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Lost Soul Aside.
Product Reviews

Lost Soul Aside review: we’ve got Final Fantasy and Devil May Cry at home

by admin September 7, 2025



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We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

Lost Soul Aside has come a long way since its initial promotional video went viral back in 2016, with super slick combat and visuals being enough to catch Sony’s attention. Nine years later, the final product is a PS5 console exclusive that mostly lives up to the exhilarating battles and landscapes that were shown that day.

Still, its shallow story and poor performance on PC makes Lost Soul Aside sometimes feel like a husk of an action adventure game.

Lost Soul Aside follows a young man named Kaser as he joins a resistance group named Glimmer against the empire. It starts off as a potentially intriguing and politically engaged story, but quickly devolves into a generic adventure about saving the world against interdimensional monsters called Voidrax and their commander, Aramon. The plot twists are obvious, so it’s hard to really stay invested, even when the stakes are increased when the Voidrax steal the soul of Kaser’s sister, Louisa.

Along the way, Kaser joins forces with a floating dragon-shaped Voidrax creature named Arena, and I was surprised at how much I enjoyed their banter together as they traveled across different biomes and dimensions. Arena expresses regrets about his past actions and vows to make amends by giving Kaser the ability to fight back against the Voidrax. Learning more about Arena’s backstory kept me engaged with the game outside of the combat even when the story itself was a plodding bore.

DMC meets Final Fantasy

(Image credit: Sony)

The gameplay is where it really shines. Its real-time action combat plays most like Devil May Cry with its heavy emphasis on combos, and you’ll gain access to more weapons as the game progresses. Between Kaser’s four options, a sword, greatsword, spear, and scythe, it’s immensely satisfying to seamlessly switch between each of them during the heat of battle.

While the pace at which the spear and scythe are unlocked later in the game may be a bit slow, there are plenty of combos to execute with the sword and greatsword during the first half. This is due to the excellent upgrade system. Kaser has a skill tree for each of his weapons, and each node provides a stat boost or some sort of follow up attack to his combos. It isn’t necessarily revolutionary, but its straightforward nature gets the job done. This helps to alleviate the pacing gap between unlocking all of Kaser’s weapons.

Lost Soul Aside gets even more of a visual spectacle by giving Kaser his own Voidrax-infused special attacks with Arena. They switch up the gameplay enough so it’s not a constant button mashing affair. Kaser can equip up to three at a time and they vary quite a bit.

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My favorite ones include Breath Barrage, which summons two floating smaller Arena-shaped heads that automatically fire like turrets. Lifeforce Bestower summons a tree that slowly heals Kaser as long as he remains within range.

Best bit

(Image credit: Sony)

Lost Soul Aside is at its best when you’ve unlocked all of Kaser’s weapons. The combat is the most refined aspect of the game and being able to switch between weapons on the fly makes battles feel like butter, even with the less than ideal frame rate. The weapon trinkets and accessories that Kaser can equip have a compounding impact on the moment-to-moment action, adding a surprising amount of depth and customization to combat.

These powers also add a more strategic element to the fights. After breaking an enemy’s shield, I’d activate Breath Barrage so that I can maximize my damage output before they can recover, and Lifeforce Bestower lets me reserve my own healing potions as long as I play conservatively for an amount of time. Experimenting with how Arena’s powers could synergize with Kaser’s combos gave the gameplay a new dimension to have fun with.

Kaser can also augment his weapons with accessories found throughout levels in chests or rewards for story progression. They give various effects like simply increasing your damage output by 5% or restoring some amount of HP when landing a critical hit. At first, these don’t really seem to make immediate changes. However, as you accumulate more weapon accessories and even stronger ones, their impact becomes apparent. It really scratches the min-max part of my brain even though there’s no traditional stat upgrade system.

Not so smooth

(Image credit: Sony)

On the graphical side, Lost Soul Aside is impressive. It’s got the hyper-realistic anime style that Final Fantasy is known for. The numerous biomes and environments are breathtaking to look at too. While levels can feel a bit railroaded sometimes, there are instances where you’re encouraged to explore and can find chests containing gold or sometimes even trinkets Kaser could equip on himself for passive effects.

There are also special combat trials called Dispersed Dimensions hidden throughout the levels that provide rewards for beating them under certain conditions like completing under a time limit or Kaser’s health constantly drains. The rewards were definitely worthwhile as the trinkets were rarer and had more powerful effects than the ones you’d find in chests.

However, the experience is mired by poor performance on PC. There are constant stutters and framerate drops everywhere, both in and out of battle. Even opening up the menu causes a bit of lag, and there’s about a second of a delay where the screen turns to black before returning back into the game, which is noticeably annoying. The performance is particularly detrimental considering Lost Soul Aside is a fast-paced action game and every second matters or you risk losing.

(Image credit: Sony)

For example, there’s a specific Dispersed Dimension challenge where enemies can only be damaged by Arena’s attacks. With all of the particle effects activating simultaneously, this caused my game to slow down to a crawl, and even freeze for a few seconds before resuming. This same trial also gives a bonus reward if complete without taking any damage. With performance issues like these, meeting this condition was frustratingly impossible.

The stuttering can also be a huge problem during platforming segments. Missing a platform jump really gets on the nerves, especially when it sends you all the way back to the start of the section. The platforming itself is awkward as well. His jumping range fluctuates too much, causing me to miss more platforms than I’d like to admit. When Kaser’s feet touch the ground, it never feels quite right—the sensory impact feels too soft and doesn’t quite stick with the landing for me.

Lost Soul Aside arguably excels the most where it matters: the frantic and exciting gameplay, along with the pretty visuals. Everything else around it, however, isn’t really up to par. Its story isn’t all that interesting, and the performance issues on PC leave much to be desired. Its influences are certainly apparent, but it’s clear that its blade isn’t nearly as sharp.

Should you play Lost Soul Aside?

Play it if…

Don’t play it if…

Accessibility features

Lost Soul Aside has disappointingly few accessibility features compared to other Sony-published games.

However, there are options for Colorblind mode (Red, Green, Blue) and a Colorblind intensity slider. There are also sliders for adjusting camera sensitivity and motion blur.

How I reviewed Lost Soul Aside

I played Lost Soul Aside on PC for 23 hours and finished the main campaign, along with doing a majority of the Dispersed Dimensions and finding as many collectibles as I could. I used an Xbox Wireless Controller.

Your first playthrough will also be on Normal difficulty, and both Hard and Nightmare difficulties are unlocked once you beat the campaign for the first time. You also get access to level replay.

My key PC specs include an AMD Ryzen 7 7700X 8-Core Processor CPU, an AMD Radeon RX 9060 XT GPU, and 32 GB of RAM.

First reviewed August 2025.

Lost Soul Aside: Price Comparison



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Hollow Knight: Silksong is out now on Steam - our review is on the way
Game Updates

Hollow Knight: Silksong is out now on Steam – our review is on the way

by admin September 7, 2025


Hollow Knight: Silksong has officially buzzed across the thin red line between “entirely hypothetical object of mass hysteria” and “existing videogame that you can play on your PC”. Team Cherry’s new metroidvania is live now on Steam and GOG. You can actually buy it with your actual money. Should you buy it? Sadly, I don’t yet have a Hollow Knight: Silksong review for you, because Team Cherry have decided not to distribute any codes in advance. If you’re reading a Silksong review right now, the reviewer is either a worryingly close confidant of the developers or a filthy bloody liar or some other, totally innocent third thing.

The absence of early review code reflects the fact that Silksong already has more Hype than most messiahs, partly thanks to Team Cherry’s long silence about gameplay specifics and Silksong’s release date, after an initial flurry of publicity in 2019. Only GTA 6 has attracted this many conspiracy theorists. Team Cherry need attention from reviewers at this point like a drowning person needs a glass of water. Which does not make it acceptable, of course, for a company to purposefully delay access to review code and so, deny players a proper assessment before launch.

A lot of the Hype has arrived care of the Silksong subreddit, who are in both a celebratory and a mourning mood today. “God help me I don’t know where to start,” writes one of the founding moderators, zoravy. “Thank you everyone for the insanity and fun I never could’ve predicted when starting this place up in 2021, this has genuinely been one of the funnest places to be on all of the internet, and its been an honour to see every bit of it, from the start.”

It’s certainly been a journey. Wired have published a good piece about the meta-gaming of Silksong anticipation, with subreddit subscribers not just fomenting speculation about release details but actively making things up and trolling each other. Major events include the “sacrificing” of certain users to Silksong – that is, they were banned from the subreddit, and only permitted to return after launch. There was also a running joke about fake copies being distributed by “Snosk”, a fully manifested version of one of Hollow Knight’s hidden bosses. To this, add my own reporting about that cake.

The original Hollow Knight is a game of copious, wriggling lore and layered interpretations, so all of this fannish roleplaying is entirely appropriate. If only I could persuade the dang Final Fantasy 9 remake rumour-mongers to think this way.

