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Subnautica 2 studio Unknown Worlds are now suing their former execs for stealing docs and sharing them with the press
Game Updates

Subnautica 2 studio Unknown Worlds are now suing their former execs for stealing docs and sharing them with the press

by admin August 21, 2025


Time for your weekly helping of legal Subnaughtiness. Subnautica developers Unknown Worlds are suing recently departed director Charlie Cleveland, CEO Ted Gill, and studio co-founder Max McGuire for, amongst other things, stealing a bunch of game design files shortly before they were fired.

Or at least, an external legal firm acting on behalf of Unknown Worlds have filed suit. The firm in question – Richards, Layton, and Finger – are also representing parent company Krafton as they defend themselves against an earlier lawsuit brought by Cleveland, Gill and McGuire, who are accusing Krafton of dismissing them unfairly and delaying Subnautica 2’s release to avoid paying out a timed $250 million bonus.

Krafton 100% own Unknown Worlds, and are Subnautica 2’s publisher. So why isn’t this lawsuit coming from them? As PCGamer’s Andy Chalk suggests, the suspicion is that the lawyers have picked Unknown Worlds as plaintiff, rather than Krafton, because they think they’ll get more sympathy that way from Johnny Average Gamer. After all, everybody knows publishers are stinkheads.

A Krafton spokesperson has justified the situation as follows to Chalk: “While Krafton is the parent company, the contracts, intellectual property and confidential information at issue belong to Unknown Worlds. The defendants were executive leadership at Unknown Worlds, and their obligations, including confidentiality and fiduciary duties, were owed to that entity.”

The lawsuit itself broadly reiterates Krafton’s earlier claims that the three banished executives shirked their responsibilities toward Subnautica 2, and that they were only pushing to get the game released this year for the sake of that $250 million bonus (Cleveland, McGuire and Gill stood to receive 90% of it personally, but claim they planned to distribute most of their earnings to the rest of the Unknown Worlds team).

The document is full of redacted bits, excerpts from internal correspondence, and a bunch of screencaps from Reddit that are offered up as evidence that regular Subnautica players think the departed studio executives are at fault. Congratulations, redditor Plebius-Maximus – when they turn all this into a movie, you are probably going to be played by Justin Timberlake.

Cleveland is accused of being first to “stray” by leaving video game development in 2023 to “learn how to produce movies and explore other interests”. The lawyers say that by 2024, he had abandoned “all creative or other leadership roles with the Company”. As for McGuire, he’s said to have “spent 2022 and 2023 buried in the passion project of a new game, Moonbreaker, even well past the time that it became clear that Moonbreaker was a commercial failure”. The lawsuit accuses Gill, the CEO, of doing nothing about these “functional departures from game development of leadership”. It alleges that development “stalled” as a result, resulting in projected release date delays and a “degraded” project scope.

With regard to the much-ballyhooed $250 million “earnout”, the lawsuit accuses the three of trying to “publish whatever they could under the Subnautica 2 name on a timeline” that would ensure they received the money, despite the game falling “far short of the Company’s internally-set expectations for the early access release”. It claims that when Krafton rejected their proposals, the three executives threatened to self-publish Subnautica 2. It was this conversation, the lawsuit claims, that led to Unknown Worlds terminating their employment.

That much, we’ve approximately heard before. But the accusations of stealing documents from the company are new. On June 2nd and June 30th- shortly before he was fired – Gill allegedly exported his entire Unknown Worlds email account, triggering an IT alert. McGuire is said to have downloaded 99,902 company files shortly before his own termination, including documents from Moonbreaker’s development. Cleveland supposedly “downloaded 72,140 Company files” between June 26th and his termination on 1st July, only to be interrupted when Unknown Worlds cut off his access to the system in the course of his firing.

