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Product Reviews

Samsung HW-QS700F soundbar review: Dolby Atmos and DTS:X in a flexible package

by admin June 15, 2025



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Samsung HW-QS700F: Two-minute review

The Samsung HW-QS-700F is one of the company’s latest soundbars. It combines the performance of Samsung’s Q series models with a stylish lifestyle-friendly design usually found in Samsung’s S series soundbars. Does this mean this crossover soundbar is twice as nice, though, or has becoming a jack of all trades made it a master of none?

At first glance, you might be forgiven for not understanding why the Samsung QS700F might be considered a designer ‘lifestyle’ example of the best soundbars. With its long, angular, hard-finished main soundbar and compact, roughly cubic subwoofer, it looks mighty similar to the components of Samsung’s latest performance-led Q series models.

That’s not to say it’s ugly; it’s slender enough to fit beneath most TV screens, long and deep enough to promise some potent sound, and robustly finished enough to feel like a premium product. And the new subwoofer design Samsung has adopted across most of its soundbar range this year might even be called cute thanks to its relatively small footprint, rounded edges, crisp black finish and jauntily large circular drivers.


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In the end, though, despite unfortunately not joining most of Samsung’s performance-oriented Q series models in carrying a proper built-in LED display, it shares more immediate DNA with the Q series than the usually sleeker, smaller S Series.

The S part of the QS700F deal heaves into view with its so-called Convertible Fit feature. This “dynamic dual set-up” system means that, unlike the vast majority of other soundbars, the QS700F can be configured to truly work in either a wall hanging or stand placement.

Of course, many other soundbars out there can either be attached to a wall or placed on a bit of furniture. Practically none of those other soundbars, though, do what the QS700F does and actually adjust their speaker configuration to optimise their performance for their separate wall-hanging or stand placement options.

What happens with the QS700F, essentially, is that the front and up-firing height speakers in play when the soundbar is sat on a TV stand can reverse their functionality if you tip the soundbar up into a vertical position and turn it upside down to place it flat on a wall. There’s even a gyro system built into the QS700F’s main bar component that can automatically tell if the soundbar is being used flat or vertically, adjusting the sound channel configuration accordingly.

Pictures are worth a thousand words when it comes to explaining this extremely rare feature, so I suggest you take a moment to peruse the below images if you’re still struggling to figure out how it does what it does – and why the result is so different to simply sticking a regular soundbar on a wall bracket.

  • Samsung HW-QS700F (Black) at Amazon for $547.99

Image 1 of 2

A gyro system built into the QS700F reverses the front and the up-firing height speakers when the soundbar is tipped up into a vertical position to place it flat on a wall for a wall-mount installation (see next slide).(Image credit: Future)(Image credit: Future)

The QS700F isn’t the first soundbar that’s been expressly designed to look good and work well when mounted on a wall. Most wall-based soundbar designs, however, can’t also be used in a stand set-up. And soundbars that can do what the QS700F does and completely reconfigure their driver array to support both horizontal and vertical setups are very rare indeed. The main current model I can think of is the Devialet Dione, with its ‘rotating ball’ centre channel speaker, but that will currently set you back £1,800 / around $2,440 – two and a half times what the QS700F costs.

Delivering genuine wall or stand placement flexibility isn’t the QS700F’s only attraction, though. Its 3.1.2 channel count is also more numerous than might have been expected with such an affordable and customisable soundbar – especially given that the .2 bit indicates the presence of two up-firing speakers for Dolby Atmos height effects that are available in either of the soundbar’s two orientation options, and the .1 bass channel bit is delivered by an external subwoofer.

This subwoofer manages to combine likeable, compact aesthetics, too, with two startlingly large drivers on two of its opposing sides. One of these is an active 8-inch driver, while the other is a smaller, passive unit, with the dual-sided approach intended to make it possible to underpin music and, especially, film soundtracks with smoother and less directional bass than Samsung’s previous sub designs did.

The Dolby Atmos playback support (for music as well as movies) mentioned earlier is joined by support for DTS:X soundtracks too, while music lovers can enjoy their favourite tunes streamed in via direct Chromecast, Spotify Connect, Airplay and Tidal Connect support. Supported music file formats are expansive, too, including MP3, AAC, OGG, FLAC, WAV, ALAC and AIFF.