We may not have a review as yet, but we do have James’s hands-on verdict from Gamescom. “It’s a little quicker, a little more dynamic, and to these fingers, a little more difficult than the first Hollow Knight,” he wrote. “But it entirely preserves that tight-as-a-drum feel of the original’s sword swishing, and deploys it against insectoid baddies that challenge and frustrate in practically identical ways.”

We also, rather terrifyingly, have the prospect of Silksong DLC. For context, Silksong itself began life as a humble Hollow Knight DLC pack, before it transcended those mortal confines and levelled up into a piece of internet phantasmagoria.

Are you buying today? Good luck to you. Let us know how you get on.



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September 7, 2025 0 comments
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The LEDs in the WiZ filament bulb are lit up in various colors.
Product Reviews

WiZ Filament Bulb Clear 25W ST19 E26 review: a vintage-style smart bulb with a modern twist

by admin September 7, 2025



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We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

WiZ Filament Bulb review

The WiZ Filament Bulb Clear 25W ST19 E26 is a color-changing smart bulb that features a coiled LED strip in place of a traditional filament.

It’s available in the US and the UK under slightly different names to reflect the difference in wattage, bulb shape, and fitment, but they have the same feature set and look very similar.

Known as the WiZ Filament Bulb Clear 25W ST19 E26 in the US, or the WiZ Filament Bulb Clear 40 W ST64 E27 in the UK, it has a list price of $32.99 / £27.99, and can be found at WiZ and Amazon.

  • WiZ Filament Bulb Clear 25W ST19 E26 (LED) at Amazon for $32.99

Image 1 of 2

(Image credit: Future)(Image credit: Future)

I love the Filament Bulb’s classic shape, and was pleased to find that it didn’t feel overly fragile. I have mixed opinions about the coiled LED strip. I found it looked nice in warmer whites and red, but due to the combination of different colored LEDs, it proved a bit of an eyesore when in other colors, with the brightness turned up when using it in my lamp.

If you want a light that can light up a room in addition to providing some nice mood lighting, then this bulb won’t be suitable. It’ll just about do as a reading light if your book is positioned right next to it, but it’s not ideal – although I believe this is often the case due to the nature of filament-style bulbs.

(Image credit: Future)

While it looks pretty on certain settings, the width of the LED strip may prove off-putting if you’re looking for a more authentic-looking filament bulb. If so, you may be better off looking for a non-color filament-style alternative, which you can also find from WiZ, Philips Hue, and various other brands.

The Filament Bulb was pleasingly straightforward to sync with the WiZ V2 app, as it was automatically detected, and it connected to my Wi-Fi quickly and without any fuss.

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(Image credit: Future)

Unfortunately, the WiZ V2 app isn’t as intuitive as the Govee and Nanoleaf companion apps – although it would take a lot for an app to compare to the Govee Home app, which you’ll have probably guessed if you’ve already read my review of the Govee Table Lamp 2. Despite this, the WiZ V2 app provides access to a variety of useful functions, such as the control menu, which offers some static presets that include warm and cool options, and night, TV, and relax lighting modes, along with a few others.

I could also choose hues from a color graph, adjust the color temperature using a slider, or choose one of the twenty-five dynamic presets, each offering different color palettes and motions. I could also alter the speed of the color changes, though this adjustment was applied to all of the dynamic presets, rather than individually.

(Image credit: Future)

The brightness was easy to adjust using a slider on the home screen or when adjusting settings in the control menu. Thanks to the rhythm function, which I set to change between different modes based on the local time, I was able to get the brightness and color temperature to adjust automatically throughout the day. There’s also a schedule feature, which I used to get the Filament Bulb to turn off at a set time.

I found the Filament Bulb could be slow to respond when switching between the Dynamic lights. And it was also a bit long-winded applying each one, as it asked me which room I wanted to apply it to each time, despite only having one setup. But I could set four of my preferred light settings on the home screen, up to eighteen in the quick action folder, or save them as scenes, so at least the process was quicker once I’d picked my favorites.

(Image credit: Future)

On the subject of scenes, I found it far more efficient to fine-tune the lighting effect I wanted in the control menu before saving it as a scene. While the same settings are available when creating a new scene, the bulb didn’t immediately reflect any changes I made. Instead I would only get to check the result after creating and enabling the new scene, which wasn’t ideal, meaning it was often better to tweak the lighting settings first.

Connecting the Filament Bulb to my Echo Dot (5th Gen) was nice and simple, as it was automatically detected by my Alexa app. I needed to put the Filament Bulb into pairing mode, which was a case of switching the light off and on until it began to pulse blue, and the syncing process took just moments to complete. I could then use voice commands to get the Filament Bulb to change colors, temperature, and brightness, which was very convenient, especially as my requested changes were applied promptly.

(Image credit: Future)

Despite the disappointing elements of the app, once I’d fine-tuned the lighting effects and set up the automations and voice control, I quite enjoyed testing the Filament Bulb. Overall, I was pleased with the quality for the price. So, if you’re looking for a vintage-style bulb with modern smart features and want to change up the ambience with a little color, it’s worth checking out the WiZ Filament Bulb Clear 25W ST19 E26.

If you love smart lighting as much as I do and want to explore some other fantastic options, then I highly recommend checking out our best smart lights buying guide.

WiZ Filament Bulb review: Price and specs

Swipe to scroll horizontally

Price

$32.99 / £27.99

Model

US: Filament Globe Clear 25W ST19 E26

UK: Filament Bulb Clear 40 W ST64 E27

Colors

Multicolor

Lumens

US: 300 / UK: 470

Temperature

US: 1800-2100K / UK: 2200-6500K

Connectivity

2.4GHz WiFi, Bluetooth

App

Yes

Voice control

Yes

Dimmable

Yes, using the app

Additional features

Matter compatible, motion sensor (with 2+ bulbs)

Should I buy the WiZ Filament Bulb?

Buy it if…

Don’t buy it if…

WiZ Filament Bulb review: Also consider

How I tested the WiZ Filament Bulb

  • I tested the WiZ Filament Bulb for one week
  • I tested the different features and customizable settings
  • I observed its performance and brightness levels

I used the WiZ Filament Bulb on my desk in my office and in my living room. I screwed the bulb into a table lamp before powering it on and evaluating the setup process on the WiZ V2 companion app.

I explored the features, testing how different colors and settings looked, and created my own presets and scenes. I also tested how bright the bulb was both in daylight and in a dark room.

I synced the WiZ Filament Bulb with my Alexa app to check how straightforward the process was and to test out voice commands, which I did by altering the brightness, colors, and powering the bulb on and off.

WiZ Filament Bulb Clear 25W ST19 E26: Price Comparison



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September 7, 2025 0 comments
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Screenshots from 2K sports game NBA 2K26
Product Reviews

NBA 2K26 Review: a basketball sim with a starring role for attacking play

by admin September 6, 2025



Why you can trust TechRadar


We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

When five-time NBA champion Dennis Rodman was interviewed during Netflix’s Last Dance documentary, he explained how he’d have friends shoot hoops from all angles well into the morning just to more accurately track rebounds and work out where he needed to be to scoop up possession.

Review info

Platform reviewed: PS5 (on PS5 Pro)
Available on: PS5, Xbox Series X|S, Nintendo Switch 2, PC
Release date: September 5, 2025 (Early access one week prior)

Why do I bring that up when talking about basketball game NBA 2K26? Because, as much as rebounds are less show-stopping than acrobatic dunks, they’re the basis on which successful teams build attacks, and every single late-night session predicting angles and flight paths led to Rodman becoming an NBA legend.

  • NBA 2K26 at Amazon for $59.88

While NBA 2K26 may not hit those heights (at least not yet), what’s here plasters over some of the cracks in last year’s game to offer the best digital basketball experience in years.

No More Bricks

(Image credit: 2K/NBA)

I enjoyed my time with NBA 2K25, but I know I’m in the minority for that. A big reason that the community found itself divided by last year’s game was 2K’s commitment to revamping a core part of the experience, which we’ve been used to over the last decade and change: the shot meter.

While last year put an awful lot of emphasis on the ever-present danger of shooting a brick and fluffing your lines, this year it’s much more forgiving. It’s not quite a walkback to earlier games, but it feels like Visual Concepts has done an awful lot to rework the act of shooting the basketball, or driving to the rim, this time around.

You’ll still throw some absolute honkers if you’re not careful, but you always feel more in control, whereas last year things felt a little too random.

Last year, it took a major shine off of the otherwise stellar animation system that did a better job of making players feel like they were moving more realistically, and in vastly improving offense this year, the whole game feels like it’s faster. It’s not quite arcadey, but it’s a more exciting sim than it’s been in years.

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Now, you’re not missing easy layups or having to spam dribbling moves to find a tiny opening, because all players feel much more capable of scoring points from anywhere, and player locomotion feels just a little slicker.

That also ties into the long-running player builds system. Last year, unless you invested a ton of stat points into your player (or real currency), you’d find yourself missing simple shots. This time around, the new ‘MP’ (your in-game avatar in MyPlayer) feels much more like the talented prospect they’re supposed to be at the start of the story.

