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Scary

Chris Tilly
Esports

Black Phone 2 review: Scary sequel that improves on the original

by admin September 21, 2025



Black Phone 2 is a superb sequel that maintains the creeping sense of dread established in the first movie, through a story that both extends and expands on the horrific Grabber mythology.

Directed by Scott Derrickson – from a script he wrote with C. Robert Cargill from a Joe Hill story – the first Black Phone movie was a period piece that effectively combined 1970s coming-of-age drama with spine-chilling supernatural horror.

The film was anchored by fine performances from young leads Mason Thames and Madeline McGraw, and a truly terrifying turn by Ethan Hawke as a child killer known as The Grabber.

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That team returns for this excellent sequel that explores big, weighty themes, while still delivering thrills and scares.

What is Black Phone 2 about?

Following a brief prologue in the Rocky Mountains, we’re back to North Denver, the year is 1982, and teenagers Finney (Thames) and Gwen (McGraw) are not in a good place.

Although they defeated the Grabber at the end of the first film, he still casts a long shadow over the siblings. Finney’s simmering rage sees him fight other kids at school, and self-medicate with weed when he’s home.

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Meanwhile, Gwen is branded a witch by her classmates and plagued by disturbing dreams about dead children — dreams tied both to the first film’s events and her own complicated family history.

She wants answers, so Gwen drives the story forward through her investigation, which sends the dynamic duo to a Christian summer camp with its own dark past, and puts them on a collision course with their old enemy.

Dealing with trauma

Universal Pictures

It’s a while before the Grabber reappears, as much like its predecessor, Black Phone 2 is mostly concerned with these kids just trying to live their lives, in unfathomably trying circumstances.

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But in spite of their innocence being lost during the first film, they’re both fighters, who won’t let the troubles of their past bring them down. This makes the sequel a movie about trauma, and the need to face issues head-on, before finally being able to let go.

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Faith also becomes a repeating theme, with heaven and hell very real concepts in the movie. Ultimately, though, Black Phone 2 is about the power of love, and how it can help to heal the most painful of wounds.

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Channeling Dream Warriors

That’s the serious stuff, but Black Phone 2 is also immense fun, especially when we head back to the Rocky Mountains, and kills start happening in beautiful snowstorms, where they’re complemented by Atticus Derrickson’s thumping electronic score.

Thanks to Gwen’s affliction – which she sees as a curse – there are also lengthy dream scenes, shot on grainy Super 8 that really works for such sequences.

This is where the movie channels A Nightmare on Elm Street – and most specifically Dream Warriors – as Gwen starts playing a more active role in those visions as a way of taking back her power, which succeeds thematically, while being wildly entertaining to watch.

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Is Black Phone 2 good?

Universal Pictures

Black Phone 2 is a perfect sequel in that it leans into what worked in the first film, while also taking the story in interesting and unexpected directions.

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There were questions asked at the end of its predecessor that are addressed here, as we learn more about the Grabber and what drives him to commit such evil.

Meanwhile, Finney and Gwen continue to change and grow in ways that are consistently satisfying to watch.

Black Phone 2 score: 4/5

If you liked the first movie, you’ll love Black Phone 2, a sequel that’s both bigger, and better.

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The Black Phone 2 was reviewed at Fantastic Fest and will hit theaters on October 17, 2025.



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September 21, 2025 0 comments
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'Shelby Oaks' is a Satisfying, Scary Spin on Found Footage Movies
Product Reviews

‘Shelby Oaks’ is a Satisfying, Scary Spin on Found Footage Movies

by admin September 20, 2025


One of the best things about the found footage genre can also be one of its most frustrating. By its very nature, classic found footage movies can never answer all your questions because the camera has to stop. The footage almost always ends with some big, scary revelation, but things can’t go beyond that because….well, the footage had to be found. On one hand, that can make for terrifying moments, and imagination will often be scarier than reality. On the other hand, it would be nice to learn exactly why that guy was standing in the corner from time to time.

Shelby Oaks, the feature debut of YouTube film critic Chris Stuckmann, does both. Starting things in both found footage and faux documentary styles, the film builds an intriguing, creepy mystery before totally changing the point of view and becoming a traditional narrative film. The choice gives the audience the best of both worlds as we get all sorts of creepy found footage moments, but also actual concrete answers about how and why it’s all happening. It’s a transition that’s a little awkward, but ultimately works because the story it’s telling keeps us engaged.

That story centers on Mia (Camille Sullivan), a young woman being filmed for a documentary about her missing sister, Riley (Sarah Durn). Riley was part of a four-person paranormal hunting YouTube team who all went missing. Three were eventually found, but Riley was not—and for over a decade, Mia has held out hope of finding her.

Neon

For the first act of the film, the point of view is that of the documentary’s director as we learn about Riley and her YouTube channel, Mia’s struggles with losing her sister, and the background of the town they went missing in, Shelby Oaks. But when something completely changes the direction of the documentary, Struckmann completely changes his point of view. All the faux documentary we watched that inlcuded lots of found footage of Riley and her team’s final mission goes away. Suddenly, Shelby Oaks is a normal film where the characters aren’t aware there is a camera because in their world, there isn’t.

From there, the point of view flips back and forth a few times depending on which best serves the story. Considering how we’ve become so accustomed to faux documentaries, found footage films, and narrative films each on their own, moving between the three styles can feel jarring at times. But the mystery of this missing YouTube group is too delicious to ignore, especially as new revelations come to light.

