, Universal Basic Income Can’t Wait

by admin September 14, 2025



The rise of artificial intelligence and robotics is forcing us to face something we’ve all sensed coming: millions of jobs are going to soon vanish. From factory floors to law offices, from truck driving to financial analysis, AI is learning to do our work faster, cheaper, and often better. This isn’t a future problem — it’s happening now. The real question is what we’re going to do about it, because the old idea of tying survival to a paycheck is going to break.

A lot of public personalities are offering big ideas. My own favorite solution is Universal Basic Income (UBI), which I have promoted for over a decade. It’s where everyone gets a guaranteed monthly cash payment from the government, no strings attached, enough to cover the basics. UC Berkeley Professor of Finance Emeritus, Mark Garman has suggested Universal Basic Capital, giving everyone income-producing assets and dividends via a superfund. XPrize founder Peter Diamandis on X recently promoted Universal Basic Ownership, where we all own a stake in the companies driving the AI revolution. OpenAI CEO Sam Altman talks about Universal Extreme Wealth, where AI’s productivity is so massive that everyone lives in abundance and luxury.

These all have merit, and I like them all. But putting actual cash in people’s pockets through UBI is still the most practical, immediate way to keep society stable as AI takes over more of the economy.

UBI is simple. Everyone gets a monthly check — no hoops or bureaucracy. If desired, I’d also support payments in crypto and using the blockchain. Regardless, if machines are doing most of the work and generating the wealth, we should cut people in directly to the money earned. And this way, no one falls through the cracks because they didn’t fill out the right form or meet some arbitrary requirement, as often happens in the welfare system. Ultimately, it’s not just about survival —it’s about freedom. With basic financial security, people could spend more time creating, learning, caring for loved ones, or simply living without the constant grind.

Critics of UBI raise cost, inflation, or the fear that people will stop working. But real-world trials — from Alaska’s oil dividend to pilot programs around the world — tell a different story. People don’t suddenly become lazy. Most keep working, start businesses, or invest in skills. What changes is that they’re less stressed, healthier, and more willing to take productive risks.

Alternatives to UBI

Mark Garman’s Universal Basic Capital has appeal. Giving people a stake in a superfund derived from assets in automation-dependent businesses could build long-term wealth and make everyone a participant in market gains. It’s a way to fix the imbalance between those living off capital gains and those living off wages. But markets crash. Dividends dry up. And setting up accounts, teaching financial literacy, and managing assets adds complexity that UBI avoids.

Peter Diamandis’s promotion of Universal Basic Ownership is attractive too: let’s all directly own part of the AI-driven companies and automated industries of the future. That aligns the public’s interests with technological progress and could turn the whole country into shareholders. But convincing existing companies to give away significant equity is a steep climb. And even if they did, ownership stakes don’t reliably pay the rent without selling them.

Sam Altman’s Universal Extreme Wealth is the boldest vision — a future so abundant that everyone lives like today’s multi-millionaires. AI drives the cost of goods and services close to zero, and money becomes less important because everything is nearly free. It’s inspiring, but far off. We can’t bet the next 10 or 20 years on a perfect utopia showing up exactly when we need it —though I support the long term idea.

Spreading the wealth

All these ideas share the same moral core: if AI is going to create unimaginable wealth, it can’t just pile up in a few corporate bank accounts. It has to be spread broadly or society will fracture when the jobless pick up pitchforks and revolt. But UBI is the one that can work now, to keep people worry free.

First, it’s about liquidity. People who lose their jobs to automation don’t need a stock portfolio —they need money for groceries and rent this month. Second, it’s simple. You can send cash to people today without building new systems from scratch. Third, it respects individual choice. People can decide for themselves whether to pay off debt, take a class, help their family, or start a side hustle.

The beauty of UBI is that it doesn’t block us from trying other models later. We can start with cash security, then layer in investment capital, shared ownership, crypto projects, or new distribution systems. It’s the safety net that makes everything else possible.