When the mass downloading of files was reported, Unknown Worlds apparently sent a cease & desist letter to the three, demanding that they return any confidential info in their possession. According to the lawsuit, the fired executives at first refused, and then proposed to delete files rather than turn over their devices for inspection. The lawsuit alleges that Gill, Cleveland and McGuire are both using this confidential information in their lawsuit against Krafton, and have also “improperly used or disclosed Confidential Information to members of the press”.

It’s not clear what this last part refers to, but it could be the internal Subnautica 2 planning document that appeared online in July. Krafton were happy to confirm that as authentic, which is understandable given that the document’s mention of stripped-out features supports their case for delaying the game.

You can read all 74 pages of the redacted Unknown Worlds lawsuit on Scribd. All of this is going to chug along for a while longer, I expect. For the moment, I will close by noting that the lawyers accuse Gill, Cleveland and McGuire of carrying out a “trifecta of mischief”, which is a magic phrase and also, sounds like the title of a Bond film. Perhaps they should cast Idris Elba as Plebius-Maximus – on reflection, I’m not sure Timberlake has the starpower for something this high octane. He can play Johnny Average Gamer instead.



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August 21, 2025 0 comments
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An image of the Critical Role crew posing with senior designers Jeremy Crawford and Chris Perkins, former employees of Wizards of the Coast.
Product Reviews

D&D’s Jeremy Crawford and Chris Perkins un-retire, change teams to Critical Role’s Darrington Press after a combined 46 years at Wizards of the Coast, leaving jaws dropped

by admin June 17, 2025



Dear reader, it might not surprise you to hear this, given my professional, actual job is to write for a site about PC Gaming—but I’m not really into sports. This isn’t universal among our staff, mind. I was duly ribbed for the way I described the following feeling in our morning meet.

However, the recent move of Jeremy Crawford and Chris Perkins to Critical Role’s Darrington Press, after a combined 46 years at D&D, is the closest I will ever get to witnessing the transfer of a high-profile athlete between sports teams. Now, when someone talks to me about how John Sports was bought by a rival team, I can say “I know exactly how you feel about John Sports”.

Some context, first: Darrington Press is the publishing arm of Critical Role, a long-standing D&D actual play stream that’s accrued enough fans to nigh-instantly fund an Amazon Prime animated series. Critical Role has grown into its own media empire and TTRPG company, releasing sourcebooks for homebrew systems Candela Obscura and Daggerheart.


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Perkins and Crawford, meanwhile, are some major industry talents. Formerly the senior story designer and principle rules designer of Dungeons & Dragons, Perkins left WoTC in April of this year after 28 years at the company, with Crawford departing soon after.

Both were large losses for Wizards of the Coast, which had just finished releasing its 2024 ruleset overhaul. And now they’re working for Critical Role, a company that got its start livestreaming D&D, to design systems that are direct competitors. In a post to the Darrington Press website, Critical Role writes:

“Exciting news—our Darrington Press team has grown, adding Chris Perkins as our Creative Director and Jeremy Crawford as Game Director! We’re thrilled to welcome both Chris and Jeremy’s expertise in game design and storytelling, honed through decades of experience working together on tabletop games such as Dungeons & Dragons, Star Wars Roleplaying, Warhammer Fantasy Roleplay, and Blue Rose. We’re enormous fans of their work and are honored to welcome them into our team.”

The words “enormous fans of their work” feels like an understatement, when your company got its start playing one of their games—I don’t think Critical Role owes Wizards of the Coast fealty or anything, there’s just a certain kind of poetry in action here. The student has snapped up two of the masters.

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Perkins says: “Storytelling has always been at the heart of everything I do, and joining Darrington Press feels a bit like coming home … I’ve loved being a part of the extended Critical Role family as a regular guest over the years and I’m beyond excited to help create new worlds full of adventure.”

Crawford, meanwhile, seems buzzing with excitement. “This team is passionate, wildly creative, and committed to building welcoming, connected, amazing story-driven experiences—I can’t wait to expand on what Critical Role has already created to develop some really fun and unique games.”