Rags to Riches (Again)

(Image credit: 2K/NBA)

That brings us nicely to MyPlayer, the mode from which many of NBA 2K26’s others flow. Let’s start with the good: Visual Concepts’ commitment to having a single, central created player remains something I wish rivals would adopt.

It’s awesome to be able to build up your version of MP in one mode before taking them online, and while the story here is pretty predictable, it remains a fun way to build your player’s legend from high school to the NBA.

Cutscenes look better, although they naturally pale in comparison to the on-court action, but what’s here is more of the same.

There’s a downside to that, too, and it’s VC. You’ll earn currency through playing, but as with any NBA 2K instalment, you can spend plenty of real cash to grow your player quickly and into one of the in-game archetypes.

My Small Forward has enjoyed a meteoric rise (at least according to the MyPlayer storyline), but he’s still nowhere near as impressive as anyone who’s thrown their currency of choice at the game.

Elsewhere, MyGM remains one of my favorite ways to play despite not having any major improvements this year after its re-emergence in 2K25. There are fresh long-term goals called Offseason Scenarios, and they feature real-world examples like a Bulls rebuild or weighing up how to follow up the Warriors’ Steph Curry era.

Best Bit

(Image credit: 2K/NBA)

Jettisoning the controversial shooting meter from last year, NBA 2K26 feels like a game full of subtle changes that make scoring points more fun than ever, whether you’re in the paint or shooting from distance.

They’re not the kind of things that you’ll necessarily be entirely drawn into, but they’re a neat addition that gives you something to strive for. Still, for a longstanding NBA fan, the continued support for MyNBA Eras remains something that puts rivals to shame. You can now copy a MyPlayer into a classic era of the NBA, letting you rub shoulders with Larry Bird or Michael Jordan.

Speaking of dream scenarios, MyTeam is back and, as always, it’s very easy to throw VC points at pack openings. I do appreciate that the mode is pretty rewarding when it comes to offline play. I’m decent at 2K, but the game’s fervent community could slap me six ways to Sunday, so it’s nice to be in control of what I play if I want to push for better players for my squad.

This year sees the debut of the WNBA in the mode, which is a huge move that’s been a long time coming. EA FC has seen plenty of success by adding the women’s game into Ultimate Team, but the nature of basketball as a sport where height makes a big difference means that it’s not uncommon for one player to absolutely tower over another.

It perhaps wouldn’t be a huge issue if you could rotate your squad to place smaller, faster players in more attacking roles rather than expecting them to stop a 7ft 7 juggernaut, but that’s at odds with having players with roles and positions assigned to them when they’re fresh out of packs.

Back to the city

(Image credit: 2K/NBA)

Look, I’ll be honest: I’ve never really enjoyed The City. The mode has always felt like a good idea that’s had too much executive input, designed to draw players in to drop their VC to build their player and buy clothing and shoes.

Last year took the smart step of finally shrinking the playspace, and NBA 2K26 goes one step further with interconnected areas that make it much easier to get to where you need to be.

Perhaps the best thing I can say about The City is that performance is vastly improved. Last year’s game got a PS5 Pro update, but it always felt laggy on Sony’s newest system. This year, it’s still not as responsive as playing on the court, but it’s noticeably easier to navigate.

That brings us, finally, to NBA 2K26’s presentation. Put simply, this is the best-looking sports game around, at least on PS5 Pro. When Visual Concepts boasted about being able to see the pores on players’ faces ahead of launch, I scoffed. As it turns out, you really can see the pores on player faces, as well as stitching on shoes, and those all-important reflective surfaces like the shiny court.

Should you play NBA 2K26?

Play it if…

Don’t play it if…

Accessibility

NBA 2K26 has a few accessibility features. You can adjust shot timing windows and visual cues, while there are difficulty settings, too. Vibration and DualSense triggers can be tweaked, too.

Perhaps most impressively is that the shot meter, which can be tricky to spot in the chaos of an ongoing match, can be customized with a variety of options. It’s not strictly there for accessibility purposes, but that customization could be a huge boon for those who need extra visual clarity.

(Image credit: 2K/NBA)

How I reviewed NBA 2K26

Having reviewed multiple NBA titles across different platforms in recent years, I played this one on my PS5 Pro, with the standard DualSense wireless controller, the Astro A50 X headset, and on a Sky Glass TV.

I’ve most recently played NBA 2K25 in the last couple of months, so I have a good grasp of what’s changed. I built up a decent starting line-up in MyTeam during this current review period and spent some time working my way through the ranks in MyTeam.

I also explored The City, was destroyed by other players in pick-up games, and began the journey to take the Chicago Bulls back to a new era of dominance.

First reviewed August-September 2025

NBA 2K26: Price Comparison



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An image of Hornet from Silksong engulfed with rage.
Product Reviews

Hollow Knight: Silksong sinks to ‘Mixed’ Steam review status among Chinese gamers over its bafflingly bad translation, with Team Cherry promising to improve it

by admin September 6, 2025



As reported by Eurogamer, Hollow Knight: Silksong has not met Chinese players’ expectations the way it has globally, with a 42% positive “Mixed” review status from nearly 20,000 Chinese language users, who say that the game’s localization was abysmally, uniquely poor.

Team Cherry has already responded to the issue, promising to work on the Chinese localization. “We appreciate you letting us know about quality issues with the current Simplified Chinese translation of Hollow Knight: Silksong,” wrote the game’s publishing and marketing lead, Matthew Griffin. “We’ll be working to improve the translation over the coming weeks.”

To our Chinese speaking fans:We appreciate you letting us know about quality issues with the current Simplified Chinese translation of Hollow Knight: Silksong.We’ll be working to improve the translation over the coming weeks.Thanks for your feedback and support.September 5, 2025

The reception among Chinese speaking reviewers sharply contrasts with Silksong’s reviews in all other languages it’s available in, with an overall 80% “Very Positive” rating among over 80,000 reviews worldwide. Of about 16,000 negative reviews worldwide, 11,800 of them are in Simplified Chinese.


Related articles

Some commenters on Griffin’s post have tried to elaborate on the specific issues at hand. Tiger Tang, who led the Chinese localization of 2020 RPG Omori, wrote that the main issues in Silksong’s localization are creative, not grammatical. “The current Silksong CN translation reads like a Wuxia novel instead of conveying the game’s tone,” said Tang. “This isn’t about effort, but about taste and direction, and speaking from experience likely can’t be fixed without replacing the translator.”

Others in the comments noted the same bizarre, anachronistic quality Tang mentions, while it also reportedly devolves into total gibberish in places. Kotaku cited criticism from translation expert Loek van Kooten, who called Silksong’s Chinese dialogue the equivalent of “a high-school drama club’s Elizabethan improv night.” Silksong had two people credited for its Chinese localization, versus the first game’s team of six.

In a final twist, one of those two translators, Hertzz Liu, appears to have been leaking details about the much-anticipated Silksong on social media. A June comment on the r/Silksong subreddit by user Infinite-Lake-7523 includes a screenshot of a Q&A on the Chinese site Tieba from a user named “Hertzzz.” Infinite-Lake-7523 ironically thought this was a hoax, but said Herzz(zz) estimated a pre-Christmas release date and shared some of their plans for the localization.

Is it still a “review bomb” if people are understandably upset over a defective product? The current Chinese translation of Silksong sounds like that infamous “restoration” of Ecce Homo. With issues this extensive and structural, I would expect Team Cherry to commit to an entirely new Chinese localization, but that will likely take some time.

Keep up to date with the most important stories and the best deals, as picked by the PC Gamer team.






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Google Pixel 10 review: perfectly fine
Product Reviews

Google Pixel 10 review: perfectly fine

by admin September 6, 2025


Asking the Pixel 10 to be more than what it is feels greedy.

Google’s non-Pro Pixel is priced fairly at $799, which is significantly less than the $999 Pixel 10 Pro. It comes with some handy upgrades, like Qi2 charging with built-in magnets. Its AI features finally show promise. It includes a dedicated telephoto lens for the first time. It’s a proper flagship and an all-around easygoing Android phone. But if I’m being greedy, then I do have one request: better cameras.

The rear cameras on the Pixel 10 are totally fine. For someone who’s not picky about image quality, they’d be better than fine. And maybe I’d think they were fine, too, if I wasn’t cursed with the knowledge that the cameras on last year’s model are better. And that’s because up until this year, the non-Pro Pixel came with the same main and ultrawide camera hardware as the Pro. But we can’t have everything, and when Google added that telephoto lens this year, it downgraded the other two rear cameras to essentially what’s in the midrange Pixel 9A. So the Pixel 10 has a perfectly fine camera system, as long as you’re not too greedy.

$799

The Good

  • Qi2 wireless charging with magnets is great
  • AI is actually kind of useful, finally
  • Telephoto camera is a nice addition

The Bad

  • Main and ultrawide cameras aren’t quite as good as the Pro
  • Battery life is just okay

Outside of the camera situation, the Pixel 10 comes with the same major upgrades as the Pro phones this year: a new chip and some magnets. Tensor G5 is the new processor on the 10 series, which I’ve found to run a tad cooler than previous versions. The G5 is Google’s first custom chipset made by TSMC, and it handles heavier workloads well. The regular 10 comes with 12GB of RAM compared to 16GB in the 10 Pro, and I did notice a little more stuttering on dense web pages than on the Pro. But for the non-professional phone user, it handles most tasks just fine.