I’m not against a future of universal ownership or extreme wealth. I’d love to see it. But while we wait for that future — and hope it works out the way we think — UBI can make sure no one is left behind. It can keep the economy stable and buy time to build whatever comes next.

This isn’t about “free money” in the pejorative sense. It’s about recognizing that in a world where machines can produce nearly everything, our sense of human worth has to be separated from having a job. Direct cash is the fastest, cleanest, and fairest way to make sure AI’s benefits reach everyone, not just the handful of people who own the machines.

If we get this right — if we make the AI revolution work for all of us —then maybe the abundance Sam Altman talks about won’t just be a dream. It could be the natural next step.



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September 14, 2025 0 comments
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How AREA15 Is Evolving Immersive Entertainment With Universal Horror Unleashed and More
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How AREA15 Is Evolving Immersive Entertainment With Universal Horror Unleashed and More

by admin September 13, 2025


Las Vegas immersive entertainment hub AREA15 is turning five in a big way, celebrating the arrival of its second phase of development on September 17. Zone 2’s main attraction, Universal Horror Unleashed, opened its doors over the summer to attract seasonal tourists, but the rest of the offerings are following suit as the year draws out.

After io9’s invited visit to Universal Horror Unleashed, io9 chatted with Mark Stutzman, AREA15’s chief technology officer, about the new way to experience Vegas through futuristic visions of participatory entertainment. And it all really started with rave culture.

“The original idea was, ‘Let’s use it for festival grounds.’” Stutzman shared, “We decided it was too hot, and we put up a warehouse, and we said, ‘Let’s do festivals in the warehouse.’ And then we said, ‘Well, shoot, why don’t we kind of start creating this immersive destination?’ And that’s where it all started, and Zone One has just been insanely successful for us.”

© io9 Gizmodo

Meow Wolf, the raconteur of interactive art portals that have sprung up across the country, was only the beginning as Zone One’s first anchor.

“Everyone who’s coming to AREA15 is coming [for] immersive experiences, right? Like, that’s their whole goal. And so obviously on the Zone One side, Meow Wolf is our anchor tenant and they’ve done a great job of continuing to drive traffic,” he said.

Zone One features a buffet of AR and VR games and visual walkthroughs among its neon-powered music, dining, and shopping selections. Stutzman continued, “We have 80 acres here to develop, and Universal is our anchor tenant in Zone Two out of a five-phase project. The entire district will be immersive experiences—it’ll be sports and entertainment; it’ll be great restaurants and all that good stuff. The thing that we’ve been leading into most recently is these kinds of IP-based immersive experiences because you get kind of the brand recognition—the emotional connection—and then we bring not only the experience of building immersive experiences that are engaging.”

Area15 is carving its own tech-forward frontier that’s more attractive to Gen X, millennials, and Gen Z than big E-ticket-esque major IP hubs. Universal Horror Unleashed, like Meow Wolf, leans into AREA15’s fun parallel dimension to the Strip’s casino nostalgia. Meow Wolf’s premise is that it’s a portal to other realms beyond its sci-fi-tinged grocery storefront; you have to look beyond for ways to break through and discover its genre-mashing labyrinths of cosmic and fantasy adventure.

Similarly, Universal’s desert warehouse of horrors acts like a storage facility of the studio’s lore that, because it was placed on AREA15’s dimensional rift-inspired land, brings the monsters to life in their wheelhouse of terrors. Stutzman elaborated, “We built a lot of these experiences and we leaned heavily into AR and VR and all this other cool tech but it’s really tech that should be the enabler. What should be most forward are the performances and the experience and the story and the emotional connectivity to the content, which is why we’re leaning more into the IP now. It just really works well and Universal is a testament to that. I mean, [it owns] some of the strongest IP in horror.”

The alternate universe thread is more for those who seek it out with Easter eggs in zone one that speak to it but the retailers within aren’t necessarily going to crossover with each other; it’s just a delightful nugget of lore that brings a sort of otherworldly, futuristic, multi-dimensional edge to the space.