Wizards of the Coast has been fumbling the bag these past 10 years when it comes to D&D—mostly. I might have my issues and grumbles and gripes with D&D’s 2024 rules remaster, but it’s a fine ruleset, and I’m certain plenty of people will enjoy it. When it comes to secondary projects like capitalising on Baldur’s Gate 3’s success, developing its own VTT, and so on? It’s stumble after stumble.

(Image credit: Darrington Press / Art by Nikki Dawes.)

I have to wonder out loud—and this is pure conjecture and speculation—whether Perkins and Crawford moving over to Darrington Press has something to do with wanting to escape a stifling, Hasbro-driven environment. Critical Role isn’t a small pennies company, mind, but it certainly doesn’t have a CEO who keeps talking about how cool AI is.

If there is any lingering disquietude, Perkins, Crawford, and Critical Role are all likely to keep it quiet—and with good reason. It’s bad professional manners to speak poorly of a former employer, for one thing, but Critical Role also isn’t entirely disconnected from the D&D brand just yet.

It’s just as likely that Perkins and Crawford want to do something new. You make the same game for a couple of decades, and you’ll want to go do something else. Especially given D&D 2024 is a rules revamp, not an overhaul—staying would mean committing to another decade or so of tinkering with the same skeleton. Whatever their reasons, I’m genuinely excited to see what Perkins and Crawford bring to the table.

Still, this has to sting a little for ol’ Wizards of the Coast. D&D 2024 went fine, but as a wider company, it can’t seem to stop losing talented business partners and employees. First Larian sets sail for greener pastures, and now this. This might be another sign that the TTRPG industry’s overdue another OGL-style shakeup.



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June 17, 2025 0 comments
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Critical Role's Darrington Press Hires Two Legendary Dungeons & Dragons Game Designers
Game Updates

Critical Role’s Darrington Press Hires Two Legendary Dungeons & Dragons Game Designers

by admin June 16, 2025


Today, Darrington Press, Critical Role’s tabletop role-playing game publisher, announced it has hired Jeremy Crawford and Chris Perkins, two of the lead designers for Dungeons and Dragons who recently departed the company. Perkins and Crawford will now serve as Darrington Press’ Creative Director and Game Director, respectively, according to an announcement on the company’s website.

This is a massive shakeup for the TTRPG world. Critical Role, known for its livestreamed games of Dungeons & Dragons played by high-profile voice actors, launched Darrington Press in 2020. While the company’s first projects were Critical Role adjacent, this year it released Daggerheart, a standalone role-playing game designed to compete with Dungeons & Dragons and other similar games. The cast is currently in the midst of a mini-arc using the game system, and fans have speculated the company might intend to move away from D&D entirely one day.

Daggerheart, the tabletop role-playing game from Critical Role, is a system that uses dice and cards to tell stories in a fantasy setting.

By bringing on Crawford and Perkins, Darrington Press’s pedigree increases significantly. The two have worked at Wizards of the Coast for many years (Crawford for 18, Perkins for 28), and are considered two of the primary architects behind Dungeons and Dragons’ extremely popular fifth edition and its 2024 overhaul of that ruleset. The designers were public spokespeople for the brand as well, appearing in videos to explain new books or playtests and even clarifying rules on social media. Shortly after the new books were released, however, Chris Perkins and Jeremy Crawford each announced they had decided to leave the company.

Their jump to Darrington is an unexpected move, to say the least, but it seems Wizards of the Coast was aware of the transition, making a point to congratulate the move on Bluesky. The pair also did an interview with The Los Angeles Times explaining their decision process and generally praising the Critical Role team.

The two will be “developing novel game concepts as well as expanding the games [Darrington has] released so far,” according to the announcement. This likely involves additions to Daggerheart, which launched a few weeks ago. For more Daggerheart and its inspirations, you can read our interview with its lead game designer, Spenser Starke. 