Google Pixel 10 specifications

  • Tensor G5 chipset with 12GB of RAM | 128GB or 256GB of storage
  • 6.3-inch 1080p 60-120Hz OLED
  • 48-megpaixel f/1.7 main camera | 13-megapixel ultrawide | 10.8-megapixel 5x telephoto | 10.5-megapixel selfie camera
  • 4,970mAh lithium-ion battery
  • Qi2 wireless charging up to 15W; 55 percent charge in 30 minutes with wired 30W charger
  • IP68 dust and water resistant

There’s a whole lot of on-device AI running on the new chip — which you can read more about in my Pixel 10 Pro review — and I suspect it contributes to the Pixel 10’s just-okay battery life. A full day of moderate use is no problem, but if you add some intensive activities like an extended hotspot or gaming session, then you might start looking for a charger in the late afternoon. The average person probably won’t be bothered by it, but power users will want a charger or power bank handy to avoid battery anxiety at the end of the day.

AI is still hit-or-miss, but the hits are getting better.

AI is still hit-or-miss, but the hits are getting better. The Pixel 10 doesn’t offer the generative AI-assisted camera zoom feature that the Pro and Pro XL have, but you do get Magic Cue, which fetches helpful information based on what you’re doing. And it actually does work. It’s only in a handful of Google apps right now, but it can help put something on your calendar as you hash out plans in Messages or suggest a destination when you open Google Maps based on something you saved in your screenshots. I had a few more false positives while testing it on the Pixel 10 than I did with the 10 Pro; there were times when it suggested information that wasn’t relevant or it offered to create a calendar event when I told a friend I’d “be there in 30.” I still found it more useful than not, and it’s easy enough to ignore when its suggestions are off the mark.

The Pixel 10 gained a telephoto camera but lost a little image quality in the process.

The Pixel 10 has Qi2 with built-in magnets, and it’s a delight. There’s no case required (unlike with the Samsung S25 series phones), and I thoroughly enjoyed thwacking the phone onto a bedside PixelSnap charger at the end of each day. With the addition of what is essentially MagSafe, the Pixel series is looking like a pretty complete alternative to the iOS ecosystem these days. Each night when I put my phone on the charger, triggering bedtime mode, my Pixel watch followed suit and changed modes, too. That’s not a new feature, but little moments like that add up throughout the day.

I spent a week with the Pixel 10 Pro before switching to the regular 10, and there’s not much that feels radically different on the cheaper model — except the display. The standard 10 comes with a 6.3-inch 1080p screen with up to a 120Hz refresh rate, compared to the 1280p display on the 10 Pro. Its peak brightness of 3,000 nits is enough to keep the phone usable on a sunny day, and 1080p is just enough resolution for a screen that size. The screen seems more prone to dropping from its top 120Hz refresh rate, which is fine but a little jarring when you’re scrolling the NYT Games app and suddenly looking at 60Hz.

I also noticed some vignetting when using the phone in bright light — darkness around the edges of the screen, like you might see in a photograph. This turns out to be a known issue, resolved by switching to the “natural” display color profile. Overall, it’s a fine display but you definitely get more by spending more on the Pro.

On the subject of getting more for more with the 10 Pro: cameras. The Pixel 10’s 48-megapixel f/1.7 main camera doesn’t seem all that different from the 10 Pro’s 50-megapixel f/1.7 camera — until you get to the sensor size. The regular 10 uses a 1/2.0-inch type sensor that’s about half the size of the 1/1.31-inch type sensor in the Pro models. A bigger sensor will produce cleaner images with better dynamic range, and it’s a difference I felt, especially in portrait mode. Particularly if light is low, your subject is moving, and if you’re using the 2x zoom option, portrait mode on the regular 10 isn’t as good as on the Pros. Images show more noise, fine detail like hair looks crunchy, and subject isolation isn’t as precise.

A portrait-mode photo with the subject moving toward the camera at high speed is about as tough a scenario as you can throw at a phone camera, so it’s not too surprising that the Pixel 10 can’t handle it well. But it’s one way that the smaller camera sensor results in noticeably worse performance. Outside of portraits, the Pixel 10 takes perfectly nice photos. The ultrawide — also a smaller sensor than on the Pros — handles dim indoor lighting acceptably. The 5x telephoto lens is handy and definitely an upgrade over using 5x digital zoom. Maybe a telephoto lens and a killer main camera are too much to ask for in a $799 phone, but I’ll keep wishing for both anyway.

Gotta admit the blue color is nice.

Last year, the Pixel 9 felt like the phone that Android had needed for a long time: something elegant, simple, and durable. The Pixel 10 takes that same model and mostly improves it, adding Qi2 and a telephoto lens. The price stayed the same, which is nothing to sneeze at when the prices of everything else keep going up.

Losing the higher-end camera might not be a dealbreaker for most people, but it’s a little tough to swallow if you know what you’re missing out on. Most people who buy this phone won’t be burdened with that knowledge, and I think the Pixel 10 will make that group perfectly happy.

Photography by Allison Johnson / The Verge

Agree to Continue: Google Pixel 10, 10 Pro, and 10 Pro XL

Every smart device now requires you to agree to a series of terms and conditions before you can use it — contracts that no one actually reads. It’s impossible for us to read and analyze every single one of these agreements. But we started counting exactly how many times you have to hit “agree” to use devices when we review them since these are agreements most people don’t read and definitely can’t negotiate.

To use a Pixel 10 series phone, you must agree to:

The following agreements are optional:

  • Provide anonymous location data for Google’s services
  • “Allow apps and services to scan for Wi-Fi networks and nearby devices at any time, even when Wi-Fi or Bluetooth is off.”
  • Send usage and diagnostic data to Google
  • Talk to Google hands-free: “If you agree, Google Assistant will wait in standby mode to detect ‘Hey Google’ and certain quick phrases.”
  • Allow Assistant on lock screen

Additionally, if you want to use Google Assistant, you must agree to let Google collect app info and contact info from your devices. Other features like Google Wallet may require additional agreements.

Final tally: five mandatory agreements and at least five optional agreements

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xTool F2 Ultra
Product Reviews

xTool F2 Ultra laser engraver review

by admin September 6, 2025



Why you can trust TechRadar


We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

I’ve tested out a number of xTool laser cutters before, and I’ve always walked away impressed.

Whether it’s the feature-rich, easy-to-use xTool P2 or the precise xTool S1, I’ve always found the units to be innovative and accurate, ranking them among the best laser engravers and cutters around.

So, I was excited to get my hands on the xTool F2 Ultra. And after some comprehensive testing, let me tell you, this one is in a league of its own.

(Image credit: Alastair Jennings)

The xTool F2 Ultra follows on from the impressive F1 but boosts speed, power and design to offer one of the most powerful yet easy-to-use desktop laser engravers on the market. While the working area might be relatively small, the fact that it features a 60W MOPA fibre laser enabling you to engrave, emboss and cut various metals is a feature that’s rather unique. Then there’s the fact that this is coupled with a more standard 20W diode laser for non-metallic materials, such as wood, meaning that if you own a small business, it offers a powerful tool that will enable you to create and customise a wide range of products.

  • xTool F2 Ultra at Amazon for $5,499

While machines like this have been available in the past, they’ve often been ultra-complex and required additional software to handle the speed and power of the fibre laser. However, with integrated software and streamlined workflow, it is pretty much unmatched by any other system I’ve used. I’m pretty confident that even a complete beginner would be able to get up and running with the F2 Ultra.

From the outset, I was impressed not just by the user setup but also by how quick and easy it was to use the xTool software. You just need to select your design, place it over the material in the software, select the material type from the library, then select engrave, cut or emboss before hitting go and watching the design appear within seconds.

The price point of this machine really reflects the quality and speed of what is possible, with the Galvo system enabling speeds of up to 15,000 mm/s and the smart dual-camera setup helping you accurately position items in the machine. It’s impressive what you can do and create in very little time.

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Many of the more complex manual setup procedures are removed, with the machine essentially taking over everything, such as focusing automatically. There’s just a small alignment procedure at the beginning of the setup process, but once that’s done, aside from dialling in material and positioning your designs, the machine takes care of everything else.

I’ve used quite a few dual-fibre and diode laser machines in the last year, and while I’m always impressed with what is achievable, there’s usually a bit of tuning and fiddling with calibration and configuring software like LightBurn to accurately mark or engrave. However, here the software aligns everything; you just push the green bar on the control panel, and the machine takes care of the rest.

With the F1, I was impressed by the speed, utility and flexibility of the machine, but the F2 Ultra is in another league, obviously reflected in the price point. Compared with any other system on the market, the F2 Ultra, especially when coupled with the conveyor belt, offers a huge amount of options and possibilities. For any small business dealing with laser engraving and embossing, there’s now only one machine, the F2 Ultra.

xTool F2 Ultra: Price & availability

The xTool F2 Ultra is available on xTool’s official site – it’s priced at $4999 in the US and £6029 in the UK.