“We’ll have similar in Three and Four and Five, but we’ll have other cool stuff that we launched, like The John Wick Experience, which is a partnership with Lionsgate, another incredibly strong IP owner. John Wick has been insanely successful, kind of beyond our models,” he said of the Continental Las Vegas. You can’t stay there because, well, things get hairy as soon as you try to check in—since you arrive at the same time as John during one of his tiffs against the high table.

© io9 Gizmodo

“We love kind of doing over the top and Zone Two is going to be crazy with all the different experiences,” Stutzman said of the ongoing development. It will include an interdimensional creature carousel, a drop ride, and a hollowed-out plane with its own fake universe airline concept. But a big thing for the CTO is that at the heart of the tech there are still artists at work.

“Art has obviously always been a big part of who we are so we really wanted to tie into it and we’ll we’ll actually have art tours. And we don’t want to lean into it in a cheesy way. We want to lean into it in a serious way because it’s quite an impressive collection.”

He also noted that AREA15 seeks to cultivate Las Vegas’ art scene through community art events in addition to festival installations surrounding the outdoor plane areas. “We’ll have lots of musicians under there just entertaining and then we’re also going to throw raves but it’s really going to be an amazing space.”

© io9 Gizmodo

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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September 13, 2025 0 comments
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Universal Executive Regrets Most Hilarious, Perfect Part of 'Fast and Furious' Franchise
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Universal Executive Regrets Most Hilarious, Perfect Part of ‘Fast and Furious’ Franchise

by admin September 11, 2025


Before the abysmal mess that was Fast X, the ninth Fast and Furious film, F9, did the most insane thing imaginable. After literal years and years of joking about it, F9 actually sent characters to space. It was Ludacris (literally and figuratively), it was hilarious, and it was wonderful. But now, looking back, one of Universal Studios’ most powerful executives regrets it.

“I’m sorry that we sent them into space,” Donna Langley, the Chief Content Officer for NBCUniversal Studio Group, said recently, as reported by Variety. “We can never get that genie back.”

Langley is right about the second point, of course. Actually doing the most over-the-top thing imaginable in the franchise, when you still have movies to come, maybe wasn’t the right timing. Going to space would’ve been a perfect finale. But, since the fifth film, the trajectory of the series has always been increasingly wild and unbelievable. It got so crazy that this site, which only covers pop culture of a sci-fi or fantasy nature, finally dubbed the franchise io9 worthy (remember when Idris Elba played an enhanced super villain?). They had to go into space. It was inevitable.

The point being, hopefully, what Langley means isn’t that she regrets sending the franchise to space. Hopefully, it’s that she regrets sending the franchise to space so soon. Honestly, we don’t think it’s that, but it happened. It’s done. And now, the way it fits into the franchise is almost as a culmination of the franchise’s wildly unbelievable run. One through four are kind of normal and grounded. Five takes it up a notch. Then six through nine are sci-fi fantasy movies. Space is the peak that allows subsequent movies to dial back to a more grounded, street-level story, which is what franchise star and producer Vin Diesel has been teasing about the long-in-development 11th film in the main series.

So while we kind of understand Langley’s regret, we are here to ease the blow. Fans wanted the Fast and Furious franchise to go into space. Even if they didn’t think they did, they did. It was one of those perfect acts of madness that make the films so unique. Afterwards, all I could think of was, why not go further? Let them race spaceships. Let them drift submarines. I don’t know. I don’t work for Universal. But don’t regret doing the single most hilarious, perfect thing Fast has done in a long, long time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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September 11, 2025 0 comments
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Peek Inside the ‘Fallout’ Vault at Universal Studios' Halloween Horror Nights Hollywood
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Peek Inside the ‘Fallout’ Vault at Universal Studios’ Halloween Horror Nights Hollywood

by admin August 30, 2025


Universal Studios is rolling out its houses of horror across the country—opening three major hubs that monster fans can make their Halloween season travel destinations—in this month’s theme park news.

io9 was invited by Universal to experience the very big bag of tricks and treats the theme park creatives are unleashing into the world for fandom fiends seeking thrilling frights. On the West Coast, Universal Studios Hollywood prepares to open the vault with the Fallout house inspired by the Prime Video series and Bethesda video game franchise, alongside its other horror property offerings, come September.