Stereo music can be played in its basic two-channel format by the QS700F, as you would expect, but its sound presets also include a couple of options that can upmix two-channel music to take advantage of all of the system’s available channels. The Surround mode is the most straightforward of these two options, while an Adaptive option brings AI into play, with a particular focus on optimising volume and enhancing detailing and clarity.

A Game preset, meanwhile, emphasises the multi-channel directionality of the surround sound (often Dolby Atmos) audio tracks modern games typically use, to both make the game world feel more immediate and intense, and to give you a better idea of exactly where approaching or attacking enemies are relative to your own position.

The QS700F’s compact remote control (Image credit: Future)

While the QS700F doesn’t carry nearly as many channels as you get with Samsung’s flagship soundbars for 2025, there’s still enough going on to potentially present you with a bit of a setup headache. Happily, though, Samsung has equipped the QS700F with a so-called SpaceFit Sound Pro system that automatically and constantly works to optimise the tone and impact of the bass to keep it in line with the rest of the soundstage, as well as keeping dialogue and effects in balance.

If you decide you want to make the QS700F a full surround system, you can either add a pair of Samsung’s SWA-9500S speakers for £249 / $299, or a pair of Samsung’s Music Frame speakers for a £800 / $600. As well as being much cheaper, I’d suggest the SWA-9500Ses would be the much better option for adding to the QS700F because they include extra up-firing speakers as well as the main forward-facing drivers, enhancing Dolby Atmos’s hemisphere of sound effect.

The QS700F is decently connected considering how affordable it is for such an innovative design, with an HDMI pass-through being joined by an optical digital audio input and the now expected Bluetooth and Wi-Fi streaming options. The Wi-Fi functionality even extends to support for Samsung’s Wireless Dolby Atmos streaming, where the soundbar can receive Dolby Atmos soundtracks from compatible Samsung TVs without the need for any cables.

The QS700F supports Samsung’s Q Symphony system, too, where the speakers in the TV can work alongside those in the soundbar to create a more detailed and well-staged soundscape, rather than the soundbar just taking over all sound duties by itself.

The one disappointment with the QS700F’s connections is that the HDMI pass-through doesn’t join the HDMI ports on Samsung’s Q990F flagship soundbar in supporting 4K 120Hz gaming feeds. So if you have a console or PC capable of outputting graphics to that format, you’ll have to connect your gaming device directly to your TV and use eARC functionality to send game sound from the TV to the soundbar. That approach can sometimes, though thankfully not that often these days, cause a loss of synchronisation between the pictures on your TV and the sound coming from the soundbar.

The QS700F’s top surface control buttons (Image credit: Future)

The QS700F’s performance turns out to be startlingly uncompromised by its innovative multi-placement design. There are some mild differences in how it sounds in its two usage configurations, but overall, it sounds excellent whichever way round you use it, and better, in fact, than most ‘standard’ soundbars at the same sort of price point.

Looking first at performance features that remain consistent regardless of whether you’re using the QS700F in its vertical or horizontal stance, the most immediate thing you notice is how powerful it is. Despite its fairly compact two-piece design, it’s capable of both getting seriously loud and projecting its sound far beyond the boundaries of its physical form. The result is a sound that’s capable of filling at least the front half of even quite a substantial room with a really potent soundstage.

There’s much more to the QS700F’s power and projection than just brute force and loudness, though. Its speakers are also sensitive enough to deliver impressive amounts of detail, be it a mild background ambient sound or a more specific, placed effect. Yet it does so with an excellent sense of balance, where no sound stands out artificially brightly from the mix.

Spot effects are accurately placed in the three-dimensional sound space the QS700F creates in either of its vertical or horizontal placement configurations, too, and sound transitions as noisy objects move around the three-dimensional space are tracked with strong and involving accuracy, clarity and consistency, even if there are multiple moving objects to track at the same time.

Impact sounds are delivered with a degree of venom and projection that’s rare indeed at the QS700F’s price point, while the subwoofer performs well beyond its size, underpinning action scenes with seriously deep and distortion-free rumbles. These also, crucially, feel like natural extensions of the dynamic range delivered by the main bar, with no sense of bagginess or dislocation in the way the subwoofer’s sound ‘attaches to’ it.

Treble effects, finally, also emerge without sounding distorted or overly shrill, especially as the subwoofer’s contributions at the other end of the spectrum provide such a potent counterpoint.