I’m also seeing the unit retailing for $5499 on Amazon.com. However, it doesn’t appear to be available on Amazon.co.uk at the time of review.

xTool F2 Ultra: Design

Specs

Laser Technology: Dual-laser: 60W MOPA fibre + 20W blue diode
Work Area: 220 × 220 mm (expandable to 220 × 500 mm with conveyor)
Spot Size: 0.03 × 0.03 mm (fibre); 0.08 × 0.06 mm (diode)
Engraving Speed: Up to 15,000 mm/s
Positioning Accuracy: Up to 0.0001 mm
Camera System: Dual 48 MP with AI recognition
Dimensions: 730 × 320 × 265 mm
Weight: 20 kg
Supported Materials: Metals, wood, acrylic, leather, glass, ceramics, plastic
Safety: Fully enclosed with auto-shutdown and fire detection
Software: xTool Creative Space + LightBurn compatible

One of the standout features of the xTool products is just how well-designed they are. This is from a company that, a few years ago, was producing simple open-frame laser cutting machines with a distinct DIY feel. Those machines are far removed from the F2, which is highly refined and of exceptionally high quality, aimed at small to medium-sized businesses rather than the casual consumer or prosumer.

While the machine itself is relatively compact with a footprint that will sit perfectly on a desktop, it has a high-quality build that reflects not only its price point but also its suitability for years of use.

The machine is relatively simple, with a slide-up enclosure that encloses the working area. If you need to have it open for larger materials, that’s possible. There’s also the ability to add an air filter to extract fumes, and as you’d expect with a professional-level machine, there’s a kill switch and a decent touchscreen display to monitor the process and access many settings.

As with many other laser engravers and CNC machines, most interaction is done through complementary software. xTool provides its own ecosystem, which is one of the best on the market, streamlined and easy to use. Unlike some other fibre lasers, there’s no need to purchase expensive extra software or plug-ins. Once you’ve paid (admittedly a lot) for the F2 Ultra, it should work out of the box and be set up within about 10 to 15 minutes.

The design is also clever in that you can use it as a fully enclosed system with smart safety features like emergency stop, flame detection, and automatic shutdown when open, or bypass some of those for conveyor belt use with larger objects.

In terms of size and weight, it comes in at roughly 20 kg and measures 730 × 320 × 265 mm. This smallish footprint will sit comfortably on your desktop, though you do need to allow for the machine’s height and a small side control panel.

If you’re using the conveyor belt, you’ll need even more space. It’s an optional extra, but if you’re planning to use it, it’s well worth having a full workbench left free to easily operate the machine.

On initial setup, I used the USB connection to sync with my laptop. After initial calibration, I switched to the Wi-Fi connection, which I found strong and reliable, even on my underpowered workshop network.

The overall build is premium and extremely sturdy. The two internal cameras and full autofocus add to the ease of use and high-end feel. However, compared with something like the ComMarker B6, this is a far larger and heavier machine.

(Image credit: Alastair Jennings)

xTool F2 Ultra: Features

The F2 Ultra is an interesting machine as it combines two laser types in one enclosed engraver. The first is a powerful 60W MOPA fibre laser used for engraving, embossing and cutting thinner metals, the second laser is a 20W diode laser used for cutting and engraving organic materials such as leather and wood.

Not long ago, it was unusual to find both lasers in one machine, but as we saw with the ACMER P3, combining the two is becoming more common. The big difference between the Atomstack P3 and the xTool F2 Ultra, aside from the price, is the build area. The ACMER P3 is designed for far larger objects, while the F2 Ultra features a far more powerful fibre laser and is designed for more intricate work. In terms of product design and finish, the F2 Ultra is in another league.

One of the biggest advantages of having a dual-laser system is that it enables automatic switching between laser types depending on the material. In the past, other machines with dual lasers required you to manually swap out the tool heads, fibre or diode. We’ve seen this before with older xTool and Creality machines.

The fibre laser not only cuts through thin metals but also enables colourful anodisation of aluminium and steel. The diode laser can cut through relatively thick organic materials, ideal for a 3mm base ply, and in some cases up to 20mm in thickness.

In terms of laser power, the MOPA fibre laser for metals comes in at 60W, which is extremely powerful for this type of machine. The 20W blue diode laser is mid-range but perfectly suited to the small platform and build area the F2 Ultra offers.

When it comes to engraving speed, the fibre laser uses Galvo scanning technology, enabling speeds up to 15,000 mm/s. This sounds fast, and when you see it in action, it is. You can engrave a MacBook Pro in a matter of seconds, although, while the temptation was there to do so in this review, I held off, at least for the moment.

The more I used the machine, the more impressed I became with its features. The dual 48MP cameras enable AI-powered alignment, making a real difference to positioning. The cameras feed into the xTool software, allowing for precise placement on the material. With a positioning accuracy of up to 0.0001 mm, even the finest materials are handled with extreme precision.

While the working area of the F2 Ultra is smaller than many large-scale engravers, it’s designed for small businesses looking to engrave and cut smaller items. The base size is 220 × 220 mm, which suits a wide variety of objects. If more space is needed, a conveyor accessory expands this to 220 × 500 mm.

One of the areas that excited me most was the precision; the fibre laser offers a spot size of 0.03 × 0.03 mm and the diode laser 0.08 × 0.06 mm, allowing for extremely fine detail.

Thanks to the dual-laser setup, there’s decent material compatibility, most notably stainless steel, aluminium, titanium, gold, and even silver. With very thin materials, it’s possible to cut as well as engrave metal, which is rare even among fibre laser engravers, but that additional power boosts that potential.

The machine also handles all the usual materials, acrylic, leather, rubber, ceramics, and glass (though some surfaces may require preparation). It’s designed for precision, not bulk processing, and while cheaper machines exist for large-scale cutting, the F2 Ultra excels in high-quality, fine-detail work.

Supporting that precision are smart features like smart focus, autofocus, and automatic Z-axis adjustment. Unlike other engravers, where you manually enter material thickness or use gauges, this machine does it all for you.

The fully enclosed enclosure offers Class 1 safety so that you can be sure to be protected from those high-power lasers, which, if you’re using this in a small workshop or shop, is well worth considering. Built-in sensors include flame detection, which triggered several times during testing when pushing the machine’s limits of power, and an emergency stop is also available.

(Image credit: Alastair Jennings)

xTool also supplied a smoke filtration unit, which connects to the machine and keeps fumes to a minimum. This is an optional extra, but if you’re spending on the F2 Ultra, it’s well worth the investment.

Although the F2 Ultra is well above many machines I’ve tested in terms of quality, it still supports popular laser engraver accessories, including the rotary tool, conveyor feeder, and air-assist smoke purifier, all of which enhance cut quality and streamline workflow.

As for software, I really like xTool Creative Space. It’s fully featured, with helpful tools and instructions, and is very easy to use for laying out designs. If you’re a more advanced user, the machine is fully compatible with LightBurn, although you’ll need the Galvo plug-in. Once installed, all the cameras and configurations work through that as well.

xTool F2 Ultra: Performance

Starting out with the xTool F2 Ultra, this is one of the easiest machines I’ve come across to set up and use of its type. While the machine is relatively large, its actual footprint is quite compact, meaning it sits comfortably on your work surface without taking up too much space. It’s more vertical than wide or deep.

Once positioned, with the dongle and control panel plugged in, you can switch on the machine, and it runs through its initial checks, ready for calibration. I connected it to my MacBook Air via USB and used the Creative Space software to complete the alignment and calibration process. This involved placing a piece of material inside, clicking ‘next’, and allowing the software to mark two points, which were used to align everything automatically. Once complete, the machine was ready to go.

In the box with the review sample were a few test materials. Over a three-hour period, I cut, engraved, and embossed various items, from metals to wood and leather, and was impressed by how quick and easy the machine was to use. I liked that the fully enclosed nature meant I could just pull down the lid, hit start in the software, then press the green bar on the control panel and watch the engraving, cut, or emboss process begin.

In almost all cases, the output quality was excellent. Only the first few materials required some adjustment as I got a feel for the machine’s power. For example, my first attempt at engraving a 3mm base ply used too much power and burned the material to ash. On the second run, the result was far better. The standard 20W diode laser was very capable, and with the air assist and smoke filter extracting fumes, the quality and precision of the cut were impressive.

One thing I really liked, whether working with metal, wood, or leather, was the camera-assisted positioning. Through xTool Creative Space, you can capture a live image of the material on the work area and place your design directly on top. This allows for near-100% accurate placement.

If you’re unsure about positioning, you can also click the ‘frame’ button, which projects your design outline onto the material inside the machine. This projection is sharp and precise, allowing for fine adjustments before committing to a cut or engraving.

As with any laser engraver, I ran a series of test passes on different materials, especially metals and woods, to get a feel for the required power and speed settings for both diode and fibre lasers. Although the 20W diode laser is mid-range by today’s standards, its power and accuracy deliver clean, high-quality cuts through 3mm base ply.