Meanwhile in Las Vegas, AREA15 has opened the gates of Universal Horror Unleashed, a desert warehouse that holds haunted gateways to chilling cinematic experiences. And of course things are already getting started at Halloween Horror Nights Orlando with Terrifier’s Art the Clown being set loose alongside the Five Nights at Freddy’s gang.

Universal Studios Hollywood Fallout lights on tour

© Gizmodo io9

HHN Hollywood creative director John Murdy walked through the Fallout house with press to explain the story guests would be experiencing nightly during the Halloween event’s run. “Going through the series, my initial reaction was, ‘Wow, this is a huge world,’ and there’s three different kinds of storylines going on with the show. There’s Lucy’s storyline where she’s searching for her father, there’s Maximus’ storyline with the Brotherhood of Steel, and then there’s the Ghoul and his storyline—kind of going from being a TV actor cowboy to his transformation into this bounty hunter character.”

“So what we decided ultimately to do is we would pretty much be following in Lucy’s footsteps,” he shared, as we saw the under-construction vault setting for the wedding leading to her eventual breakout through the vault door.

© Gizmodo io9

“So we’re gonna be taking you from the vault to the wasteland, meeting all the characters along the way,” Murdy continued, and elaborated that Hollywood’s version of the house will offer different set pieces than Orlando. One major difference is that the West Coast will get the mutated Yao Guai bear, whereas Florida will get the Gulper.

Murdy knew one thing for certain: “And then for us, when I saw the Super Duper Mart sequence, which is actually the fourth episode of Fallout, I was like, that is tailor-made for a finale to a Halloween horror house because it’s when all the ghouls are breaking out.”

Murdy acknowledged that the Fallout house would also include many Easter eggs for the show and the games, such as a final scare piece to hype up season two of the Prime Video series.

© Gizmodo io9

Murdy also discussed the making of the other major horror video game and now movie franchise Five Nights at Freddy’s with press on a more extensive and detailed BTS tour showcasing the Jim Henson’s Creature Shop puppets, which can be found here.

 

Universal Horror Unleashed at AREA15 Las Vegas

© Gizmodo io9

In Las Vegas, Universal’s year-round horror haven is now officially open with houses that feature The Texas Chainsaw Massacre, the Universal Monsters, The Exorcist: Believer, and HHN West’s fan-favorite Scarecrow. The Sin City attraction, which io9 attended as a media guest, is the gem of AREA15 Zone 2; it aims to attract immersive-experience fans to a new side of the Strip that elevates experiential entertainment and dining.

Universal Horror Unleashed features spooky sips and eats in addition to live acts, including HHN East’s icons Jack the Clown and Chance—who perfectly suit the chaotic clownery of Vegas.

©Gizmodo io9

Many HHN fans will notice that neither Orlando nor Hollywood features a Universal Monsters house this year and that’s because of Universal Horror Unleashed. And when we say it’s the best one yet, we mean it mostly because it finally debuts the Creature From the Black Lagoon as part of the action.

There’s a whole under-the-sea sequence where you wade past seaweed to come face-to-face with the creature that is swimmingly well executed. On top of that you’ll encounter Frankenstein’s Monster, the Bride, the Phantom of the Opera, Quasimodo, the Wolf Man, and the Mummy—along with the Gill-man—in an all-out mash that you’ll want to go through over and over again. For ticket information visit here.

©Gizmodo io9

Universal Studios Orlando HHN and Epic Universe

While we haven’t yet visited HHN Orlando, the fun officially kicks off this weekend with the annual event’s opening. To celebrate, Art the Clown from Terrifier has taken over the social media account to show he’s taken Jack’s place as the resident clown at Universal Studios in Florida.