While the QS700F is at its absolute best as an ultra-flexible movie soundbar, it’s also a strong music performer. In either of its vertical or horizontal configurations, music enjoys good staging, with effective but not over-stated stereo separation, nicely positioned vocals that sit at the centre of and slightly above the rest of the mix, and some tight and typically well-timed and consistent bass from the subwoofer.

They might not be to everybody’s taste, but the surround sound upmixing options the QS700F provides for stereo sources work unusually well, too. There’s a level of intelligence and naturalism about the way elements in a stereo mix are separated out and redirected around the system’s 3.1.2 channels that you don’t get with arguably any other soundbar brand bar except, perhaps, Sony. Add a pair of the optional rear speakers and the upmixing becomes even more effective, sounding at times more like a professional surround mix than something that’s being essentially made up on the fly by Samsung’s processing.

The QS700F’s rear ports include HDMI pass-through for connecting an external source like a Blu-ray player (Image credit: Future)

Looking at the differences in the way the QS700F sounds in its vertical and horizontal configurations coincides for the most part with the weaker aspects of the soundbar’s performance.

Due I think to its rather unusual configuration, where it sits tucked up into the upper edge of the soundbar when it’s placed on a desktop so that it can also work when the soundbar has been turned upside down and placed vertically on a wall, the centre channel speaker isn’t a total success. It can sound a touch muffled at times when using the soundbar in its TV stand set up, and in the wall-hanging configuration, while dialogue sounds clearer, it can also sound like it’s coming from slightly below the onscreen action. (Simply overriding the auto-calibration system and turning the centre channel volume output up a couple of notches helps the stand set up centre channel issue, mind you.)

With the QS700F used vertically, for wall hanging, height and ambient effects in a Dolby Atmos mix aren’t spread quite as far and wide or with quite as much authority and polish as they are when the soundbar is in its desktop position. Finally, stereo music sounds slightly more open, rich and detailed with the QS700F in its vertical stance. In stand mode, stereo music sounds a bit hemmed in, not quite escaping from the soundbar’s bodywork as cleanly and effectively as movie soundtracks do.

In the end, I’d suggest sticking with Standard mode for stereo music playback if the soundbar’s hanging on a wall, but at least giving an extended trial to the Surround mode for two-channel music if the soundbar’s sat on a surface.

I need to wrap all this up, though, by circling back to the point I made earlier that while there are one or two mostly minor performance differences in how the QS700F sounds in its two different set ups, Samsung’s new soundbar’s unique convertible fit design doesn’t stop it from still sounding much better, especially with movies, in either of its configurations than the vast majority of normal soundbars do.

Samsung HW-QS700F review: Specs

Swipe to scroll horizontally

Dimensions (W x H x D)

Main bar: 1160 x 51 x 120mm/45.67 x 2 x 4.725 in, Subwoofer: 249 x 252 x 249mm/9.8 x 9.92 x 9.8 in

Speaker channels

3.1.2

Connections:

HDMI input, HDMI output (eARC), Bluetooth 5.3, Wi-Fi, Airplay, digital optical input, wireless Dolby Atmos

Dolby Atmos/DTS:X

Yes/Yes

Sub included

Yes

Rear speakers included

No

Features

4K 120Hz passthrough, voice assistant support, room calibration

Samsung HW-QS700F review: Price & release date

The QS700F comes with a compact, dual-driver subwoofer (Image credit: Future)

  • First available: April 2025
  • Price: £749 / $699.99 / AU$999

The QS700F was released globally in April 2025. While the brand launched a slim-design Q700D soundbar in 2024, the QS700F’s unusual convertible fit design means that it stands as a new product category for Samsung rather than just being an evolution of a previous soundbar model.

The HW-QS700F costs £749 in the UK, $699.99 in the US and $999 in Australia. These prices make the QS700F great value for such a flexible but still high-performance model.

Should I buy the Samsung HW-QS700F?