Switching to the fibre laser highlighted just how capable this machine is. The 60W power output provided more engraving depth than I’ve seen in other fibre lasers I’ve tested, and the speed and accuracy are unmatched so far.

For the first few engravings, I used sample files included with the software, most of which completed in a few seconds. Even though I know these machines are fast, the speed of the xTool F2 Ultra still surprised me.

One of my early projects was engraving a set of dog tags for my dog and a few friends. Usually, this might take a few attempts to get right, but here, the accuracy and speed were such that each tag was engraved in under five seconds.

What’s more, by laying out a batch of tags on the surface and applying different text to each through the software, I was able to engrave up to 20 tags in one go and faster than anything I’ve used before.

The more I used the fibre laser, the more intuitive the software became. Unlike other fibre lasers that take time to learn and have complex configuration steps, with the F2 Ultra, I felt confident within an hour, engraving coins included in the material pack with intricate designs.

The small work area is ideal for this kind of precision engraving. But of course, this is a dual-laser machine, and I wanted to test the diode laser on more materials. I engraved the cover of a book, lowering the laser power to about 5% and increasing the speed. After a few test dots to fine-tune power levels, I ran the full design, which was completed in under a minute with excellent quality.

As I continued engraving tools, creating more coasters and keyrings, the one thing that stood out was the precision of the engravings. When using my own materials, I learned that careful attention to power and speed settings was essential. My first batch of coasters burned quickly, but a test pass and adjustment solved that.

The quality of the lines, especially with air assist and the filter removing fumes, was excellent. That said, the limited work area is noticeable. This machine is built for precision tasks, not large-scale projects. For that, something like the xTool P2 would be more appropriate.

All this use was good and standard, but the point of the F2 Ultra is that it’s far more, especially with the ability to emboss metal. How you do this isn’t exactly straightforward initially, as there’s a little delving into the menu; the same is the case when using the Rotary attachment. Essentially, in the XCS software, you click the Select Processing Mode, then scroll down past the “Roller – Use Rotory attachment”, “Use Converyor Large” to the “Emboss” option. Once selected, you can then start to lay out your chosen design.

The next step is to select the material, in this case, a brass coin blank supplied by xTool. This is selected from the material menu; here, you need to select “More Materials”, type in Brass and 1.57″ (40mm) Blank Commemorative Coins Brass” will appear. From here, you can select the material, select the F2 Ultra, then click “Add to XCS”. Then click back onto the material and select the “1.57” (40mm) Blank Commemorative Coins Brass.

Now the coin can be placed into the F2 Ultra, and by clicking “Refresh Background” then “Auto Measure”, the coin will appear on the screen, ready for you to position the design.

The design is the next stage of processing, as a straight image won’t get you the emboss effect, and a depth map needs to be created.

To do this, you click the “Ai” icon, select “Image Processing”, and select “Embossment”. You’re then given the option to upload your image, select the Emboss type, and then click “Generate” Once the processing is finished, you can drag and drop the coin design onto the workspace and over the preview of the coin. Once you’re happy, you can click process, and the embossing will start. For most projects, this process is considerably slower than general engraving and can take well over an hour; however, the end results are incredible, especially once polished and finished off.

(Image credit: Alastair Jennings)

It’s worth noting that the depth map creation isn’t an exact science, and there’s no way to adjust the map, but after a while and with the 3D preview, you start to get an idea of what works and what doesn’t.

By the end of the test, I was genuinely impressed by the fibre laser, which is clearly the core of the F2 Ultra. The inclusion of a powerful diode laser fine-tuned for detailed work adds even more versatility, ideal for small businesses.

It’s clear this machine is designed for small to medium-sized businesses that rely on laser engraving, whether to create and customise products or for crafts requiring precision, such as jewellery work. It offers a level of detail and reliability that many other fibre and diode systems cannot match.

xTool F2 Ultra: Final verdict

The xTool F2 Ultra is one of the best fibre laser engravers on the market, with a premium build and a product-designed enclosure that makes it an ideal option for many small to medium-sized businesses. It’s perfect for small-scale production, customisation, and any business that needs to laser engrave a wide range of surfaces. What it is not is a large-scale laser engraver for oversized projects. This is focused on absolute precision.

The inclusion of two lasers and the dual cameras for AI alignment onto smaller objects helps ensure ultimate precision. If you need to do batch engraving, it speeds up the entire process, essentially handling much of the setup and configuration for you.

After using it for a month, this is by far the best fibre laser engraver I’ve tested. The major downside is the cost. The base machine is expensive, and once you add in the conveyor, rotary tool, and smoke filtration units, though combo packs are available from xTool, it still adds up to several thousand pounds, which is a considerable investment for a small business.

(Image credit: Alastair Jennings)

However, this is a professional machine. It’s not just a starting point; it’s a system you can build your business around. Its precision and quality are high-end, and if you’re looking for a solid, reliable machine to support or expand your business, the F2 Ultra is an obvious choice.

What I also appreciate is how well xTool Creative Space is designed. It’s robust, intuitive, and simple to use. While you can use third-party options like LightBurn, which offers more advanced control, you will need the Galvo plug-in and some setup time to get everything calibrated properly.

For experienced users, this opens up even more potential; however, if you’re a small business looking for a fast and versatile laser engraver, the F2 Ultra stands out as the best option on the market. Paired with one of xTool’s straight diode machines, it gives you a powerful ecosystem capable of handling a huge variety of projects with ease and speed, making it a sound investment.

Swipe to scroll horizontally

Value:

Premium machine for pro users with deep pockets

4

Design:

Durable, enclosed, and workbench-friendly layout

4.5

Features

Dual-laser + AI + Galvo = professional flexibility

5

Performance

Flawless output across materials and batch work

5

Total

Among the best all-in-one engravers available today

5

Buy it if…

Don’t buy it if…

For more crafting tech, I’ve tested and reviewed all the best 3D printers.

xTool F2 Ultra: Price Comparison



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Meraki Espresso Machine Review: Fine Grind, Loose Fit
Gaming Gear

Meraki Espresso Machine Review: Fine Grind, Loose Fit

by admin September 6, 2025


Alongside grinding and dosing by weight, the steam wand likewise allows for a bit of added control, with settings from mild to strong. “Strong” means strong, for big cappuccino froth: Heed the warning and keep your milk level low in the frothing cup, or you’ll probably have cleanup. But especially, the steam wand offers an automatic shutoff at your desired temp, so you don’t accidentally burn off milk sugars. In practice, it’ll probably stop a few degrees lower than you set it, so plan accordingly.

Jump into the custom settings and you can also add a pre-infusion—a lower-pressure water infusion, for more gentle soaking of the grounds. And of course you can adjust the temperature of your water to account for lighter or darker roasts. It’s all pretty easy to do. More espresso machines should do these things. All of these things. But few do.

A Fine Grind

So far, so good. So how’s the espresso that results? This depends in no small part on the grinder, of course.

I have put the Meraki’s pentagonal conical burr grinder through the paces, on light, medium, and dark roasts. And it does give the Baratza Encore ESP a run for its money, according to taste tests, coffee extraction testing, and particle size analysis I conducted using a device called the DiFluid Omni.

Omni via Matthew Korfhage

Omni via Matthew Korfhage

At the finest grinds, the built-in Meraki grinder actually came in a bit more tightly dialed than the ESP, with fewer large particles that might indicate clotting and cause channeling. It also fared well with light-roast grinds that often overtax integrated grinders. And according to particle size analysis, it maintained good consistency. (This said, I tend to increase dose on light roasts, rather than grind so finely I feel like I’m playing the choking game with my espresso machine.)

Which is all to say, the Meraki’s built-in grinder handily rivals the Breville Oracle Jet’s grinder in raw specs, putting this machine in rarefied air when it comes to espresso machines with built-in grinders. This is true especially because the grinder is stepless, meaning you don’t have large gaps between grinder settings.

Another potential fun feature is an RFID scanner that allows you to scan a coffee roaster’s bag and load up the ideal grind settings for each bean. This said, only one US roaster, Dark Horse, is listed on Meraki’s site as of now. So this feature remains mostly theoretical.

Caveats and Quibbles

Photograph: Matthew Korfhage

This all said, the grinder settings do seem to “float” a bit as the machine operates, perhaps because of vibration or perhaps just while grinding. The Meraki’s grinder may migrate a full setting between one day’s grind and the next—meaning that if you don’t pay attention, tomorrow’s shot may not be the same as today’s. I also have minor quibbles with the tamper and puck leveler, whose tops have a tendency to unscrew while you’re preparing your portafilter.



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Astell & Kern A&ultima SP4000 portable music player on a white surface
Product Reviews

Astell & Kern A&ultima SP4000 portable music player review: a brilliant step on the journey but not “the peak of performance and design” promised.

by admin September 6, 2025



Why you can trust TechRadar


We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

Astell & Kern A&ultima SP4000: Two-minute review

The Astell & Kern A&ultima SP4000 is the brand’s newest flagship digital audio player, and it is priced accordingly. If you measure the worth of a product by how relatively heavy and remarkably shiny it is, though, you won’t be able to argue with the $3,999 asking price.