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June 16, 2025 0 comments
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Bank of America Puts Bitcoin on Same Tier as Printing Press
NFT Gaming

Bank of America Puts Bitcoin on Same Tier as Printing Press

by admin June 16, 2025


In a recent research note, Bank of America, one of the leading banking institutions in the US by assets under management, recently compared Bitcoin to the printing press and the Ford Model T in terms of their disruptive potential. 

When it comes to the 21st century, Bitcoin is believed to be on par with such technologies as social media, the iPhone, and, of course, artificial intelligence (AI). 

Even though Bitcoin naturally has faced a lot of hostility from the banking sector, Bank of America was somehow bullish on the cryptocurrency all the way back in 2013. Back then, the bank’s client note stated that the cryptocurrency had a lot of “growth potential.”   

Back in January, Bank of America CEO Brian Moynihan said that he would separate stablecoins from the rest of cryptocurrencies. He also predicted that the banking sector would make moves into crypto “from a transactional side.” 

Last March, the Wall Street Journal (WSJ) reported that Bank of America was exploring launching a stablecoin in tandem with other US banking institutions in order to counter growing competition from cryptocurrency-native firm.

In February, the bank revealed that it had some minor exposure to Bitcoin-based exchange-traded funds (ETFs). 

It should be noted that Bank of America already has hundreds of patents focused on blockchain technology.   



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June 16, 2025 0 comments
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A Silent Hill remake has been announced as "in development" during Konami Press Start showcase
Game Reviews

A Silent Hill remake has been announced as “in development” during Konami Press Start showcase

by admin June 12, 2025


A Silent Hill remake has just been announced during Konami’s Press Start showcase.

The game will be created by Bloober team in collaboration with Konami. As of writing, the only confirmed is that the game is “in development”.

The brief reveal trailer was paired alongside the Silent Hill 1 intro theme, further confirming that this is the original game in the legendary horror series being remade.


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This remake of the original 1999 game by Bloober Team, the developer responsible for the excellent Silent Hill 2 remake. That game received ample critical and commercial success, and in Eurogamer’s own review of the Silent Hill 2 remake, Vikki Blake noted: “Against the odds, Bloober Team has delivered a remake that both expands Silent Hill 2 in just the right places, and gives careful attention to what it preserves.”

This will be the first time Silent Hill 1 has gotten the remake treatment, although it was reimagined back in 2009 with Silent Hill: Shattered Memories. That game, released on the Wii and later ported to the PS2, was an interesting spin on the game that started it all.

Bloober Team is also working on Cronos: The New Dawn, which got a release date announcement at Summer Game Fest only a few days ago.



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June 12, 2025 0 comments
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Metal Gear Solid Delta’s James Bond opening gets the remake treatment
Game Updates

Konami’s Press Start games showcase: how and where to watch

by admin June 11, 2025


In the wake of the Summer Game Fest frenzy, Konami still has games to show. On Thursday, Konami will stream a new showcase called Konami Press Start, an event which promises game news and updates on upcoming titles like the Metal Gear Solid 3 remake and the next original Silent Hill game.

Konami Press Start will stream live on June 12, starting at 9 a.m EDT/6 a.m. PDT. You can watch it live on Konami’s YouTube channel. The stream is expected to run 37 minutes, and cover Metal Gear Solid Delta: Snake Eater and Silent Hill f. Konami also promises more than just those games, so keep your fingers crossed for new details on the Gradius Origins collection, an update on the next Metal Gear Solid: Master Collection, and confirmation on DLC for Bloober Team’s Silent Hill 2 remake.