What helps even more is that at every stage, Stuckmann finds ways to keep us on the edge of our seats. Sometimes it’s a jump scare or a character noticing something in a reflection of footage. Other times, it’s as simple as keeping the camera lingering on something for a few beats longer than usual, just to let our eye wander and see what we discover. Often there’s nothing, but once in a while there’s something, and not knowing keeps the scares fresh and interesting.

As the film reaches its conclusion, a few overly coincidental incidents risk hurting the film, but the way the script pays them off by the end covers all that. Ultimately, Shelby Oaks cares about two things: creating a mystery that scares us, and giving us answers that are potentially even scarier. It takes a few leaps of faith and messy transitions to get there, but by the end, that doesn’t change the result. This is a horror film for and by the YouTube generation: one that’s inspired by many horror films of the past, with little regard for when or how to borrow from them. As long as it’s cool and scary. Which Shelby Oaks is.

Shelby Oaks just had its U.S. premiere at Fantastic Fest 2025, and opens in theaters on October 24.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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September 20, 2025 0 comments
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'Scary Movie 6' Will Make Everyone the Butt of The Joke
Gaming Gear

‘Scary Movie 6’ Will Make Everyone the Butt of The Joke

by admin September 14, 2025


Marlon Wayans has been talking up what’s in store for Scary Movie 6, and according to him, the series’ trademark crass humor will target any and everyone.

Talking to Entertainment Weekly, he hyped up the upcoming horror-comedy flick as a “no holds barred and equal opportunity offender. We just want to make everybody laugh, and we don’t care if you’re sensitive. Even sensitive people need to laugh at themselves.” While skewering well-known movies like The Exorcist and War of the Worlds, earlier installments had jokes you probably felt bad about laughing at back then (if you did laugh). This is, after all, how the Wayans got popular back in the day, something he noted by highlighting White Chicks making fun of “Black people, white people, [and] Hispanic people. That’s just what we do.”

If that has your hackles raised, don’t worry: Wayans insisted it’s all the jabs have been done with love, and hoped the jokes in Scary Movie 6 reflect how comedy has evolved in the time since the movies first came out, and acknowledged not every joke is going to totally land. Still, he argued “you have to acknowledge how comedy has changed. Not just horror, but films have changed, the audience has changed, the world has shifted,” he explains. “I think the way to do that is to make the generational gap part of the conversation. […] Just know that we’re not just laughing at you, you get the chance to laugh at others.”

Mainstream goofy comedies got a resurgence with the success of The Naked Gun back in August, and Wayans is hopeful Scary Movie 6 can continue that trend while working as “a great conversation piece that [lets us] sit down and laugh together, over three generations of people who haven’t had great comedy in a long time.”

Scary Movie 6 hits theaters on June 12, 2026.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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September 14, 2025 0 comments
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NFT Gaming

‘Nothing Scary’ About Crypto, Federal Reserve Governor Says

by admin August 20, 2025



In brief

  • Federal Reserve Governor Christopher Waller said stablecoins have the potential to improve retail and cross-border payments.
  • He acknowledged some fear and skepticism toward innovation in payments.
  • The Fed is researching tokenization, he said.

Using cryptocurrencies to facilitate ordinary payments should be no more intimidating than swiping a debit card, Federal Reserve Governor Christopher Waller said on Tuesday.

“There is nothing to be afraid of when thinking about using smart contracts, tokenization, or distributed ledgers in everyday transactions,” he said in a speech at the Wyoming Blockchain Symposium in Teton Village, Wyoming. “This is simply new technology.”

Waller described stablecoins as a continuation of advancements in payments, pointing to the early days of physical cards that lacked magnetic strips or chips. Stablecoins have evolved from their original purpose, he acknowledged, but “have the potential to improve retail and cross-border payments,” while also making it easier to access the U.S. dollar globally.

“As the stablecoin market matured, firms found that the properties of stablecoins using distributed ledger technology—including 24/7 availability, fast transferability, and their freely circulating nature—could be attractive for other use cases as well,” he said.



Waller, who was appointed during U.S. President Donald Trump’s first term, told The Wall Street Journal last month that he would accept a role as Fed Chair if asked. He also dissented from the central bank’s decision to hold rates steady in July for a fifth straight meeting, calling for a quarter-percentage-point rate cut alongside governor Michelle Bowman.

On Tuesday, Bowman gave her own address at the Wyoming confab, saying “you don’t need a tech background to appreciate the opportunity that blockchain provides to the financial system.”

 

Waller recognized on Wednesday that some have “been fearful or skeptical of innovation” in the payments space, but he underscored that “there is nothing scary” about crypto transactions just because they take place within the realm of decentralized finance.

The GENIUS Act’s passage created a federal framework for stablecoin issuers, and Waller said that this could help dollar-pegged tokens “reach their full potential” in the U.S.

Although his comments were geared toward private-sector innovation, Waller’s remarks follow the debut of Wyoming’s stablecoin earlier this week. Revenue generated from the token’s reserve is expected to go toward the state’s school foundation fund.

The Fed has played a role in supporting payments technology by providing infrastructure for clearing and settlement to financial institutions. That has been the case since the central bank’s early days, Waller noted.

As stablecoins become ingrained in the financial world, Waller said the Fed is conducting research on tokenization, smart contracts, and artificial intelligence in payments. Although conservatives have warned against the dangers of a dollar-pegged token issued by the Fed, Waller did not explicitly reference Central Bank Digital Currencies.

“It is important to understand trends in payments technology so that we can continue to support private sector firms that leverage our infrastructures, as well as understand whether emerging technologies could provide opportunities to improve our existing platforms and services,” he said.

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August 20, 2025 0 comments
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