The SP4000 goes a distance towards justifying its cost in the way it’s specified to perform, too. Numerous technological highlights abound, none of them in any way ‘affordable’, and between the sheer heft of the physical item and the lengthy list of technologies Astell & Kern has brought to bear, the SP4000 seems about as purposeful as these things ever get.

And in action, it is an uncomplicated pleasure to listen to, fully befitting a place in the best MP3 players around. In every meaningful way, the SP4000 is an extremely accomplished device, able to combine brute muscularity with deft insight, rhythmic positivity with outright scale. No matter what you choose to listen to, the Astell & Kern seems to enjoy it just as much as you do – and it’s not about to sit in judgement on your choice of headphones either.

Astell & Kern A&ultima SP4000 review: Price and release date

(Image credit: Future / Simon Lucas)

  • Priced at $3,999 / £3,799 / AU$6,599

The Astell & Kern A&ultima SP4000 is on sale now, and in the United States it sells for $3,999. In the United Kingdom the asking price is £3,799, and in Australia you’ll have to part with AU$6,599.

Not cheap, is it? Anyone who takes an interest in this sort of thing will know Astell & Kern has no problem in pitching its products as uber-high-end propositions, but no matter how many times I see one of its products priced this way, it remains difficult not to do a double-take…

Astell & Kern A&ultima SP4000 review: Features

(Image credit: Future / Simon Lucas)

  • 4 x AKM4191 and 4 x AKM4499EX DACs in 1:1 architecture
  • 4 x opamps per analogue output
  • Snapdragon 6125 octa-core processor

Something would seem amiss, wouldn’t it, if a digital audio player costing very nearly four thousand of your US dollars wasn’t groaning under the weight of its specification? Well, when you consider the extensive nature of the SP4000, it’s a wonder it’s not even bigger and even heavier than it actually is.

It follows that I should try to be reasonably brief, otherwise we’ll be here all day.

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At its most fundamental, the SP4000 is built around ‘octa’ audio architecture. The digital-to-analogue signal processing is in a 1:1 structure, with one AKM4191 digital processor paired with one AKM4499EX DAC. This allows digital signals to be delivered to a single DAC, four times over – this is a true quad-DAC design, with the aim of allowing precise signal transfer with a vanishingly low signal-to-noise ratio. The ability to deal with PCM resolutions of up to 32bit/768kHz and DSD512 means any realistic digital audio file is catered for.

There are eight opamps deployed, four attending to the unbalanced 3.5mm analogue output and four dealing with the 4.4mm balanced equivalent. The intention is to increase dynamic range and enhance detail retrieval – Astell & Kern calls this arrangement ‘high driving mode’ and suggests it provides powerful and stable signal output.

A newly developed LDO (‘low drop-out’) regulator in the power supply stabilizes battery voltage in an effort to suppress noise. Proprietary ESA (‘enhanced signal alignment’) technology is designed to improve the alignment of frequency signals (sometimes opaquely referred to as ‘timing’) to minimize distortion and enhance clarity. The PCB is a high-end ‘Any Layer HDI’ design that allows for extremely complex circuitry to be laid out in a very small space, minimizing signal loss.

(Image credit: Future / Simon Lucas)

What else? The audio block sits behind a 99.9% pure copper shielding can, offering significant shielding from electromagnetic interference. The audio block itself is Astell & Kern’s ‘Teraton X’ design, which incorporates HEXA-Audio circuitry along with power-efficient amplification and considerable power noise cancellation, to deliver what the company suggests is the ‘ultimate sound solution’.

The entire show is run by a Snapdragon 6125 Octa-core processor that features a high-performance CPU and 8GB of DDR4. CPU, memory and wireless comms circuitry are configured as a single module, and with the digital circuit components arranged in the same area it’s effectively a system on a chip.

I could go on. There are six digital filters available to allow the user to, in a small way, design their own sound. The ‘crossfeed’ feature allows a little of the left-channel mix into the right channel (and vice versa) and, in conjunction with some adjustment options, tries to replicate the effect of listening to speakers when listening to headphones. The second generation of Astell & Kern’s DAR (‘digital audio remaster’) technology, dubbed ‘Advanced DAR’, uses a ‘virtual sound extender’ as part of a two-stage upsampling process that can convert PCM signals of up to 48kHz to 385kHz or to DSD128, and signals of greater than 96kHz to DSD256, for playback.

Surely, though, the broad point is made by now. Astell & Kern didn’t leave space for the kitchen sink, but it has thrown pretty much everything else at the A&ultima SP4000.

Features score: 5 / 5

Astell & Kern A&ultima SP4000 review: Sound quality

(Image credit: Future / Simon Lucas)

  • Epic levels of insight and detail
  • Rhythmic and dynamic positivity
  • Sounds simultaneously open and unified

Yes, you can fiddle around the edges of the way the A&ultima SP4000 sounds – investigate filters, fool around with EQs, you name it – but what you can’t do is alter its overarching sonic character. Which is just as well, because this Astell & Kern digital audio player is a staggeringly direct, informative and, ultimately, complete listen. Few are the sources of audio information, of any type and at any price, that can match its powers of communication – and I have heard plenty.

No matter if you’re listening to a 16bit/44.1kHz FLAC file of Ride’s Leave Them All Behind, a 24bit/48kHz FLAC file of James Holden’s Common Land or a DSD64 file of The Band’s I Shall Be Released: it’s all the same to the SP4000. In every circumstance it’s a profoundly detailed, rhythmically positive, articulate and energetic listen. There really isn’t an aspect of music-making at which it doesn’t prove itself masterful.

And it’s not as if I can offer a “yes, but…” or two in the name of balance. The longer I listen to the SP4000, the more beguiled I become.

Tonal balance? It’s basically impeccable. Frequency response? Smooth and even from way down at the low frequencies to the vertiginous top end. The Astell & Kern sounds naturalistic and unforced, and it’s completely even-handed in the way it presents the frequency range. And at every point, it’s absolutely alive with detail both broad and fine. The minutiae of tone, timbre and texture are made absolutely apparent, and the player loads all of this information onto the listener without being in any way showy or uptight about it. This fanatical attention to detail is simply a way of ensuring you get as complete a rendition of your digital audio files as possible.

The presentation is spacious and well-defined at the same time, and no matter if it’s a large ensemble all packing the stage or just one voice with a single guitar as accompaniment, the SP4000 lays it all out in confident and coherent fashion.

It deals with rhythm and tempo with similar authority, keeping momentum levels high and observing the attack and decay of bass sounds (in particular) with obvious care. It can ease back if necessary, though – nothing gets hurried along, but rather is allowed to proceed at its own chosen speed. Dynamic headroom is, to all intents and purposes, limitless. From the smallest, quietest event in a recording to the last almighty crescendo, the SP4000 is on top of things – the distance between these two states is prodigious. And the smaller, but no less crucial, dynamics of harmonic variation, the attention to the over- and undertones that surround the fundamental when listening to a solo instrument, are given very judicious weighting. Context is everything, and the SP4000 seems to almost instinctively understand it.

And the Astell & Kern even has the decency not to be sniffy either about the music you listen to or the headphones via which you access it. Obviously it does better work (or, rather, its potential is best exploited) by hi-res files and high-end headphones – but if you want to connect your bog-standard true wireless in-ear via Bluetooth and listen to Spotify’s free tier the SP4000 won’t judge you. Not too badly, anyway.

Sound quality score: 5 / 5

Astell & Kern A&ultima SP4000 review: Design

(Image credit: Future / Simon Lucas)

  • Polished 904L stainless steel and PVD-coated ceramic
  • 150 x 85 x 20mm
  • 615g

Ordinarily, a digital audio player is designed to be reasonably compact, and light enough to be slipped into a pocket. Of course, Astell & Kern sets out for its digital audio players to be anything but ordinary.

So the SP4000 is a fairly large (150 x 85 x 20mm) device that weighs a considerable 615g. Too big and heavy, in other words, to be comfortably carried in any pocket smaller and less robust than that of a military greatcoat. This is its naked weight, too. If you add one of the included screen protectors (which is, admittedly, going to make negligible difference to the weight) and slip the player into its supplied Perlinger leather* protective case, it becomes heavier still. At least that case prevents the player’s sharp, pointy corners from digging into hands or pocket linings, mind you.

(*I’m not a vegetarian. I know people who are, though, and some of them are just as interested in high-quality audio as I am. So once again I find myself wondering why companies like Astell & Kern imagine real leather – in this instance, leather made from “the soft, delicate hide of calves under one year old” – to be the untouchable height of luxury. Surely it’s possible to offer a protective case for the SP4000 that looks and feels upmarket but that isn’t going to alienate who knows how many prospective customers? Or is that just me?)

The four sides of the SP4000 are built of 904L stainless steel (the same stuff the likes of Rolex uses, on the basis that it will accept an extremely high polish), and feature some of the angularity and asymmetry that Astell & Kern established as part of its design vocabulary a good while ago. The front is of toughened glass, 152mm on the diagonal, and is almost entirely touchscreen. The rear panel, meanwhile, is finished in PVD-coated ceramic.