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June 11, 2025 0 comments
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Konami Press Start Showcase Will Highlight Metal Gear Solid Delta: Snake Eater, Silent Hill F, And More This Week
Game Updates

Konami Press Start Showcase Will Highlight Metal Gear Solid Delta: Snake Eater, Silent Hill F, And More This Week

by admin June 10, 2025


Though last week was packed with showcases like the PlayStation State of Play, Geoff Keighley’s Summer Games Fest, the Xbox Games Showcase 2025, Day of the Devs, and plenty more, there’s still some summer fun on the horizon. Konami has revealed it will host a Press Start showcase this week on Thursday, June 12, at 6 a.m. PT/9 a.m. ET, where it will highlight roughly 37 minutes of Metal Gear Solid Delta: Snake Eater, Silent Hill f, and more. 

“Join Konami for a broadcast of the latest information on new, upcoming titles like Silent Hill f and Metal Gear Solid Delta: Snake Eater, and more,” the show’s description reads. 

 

Though that’s not much to go on, fans excited for Konami’s upcoming Metal Gear Solid 3 remake and the latest Silent Hill, which brings players to Japan, should tune in when Press Start airs on Thursday. 

In the meantime, check out the latest Silent Hill f gameplay trailer, where we also learned it is launching this September, and then check out Metal Gear Solid Delta: Snake Eater’s remade version of the original game’s iconic opening movie. 



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June 10, 2025 0 comments
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Player's Guide 2 by Kobold Press now live on Kickstarter
Esports

Player’s Guide 2 by Kobold Press now live on Kickstarter

by admin June 1, 2025


Kobold Press has a new sourcebook for their Tales of the Valiant and 5E games. The new Player’s Guide 2 is now live on Kickstarter and is already fully funded:

Kobold Press is thrilled to announce the launch of Player’s Guide 2,
a character-focused sourcebook filled with over 250 pages of expanded player options, live on Kickstarter on May 27th. This exciting new release is fully compatible with the Tales of the Valiant RPG and 5th Edition games.Player’s Guide 2 introduces a plethora of thrilling possibilities for players. Gamers can refine their favorite core classes with an impressive 48 new subclasses, master over 150 new spells, enhance their characters with magical tattoos, and more. The brand new Vanguard class empowers players to lead warriors and hold the line in battle, while the updated Witch and Theurge classes provide new advanced magic options for arcane-loving players.

Game Masters will also find a treasure trove of new options within Player’s Guide 2, designed to engage players and elevate encounters both on and off the battlefield. With expanded downtime rules, customizable base-building, and vehicle upgrades, this sourcebook promises to enrich every gaming session.

Player’s Guide 2 is available in a beautifully crafted hardcover edition and a collector’s Limited-Edition cover with twin-foil stamping. Both editions include a PDF for backers.

Additionally, players can keep their adventures organized with the brand new 32-page Character Journal. This journal allows users to document their character’s journey, featuring a full character sheet, downtime tracking, expanded spell pages, and ample space for campaign events, items, mounts, familiars, and more.


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June 1, 2025 0 comments
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Elon Musk receives a key from U.S. President Donald Trump in the Oval Office of the White House on May 30, 2025 in Washington, DC.
Product Reviews

Trump Admits ‘Elon’s Really Not Leaving’ During DOGE Press Conference

by admin May 30, 2025


President Donald Trump held a bizarre press conference with Elon Musk in the Oval Office of the White House on Friday, ostensibly to wave goodbye to the leader of the Department of Government Efficiency (DOGE). But both Trump and Musk essentially admitted that the billionaire oligarch wasn’t really going anywhere, at least when it comes to his influence on the federal government.

“This is not the end of DOGE. This is only the beginning,” Musk said, explaining that his time as a Special Government Employee (SGE) was limited.

SGEs can’t legally work for more than 130 days in any 365-day period, and that period is indeed coming to an end for Musk. But these guys aren’t exactly known for following the rules, and it seems like a convenient way to lower Musk’s profile while maintaining his influence.

The billionaire has apparently been getting on everyone’s nerves, but Musk’s exit appears to be largely symbolic, given that many of the young men he’s installed throughout the government are still in their positions. And President Trump admitted as much during the press conference.