(Image credit: Future)Swipe to scroll horizontallySamsung HW-QS700F soundbar

Attributes

Notes

Rating

Features

3.1.2 channels of sound, Dolby Atmos and DTS support, Bluetooth, and a rare true multi-placement design

4.5 / 5

Performance

Outstanding power, detail and staging that mostly holds up no matter which way round you use it

4 / 5

Design

The way the speakers change their role to suit different setups is genius, and both the main bar and wireless sub are surprisingly compact for such a powerful system

4 .5/ 5

Value

Considering the combination of performance and features it provides, the QS700F looks like a pretty good deal

4.5 / 5

Buy it if…

Don’t buy it if…

Samsung HS-QS700F soundbar: Also consider

Swipe to scroll horizontallyRow 0 – Cell 0

Samsung HW-QS700F

Sonos Arc Ultra

Samsung HW-Q800D

Price:

£749/$699/AU$999

£999/$999/AU$1,799

£699/$699/AU$799

Dimensions (w x h x d):

Main bar: 1160 x 51 x 120mm/45.67 x 2 x 4.725 inches, Subwoofer: 249 x 252 x 249mm/9.8 x 9.92 x 9.8 inches

1178 x 75 x 110.6mm/46.38 x 2.95 x 4.35 inches

Main bar – 1110.7 x 60.4 x 120mm/43.73 x 2.38 x 4.73 inches; Subwoofer – 403 x 210 x 403mm/15.87 x 8.27 x 15.87

Speaker Channels:

3.1.2

9.1.4

5.1.2

Connections:

HDMI input, HDMI output (eARC), Bluetooth 5.3, Wi-Fi, Airplay, digital optical input, wireless Dolby Atmos

HDMI input (eARC), Bluetooth, Ethernet port, Wi-Fi, Airplay, Sonos Multiroom

HDMI input, HDMI output (with eARC), Bluetooth 5.2, Wi-Fi, digital optical audio, Airplay, Wireless Dolby Atmos

Dolby Atmos/DTS:X:

Yes/Yes

Yes/No

Yes/Yes

Sub / rear speakers included:

Yes/No

No/No

Yes/No

How I tested the Samsung HW-QS700F

(Image credit: Future)

  • Tested across 9 days
  • Used in both a regular living room environment and a dedicated test room, in both its wall-mount and stand mount orientations
  • Tested with a mixture of music and video sources

Testing the Samsung QS700F was more complicated than usual, thanks to its Convertible Fit technology, requiring it to be used for half the time in a regular surface-mounted stance, and half the time in a vertical wall-mounted stance. I tested it extensively in both of its configurations with a range of CDs, high-quality audio streams and 4K Blu-ray movie soundtracks.

The 4K Blu-ray soundtracks I used included both Dolby Atmos and DTS:X mixes, since the QS700F supports both, while stereo music was tested both in native two-channel mode and using the soundbar’s multi-channel upmix feature.

First reviewed: June 2025

Read more about how we test

Samsung HW-QS700F: Price Comparison



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June 15, 2025 0 comments
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Apple Wallet's iOS 26 update scans your emails for package delivery tracking
Product Reviews

Apple Wallet’s iOS 26 update scans your emails for package delivery tracking

by admin June 11, 2025


One of the upcoming changes to Apple Wallet is bound to become one of its most useful features if you frequently shop online and get deliveries. When you get iOS 26 on your iPhone, your Wallet app will start using Apple Intelligence’s capabilities to automatically scan your emails and identify order tracking details sent by merchants or couriers. The app will then summarize and display those deliveries as cards. As MacRumors has noted, Wallet can already do that for purchases made using Apple Pay. With the update, you’ll be able to keep track of all your deliveries from one place and get progress notifications.

At the moment, access to the feature is still limited to developers who’ve installed the beta version of iOS 26. The feature itself is still in beta, and you will have to enable it by going to the Wallet and Apple Pay section in Settings, heading into Apple Pay Defaults and switching on Orders Found in Mail under Order Tracking.

Apple announced its upcoming mobile platform at WWDC 2025, revealing an interface that has gone through a massive redesign. It features a “Liquid Glass” UI that’s defined by icons, toolbars and tab bars with a see-through appearance. In addition to being able to track orders, the iOS 26 version of Wallet will allow you to create a Digital ID with a US passport and will also come with more detailed boarding passes. iOS 26 isn’t coming out until this fall, but Apple plans to start rolling out public betas in July.

If you buy something through a link in this article, we may earn commission.