It really goes without saying that the standard of build and finish on display here is flawless. With the design of the SP4000, Astell & Kern has set out to deliver a product that blurs the line between ‘electrical hardware’ and ‘luxury accessory’. Or, as the company’s website rather feverishly has it, “a work of art where technology, design, intuition and performance converge”. You may feel that Astell & Kern has done exactly what it set out to do, you may find the design rather self-consciously opulent. Taste is a very personal thing, after all.

It’s worth noting the grandeur of SP4000 ownership starts well before you peel the protective covering off the player itself. It arrives in a branded box that’s a similar size to that which contained a pair of size 10 Tricker’s boots I bought the other day. Inside there is another, branded, clasp-fastening box covered in what I strongly suspect is a further quantity of leather.

Inside that you’ll find the SP4000, along with compartments that contain that Perlinger leather cover, a case with a flap covering into which the player (in its cover) can be slipped (more leather, I presume), various guides and warranty documents, a congratulatory note from the company, and a reasonably heavyweight, branded USB-C to USB-C cable. I am pretty sure this all comes under the heading of ‘the experience’.

Design score: 4 / 5

Astell & Kern A&ultima SP4000 review: Usability and setup

(Image credit: Future / Simon Lucas)

  • 2160 x 1080 touchscreen
  • Supports Full Android OS
  • Qualcomm QC3.0 fast charging

The SP4000 represents the first time an Astell & Kern product has supported full Android OS. The convenience and all-around common sense of the operating system is intended to help the SP4000 be as flexible and convenient as possible, while some of the Snapdragon 6125 octa-core processor’s responsibilities center around rapidity of the OS response and the smooth, comfortable user interface motion.

Happily, it all works very well. The big 2K (2160 x 1080) touchscreen is responsive and swift, smooth-scrolling and consistent. The operating system will be mercifully familiar to anyone whose smartphone isn’t an iOS device, and it’s just as wide-ranging and usable here as it is in its most successful smartphone applications.

Setting up the SP4000 is no kind of hardship. It’s simply a question of connecting it to your local network (its dual-band Wi-Fi is tenacious when it comes to making and maintaining a connection to your router or tethering to your smartphone if you’re out and about), and from there it’s simple to load the apps you require. The ‘AK File Drop’ function makes transferring files from a PC, smartphone or FTP program on a common network faster and easier than before, too.

The Astell & Kern also supports Qualcomm QC 3.0 fast charging, which means it can be charged more rapidly (and more efficiently) than previous flagship A&ultima models. Mind you, ‘fast’ and ‘rapid’ are definitely relative terms in this instance. From ‘flat’ to ‘full’ takes around five hours, which is about half the time it takes for the SP4000 to flatten its battery if you’re listening to ordinary files at ordinary volume levels.

There are a few physical controls arranged around the edges of the SP4000. As you look at its touchscreen, there’s an elaborate volume control/power on/off on the top-right edge – it’s pleasantly shaped and knurled, and a light behind it glows in one of a variety of different colors to indicate the resolution of the audio file it’s currently playing.

On the opposite side there are three buttons that deal with skip backwards/rewind (accessible via ‘press’ or ‘press and hold’ respectively), skip forwards/fast-forward (same) and play/pause. There’s a ‘button lock’ switch on the top edge, to the right of the 3.5mm hybrid optical/unbalanced analogue and 4.4mm balanced analogue outputs, and on the bottom edge you’ll find a USB-C socket and a microSD card slot, which will accept cards of up to 1.5TB.

Usability and setup score: 4.5 / 5

Astell & Kern A&ultima SP4000 review: Value

(Image credit: Future / Simon Lucas)

First things first: you don’t contemplate ownership of the Astell & Kern A&ultima SP4000 because you’re in any way concerned about value for money. Is it the best-sounding DAP out there? Sure. Is it twice as good as alternatives from the likes of FiiO or Astell & Kern itself that cost comfortably less than $2k? Not a chance.

No, the value in the SP4000 comes from its status as the shiny flagship of the Astell & Kern range. It comes from the knowledge that no one you bump into when in the First Class Lounge has a more expensive DAP than you. It comes from the ability to add ‘DAP’ to the list of ‘madly luxurious accessories I own’.

Should I buy the Astell & Kern A&ultima SP4000?

(Image credit: Future / Simon Lucas)

Buy it if… 

Don’t buy it if… 

Astell & Kern A&ultima SP4000 review: Also consider

How I tested the Astell & Kern A&ultima SP4000

  • Tested for over a week
  • Tested with streamed and downloaded content
  • Tested with wired and wireless headphones

I slotted a microSD card filled with hi-res content (up to 24bit/192kHz and DSD64, anyway) into the SP4000, and I downloaded the Tidal and Presto music streaming apps while I was at it.

I used Sennheiser IE900 IEMs connected via the 4.4mm balanced output, Austrian Audio The Composer over-ears via the 3.5mm unbalanced alternative, and tried out the Technics EAH-AZ100 true wireless in-ears and Bowers & Wilkins Px8 wireless over-ears too.

I listened to lots of different types of music, via lots of different file types and sizes – and I did so indoors and (with some trepidation, I don’t mind telling you) outdoors too.

  • First reviewed in September 2025

Astell & Kern A&ultima SP4000: Price Comparison



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UGreen Nexode 65W Charger with Retractable USB-C Cable on its side against pink background
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UGreen Nexode 65W Charger with Retractable USB-C Cable review: an ultra-convenient all-in-one charging hub

by admin September 6, 2025



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UGreen Nexode 65W Charger with Retractable USB-C Cable review

Want a convenient all-in-one charger for your phone, laptop, tablet, and more? Then the UGreen Nexode 65W Charger with Retractable USB-C Cable might be exactly what you’re looking for! Yes, the model names are almost always this long.

This charging block comes with an integrated USB-C cable, meaning you don’t have to purchase one separately or worry about your charging wire falling out. It can be pulled out gradually to a range of lengths up to 2.3ft (0.69m), and snugly tucked away by gently pulling the cable and returning it to its magnetic cradle. On top of that, the integrated cable is nice and flexible, meaning it can flex to your environment without too much trouble.

And, if that wasn’t enough, there are two additional USB slots on the unit, enabling you to charge three devices simultaneously. One is a USB-C slot and must be used on its own to get the full 65W (the retractable cable is only capable of 60W in single-port mode), and the other is USB-A if you want to make use of an old wire.

All of this flexibility and versatility is great, but how about performance? Well, I charged my Samsung Galaxy S24 FE – which has a 4,700mAh battery – using the retractable cable. I also juiced up my Sony WH-1000XM6 via the USB-C port and LG Tone Free T90S with the USB-A alternative. And even with all ports in use, my phone went from 1% to 100% in well under 80 minutes – which is very speedy indeed.

With that said, there are a couple of performance quirks that are worth pointing too. I already mentioned that the retractable cable can’t hit the max 65W power output, but it also omits support for Samsung Super Charge 2.0 45W. That is, however, admittedly only relevant to a small crop of Samsung devices at the moment.

In addition, multi-port power disruption may not suit all users. If you charge three devices simultaneously, you get 45W from the retractable cable, but just 7.5W out of the other two. I was also perplexed by the fact that when dual-charging with the USB-C and USB-A port only, you’re still capped at 7.5W per port, even without using the integrated wire.

But, regardless, if you just need to charge your phone and say, a pair of earbuds and headphones, the triple-port distribution should still be good enough overall.

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Elsewhere, the charger is well built. It’s durable, compact given its 65W maximum power output, and has an attractive silvery finish. The UK model doesn’t have foldable prongs, which is a shame, but this isn’t the case over in the US.

The charger also harnesses GaN technology to offer a strong suite of protection against issues like overheating, short-circuiting, overvoltage, and more. I never felt this model get too hot during the testing process, and I didn’t experience any performance dips whatsoever.

So it’s safe to say that I’m a fan of this UGreen charger. I love the convenience of the built-in cable, it can charge my phone in a pinch, and it’s pleasingly compact for when I’m on the go. It’s also pretty cost efficient with a list price of $49.99 / £39.99 – though I’ve already seen it on sale for less than $35 / £28, so keep your eyes peeled for a sweet deal.

(Image credit: Future)

UGreen Nexode 65W Charger with Retractable USB-C Cable review: price & specs

Swipe to scroll horizontally

Price

$49.99 / £39.99

Total power output

65W

Number of ports

2 (excluding 1x inbuilt retractable USB-C cable)

Port type(s)

1x USB-C; 1x USB-A

Dimensions

2.1 x 2 x 2 inches / 53 x 50.9 x 50.4mm (without prongs)

(Image credit: Future)

Should I buy the UGreen Nexode 65W Charger with Retractable USB-C Cable?

Buy it if…

Don’t buy it if…

UGreen Nexode 65W Charger with Retractable USB-C Cable review: also consider

UGreen Nexode 65W Charger with Retractable USB-C Cable: Price Comparison



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