“Many of the DOGE people, Elon, are staying behind too, so they’re not leaving,” Trump said. “And Elon’s really not leaving. He’s going to be back and forth.”

Trump gave Musk a golden key in a box, something he said he only gives to “very special people,” and rattled off a list of things DOGE had canceled, including “making mice transgender” and “Arab Sesame Street.” Musk has taken credit for cancelling countless programs he had no legal authority to cancel, including all of USAID.

“I look forward to continuing to be a friend and advisor to the president, and I look forward to continuing to support the DOGE team,” Musk said.

During the press conference, Musk referred to the “banal evil of bureaucracy,” a dig at the normal functions of the government that don’t benefit him. Musk is a federal contractor, and not a single dollar allocated to his companies has been cut during his tenure taking a chainsaw to the government. Researchers estimate Musk’s cuts with DOGE have killed at least 300,000 people around the world and will kill millions more in the coming years, as vital public health services now go unfunded.

Musk, who started Trump’s second term by giving two Nazi-style salutes, tried to make jokes when asked questions by reporters and whined incessantly after someone mentioned the New York Times. Musk made a big show of denouncing the newspaper in front of Trump, saying they might have to give back their Pulitzer Prize for reporting on the president’s ties to Russia, something he referred to as the Russia hoax.

Katie Miller, the wife of Stephen Miller who had been working as a spokesperson for DOGE, was spotted in the room during the press conference by a photographer for Getty Images. Miller is leaving her government role to follow Musk in the private sector, though it’s not yet clear what role she’ll be playing at any of his companies. The Millers have an odd relationship with Musk, according to reports, and people on social media have joked that it may be sexual in nature, given the way Wired magazine characterized it back in February.

The official X account for the Democratic Party even shared a photo of a hotel “cuck chair” while quote-tweeting a story about Katie Miller on Friday. The account tagged Stephen Miller in the tweet.

White House Deputy Chief of Staff Stephen Miller’s wife, Katie Miller, listens as U.S. President Donald Trump and Tesla CEO Elon Musk speak to reporters in the Oval Office of the White House on May 30, 2025 in Washington, DC. © Photo by Kevin Dietsch/Getty Images

Trump also rambled Friday about his personal grievances and “transgender for everyone,” a phrase he uses frequently on Truth Social, though it’s not clear what he means. The Trump regime has persecuted trans people in a sadistic campaign that shows no sign of ending. Musk is also an anti-trans bigot who claims that words like cisgender are slurs.

Musk, who had a black eye, was often gazing at the ceiling and into the distance, sometimes rolling his neck in circles and generally acting very strangely. Asked about the black eye by a reporter, Musk joked that he wasn’t in France, a reference to a viral clip of French President Emmanuel Macron who was recently pushed in the face by his wife. Musk said that he told his 5-year-old son X to punch him in the face.

“I said, go ahead, punch me in the face. And he did. Turns out even a 5-year-old punching you in the face actually does…” Musk said, trailing off. Trump laughed, asking if it was really X who had done that. The Tesla CEO confirmed that’s what happened with a laugh. “But I didn’t really feel much at the time,” Musk continued. “And then I guess it bruises up. But I was just horsing around with the kids.”

The Daily Mail reported Friday that Musk had an encounter with Treasury Secretary Scott Bessent that turned “violent,” citing an interview with Steve Bannon. The article quotes Bannon as saying “Elon basically shoved him,” referring to the 62-year-old Bessent, though the exact timing of the confrontation wasn’t revealed. It’s not clear if Musk’s black eye may have been a result of the fight, and Bannon doesn’t say Bessent fought back, which seems like it would have been an important part of the story if that really was the explanation for Musk’s shiner.