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EA Sports F1 25 review: Familiar package, shining story mode
Esports

EA Sports F1 25 review: Familiar package, shining story mode

by admin June 2, 2025



May 30, 2025, 10:02 AM ET

The introduction of the Braking Point story mode into EA Sports’ F1 series has been interesting to watch because reactions to it have been so divided. Longtime fans of the series didn’t really care about the addition — if anything, they scorned it for using up resources that could’ve gone into the more traditional modes — while new players and critics received it very well. It’s a trend EA Sports F1 25 will likely continue.

Editor’s Picks

2 Related

Braking Point 3 is the final chapter for Konnersport, a fictional team joining the grid in the story. It’s a fairly typical narrative — something one might see when watching a sports blockbuster or anime series. Konnersport goes from scrappy and clueless underdogs to championship contenders, allowing the player to steer them out of obscurity and experience their growth every step of the way.

It’s a timeless formula, but it works. As cheesy as it may sound, it has your adrenaline pumping as you go all out for the final push to the title.

What makes Braking Point 3 so attractive to new and casual players is how it presents them with bite-sized racing portions and garnishes them with cutscenes, dialog choices, Netflix-esque interview sections and robust storytelling.

There isn’t much setup to do before the player gets to jump into the cockpit, unlike in Driver Career or My Team, and the mode is respectful of the player’s time with the way it splits up its gameplay sections. Stints of racing with a great variety of objectives are followed by interview sections, in which players choose dialog options that actually have consequences later on and affect aspects like the team’s reputation and performance. Getting high ratings in these two stats unlocks additional dialog choices and team principal decisions, slightly altering the story.

Short intermezzos in the team’s trailer from the perspective of the drivers and the team principal drive the story forward and allow players to explore some of the consequences of their decisions via emails, social media posts, and calls. This is really well done. Anyone only there for the car racing can ignore all that content and jump straight ahead, but those looking to engage with the characters will find out about the stress Jasper Akkerman’s family life is under due to his job as team principal or will see what the media is making out of their press responses.

Choosing to play Aiden Jackson or Callie Mayer, players can experience the story from both of Konnersport’s drivers’ perspectives. Best of all, players can decide who gets to be World Champion in the end, so everyone gets to write their own version of the story.

While both characters therefore receive equal treatment on the grid, Callie is a bit more in the spotlight when it comes to character development off the asphalt, though that’s mainly because Braking Point 3 is a family drama as much as it is a sports blockbuster. Callie Mayer, Devon Butler, and their father Davidoff are at the center of events, and a dramatic twist of fate kicks off questions one wouldn’t expect to see touched on in this particular context — questions about grief and family ties. Aiden does get his due and plays a pivotal role, but very much as a wingman.

Ultimately, Braking Point 3 will likely have the player’s heart racing because Devon Butler — who started out as the most arrogant, mustache-twirling antagonist known to man — gives an emotional pep talk to get everyone pumped for the final, decisive race. This is what makes this mode so great — it provides stakes and context for the action on track.

Driver Career and My Team allow players to build their own stakes over time, create their own thrilling narratives and battles, but not everyone has the time for that. Braking Point 3 delivers around five-and-a-half hours of well-paced racing and story content that’ll get the emotions flowing.

Fans need not be dismayed, however, because Codemasters gave My Team its due with some massive overhauls that have expanded the management aspect. Players shouldn’t expect it to dive as deep into things as games like Motorsport Manager, but there’s a fair bit to decide and do here, from choosing the direction of the car development to recruiting drivers and designing the livery. Many new events and choices spice up the experience — sponsor scandals, leaks during driver contract negotiations, and so on. Of course, this greater emphasis comes with a bit more menu clutter and work for the player, which won’t please everyone.

Progress isn’t simply shown through the standings, either. Players get a visual representation of how well they’re doing through how their headquarters look, which is a nice touch and adds to that organic storytelling of the mode.

Visually, F1 25 is stunning. Some of the character animations look a bit goofy, but the cars and tracks are gorgeous.

F1 25’s racing is a continuation of the series’ standards in that professionals will find plenty of faults and inaccuracies to complain about when they compare it to other racing sims. For any beginner, though, the game offers plenty of assistance settings to fine-tune their experience — and although it may take a while to find the right mix, this makes for a great racing experience once the sweet spot is found.

EA Sports F1 25 defends the series’ throne at the top of casual racing sims and sets a new standard for integrating a narratively-driven story mode into the genre.



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