© Gizmodo io9

And of course, if you’re hoping to see the Universal Monsters while you travel to the East Coast, you can make a day of it at Epic Universe with a visit to Darkmoor and Frankenstein Manor for Monsters Unchained—and then of course go scream your face off at HHN. There’s also no telling what monsters you’ll run into; there could be an Invisible Man or a wild Ygor looking for the Frankenstein creations.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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August 30, 2025 0 comments
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Google Doubles Down on AI: Veo 3, Imagen 4 and Gemini Diffusion Push Creative Boundaries
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Google Reveals Layer-1 ‘Universal Ledger’ Plans as Circle, Stripe Prep Rival Chains

by admin August 27, 2025



In brief

  • Rich Widmann, Google Cloud’s head of Web3 strategy, confirmed that the Universal Ledger is a layer-1 blockchain.
  • The system uses Python for smart contracts, diverging from industry standards like Solidity and Rust.
  • Analysts question Google’s neutrality as it competes with Stripe and Circle for institutional blockchain infrastructure.

Over five months after Google Cloud announced a partnership with CME Group, Rich Widmann, the tech giant’s head of Web3 strategy, confirmed Tuesday that the company’s Universal Ledger is indeed a layer-1 blockchain.

“All this talk of layer-1 blockchains has brought Google’s own layer-1 into focus,” Widmann wrote on LinkedIn. “If you’re building a layer-1, it has to be differentiated.”

Widmann’s statement follows CME Group’s March 25 announcement that it has completed the first phase of integration and testing for the project. At the time, details were sparse on whether it was public or private, as well as if it was a layer-1 chain.

A layer-1 or L1 blockchain is a foundational network that runs independently, handling transactions and security directly. Unlike layer-2 or L2 chains, it doesn’t rely on another chain for validation or settlement, though those can extend and improve a chain’s efficiency.



Decrypt reached out separately to Widmann and Google, but did not receive an immediate response.

Why Python?

Dubbed the Google Cloud Universal Ledger (GCUL), Widmann described it as a base layer enabling Python-based smart contracts, setting a programmable, distributed ledger for wholesale payments and asset tokenization.

The choice of programming language sets Google’s L1 apart from those typically used and accepted as standard in the crypto industry, such as Solidity for Ethereum-compatible chains and Rust for chains like Solana, Aptos, and Sui.

Choosing Python is “pragmatic” because it “lowers the barrier for enterprises and fintech developers who already use it for data, finance, and machine learning,” Christine Erispe, a developer advocate at Ethereum Philippines, told Decrypt.

With Python, the upcoming L1 could “accelerate experimentation,” but may also “silo developers” unless Google makes efforts to provide “strong tooling, auditing, and interoperability bridges,” Erispe said.

That move is “a contrarian bet,” because “instead of being EVM-compatible, it leans on Google’s scale, financial institution reach, and a differentiated programming model,” she added.

Credibly neutral?

Unlike other upcoming layer-1 chains such as Stripe’s Tempo or Circle’s Arc, Google’s network is positioned as open infrastructure, with Widmann describing it as a “performant, credibly neutral” chain that “any financial institution” can build on.

While Stripe and Circle are “building chains that fit directly into their existing businesses,” Google is “playing a different game: scale and neutrality,” Aharon Miller, co-founder and COO of crypto payments gateway Oobit, told Decrypt.

As a centralized tech giant, Google “already runs half of the internet’s infrastructure, but the real test is whether institutions believe they’ll stay neutral in the long term,” Miller said.

However, Dr. Sean Yang, chief technology officer at OORT—a data cloud for decentralized AI—argued that Google’s neutrality claim may be “more marketing than reality.”

Google has “massive conflicts of interest across payments, cloud services, and advertising,” Yang told Decrypt.

Asked about the differences between the three L1s underway, Yang said Google is “going broad” while “Circle is going deep,” and “Stripe is targeting developers and payment companies.”

While not in direct competition, the three are “carving out different segments of institutional blockchain infrastructure,” Yang said.

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August 27, 2025 0 comments
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