The incident and Musk’s odd behavior in the Oval Office are sure to increase speculation about Musk’s purported drug use. The New York Times published a new report on Friday that alleges Musk has been using a number of illicit drugs, including ketamine, ecstasy, and psychedelic mushrooms. Those allegations have been long-standing ever since the Wall Street Journal reported that story in early 2024. The real revelation from the NYT seems to be that Musk has been getting advance notice of drug tests, something he needs to do to maintain his security clearance as a federal contractor for SpaceX.

Elon Musk looks up as he listens to U.S. President Donald Trump speak to reporters in the Oval Office of the White House on May 30, 2025 in Washington, DC. © Photo by Kevin Dietsch/Getty Images

NASA claimed in 2024 there has been “no evidence” of drug use by Musk, but there might be a very good reason for the lack of evidence if advance warning was given to the billionaire. Musk has previously said he is prescribed ketamine for depression, but the new report from the NYT calls into question the dosing and frequency of his use.

Musk’s alleged drug use would be ironic, of course, given the way that Trump and his supporters insist the country is being overrun by drugs and drug addicts.



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May 30, 2025 0 comments
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Freedom of the Press Foundation Threatens Legal Action if Paramount Settles With Trump Over '60 Minutes' Interview
Product Reviews

Freedom of the Press Foundation Threatens Legal Action if Paramount Settles With Trump Over ’60 Minutes’ Interview

by admin May 24, 2025


Media advocacy group Freedom of the Press Foundation has sent a warning letter to Paramount mogul Shari Redstone, outlining plans to file a lawsuit if the media company settles a suit brought by President Donald Trump against its subsidiary, CBS.

“Corporations that own news outlets should not be in the business of settling baseless lawsuits that clearly violate the First Amendment,” Freedom of the Press Foundation director of advocacy Seth Stern said in a statement.

Stern issued the warning by asking for a litigation hold on Friday afternoon, demanding that Paramount preserve any documents relating to a potential Trump deal and urging the company not to settle. The nonprofit is able to seek damages because it owns shares of Paramount. It plans to act on behalf of itself and other shareholders, alleging that the settlement would amount to the company’s executives “breaching their fiduciary duties and wasting corporate assets by engaging in conduct that US senators and others believe could amount to unlawful bribery that falls outside the scope of the business judgment rule.” The White House and Paramount did not immediately respond to requests for comment.

Last October, President Trump sued Paramount subsidiaries CBS Broadcasting and CBS Interactive, alleging that an interview with former Vice President Kamala Harris that aired on longstanding CBS News program 60 Minutes was deceptively edited, in a manner that constituted election interference. Initially seeking $10 billion in damages, Trump amended the lawsuit in February to ask for $20 billion. Paramount Global has a market cap of roughly $8.5 billion.

Although Paramount previously called the lawsuit “an affront to the First Amendment” in legal filings to dismiss this March, it has reportedly sought to settle; the company has a potentially lucrative merger pending with Hollywood studio Skydance that would require the Trump administration’s signoff.

Last week, Democratic senators Elizabeth Warren, Bernie Sanders, and Ron Wyden sent a letter to Redstone seeking information about any potential settlement, raising concerns that it would amount to bribery. “If Paramount officials make these concessions in a quid pro quo arrangement to influence President Trump or other Administration officials,” they wrote, “they may be breaking the law.”

Talks of a potential settlement had roiled CBS for months. Longtime 60 Minutes executive producer Bill Owens abruptly resigned in April, and CBS News president and CEO Wendy McMahon resigned earlier this month. “It’s become clear the company and I do not agree on a path forward,” she wrote in a memo to staff at the time.

Trump’s lawsuit against Paramount isn’t an isolated attack on the media. He sued ABC News, owned by the Walt Disney Company, for defamation in March 2024 over comments from anchor George Stephanopoulos portraying the president as “liable for rape.” (A federal jury found President Trump liable for sexual assault in a 2023 civil case, but not rape.) The company settled the case in December. In late April, Trump posted comments on his social platform Truth Social that appeared to threaten The New York Times with the possibility of legal action in the future.



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May 24, 2025 0 comments
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