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Slight spoilers follow for Ironheart.
Ironheart is an underdog in every sense of the word.
Despite man-of-the-moment Ryan Coogler’s involvement, the final TV show of the Marvel Phase 5 era was mostly written off well ahead of release; few other live-action Marvel TV projects have faced an uphill battle to convince Marvel Cinematic Universe (MCU) devotees and casual fans alike to watch it.
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Write off Coogler, the comic giant, and the series’ titular hero at your peril, though, because Ironheart is an impressive Disney+ TV Original that largely hits its marks. Yes, it falls into the perennial traps that other small-screen MCU projects have, but after watching all six episodes I was pleasantly surprised by its style, energy, and emotionally impactful story that explores themes around family and flawed heroes.
Tech check
Ironheart reintroduces us to Riri Williams, who made her MCU debut in Black Panther: Wakanda Forever (Image credit: Marvel Studios/Disney+)
Set days after Black Panther: Wakanda Forever, i.e., the MCU movie in which Riri Williams (Dominique Thorne) made her live-action debut in, Ironheart opens with the eponymous character returning to her hometown of Chicago. The reason? She’s kicked out of the Massachusetts Institute of Technology (MIT) for selling completed assignments to other students to fund development of her Iron Man-inspired super-suit.
Financially broke and suit-less – after the self-made prototype suit, which she steals from MIT, malfunctions on the flight home – Riri soon crosses paths with Parker Robbins/The Hood (Anthony Ramos). The mysterious, magical cloak-wearing leader of a street gang, Robbins preys on Riri’s ambition to build a new, souped-up suit by saying he’ll fund her creation in exchange for helping his crew conduct heists.
Ironheart occasionally paints Riri as an anti-hero in the vein of Breaking Bad’s Walter White
Central to Ironheart‘s story is the internal struggle Riri continually wrestles with. At her core, she’s a good person – indeed, due to a deeply traumatic event that occurred years prior, Riri wants to “revolutionize safety” by creating a suit that can be used by first responders and other emergency services personnel.
After she’s kicked out of MIT, Riri builds a new suit at her Chicago-based childhood home (Image credit: Marvel Studios/Disney+)
It’s that philanthropic nature, among other things, that draws parallels with a certain Tony Stark, whose ghost looms large over yet another MCU project. However, given their comic book ties – Stark is a long-time mentor of Riri’s in Marvel literature – Stark’s posthumous influence is more valid here than in prior MCU productions, even if the namedropping is occasionally incessant.
That said, while Riri wants to build on Stark’s legacy and make something “iconic”, her unwavering ambition and Stark-sized ego occasionally paints her as an anti-hero in the vein of Breaking Bad‘s Walter White or, in more familiar MCU terms, Frank Castle/The Punisher and Loki. Riri’s a more complicated and naïve hero than we’re used to seeing, and that make the decisions she makes, and the consequences spawned by her actions, all the more fascinating.
Fight off your demons
Ironheart does a much better job of examining post-traumatic stress disorder (PTSD) and panic attacks than Iron Man 3 did (Image credit: Marvel Studios/Disney+)
The dichotomy at the heart of Riri’s story is further heightened by the moral complexities and grief born out of the loss of her stepdad Gary (LaRoyce Hawkins) and best friend Natalie (Lyric Ross) in a random act of gun violence.
This excruciatingly painful event is not just a driving force behind Riri’s ambition to make the world a safer place, but also a moment she refuses to confront. Such a deep-seated mental and emotional scar is a breeding ground for PTSD and panic attacks, which here are handled with greater precision, creative flair, and sensitivity than Stark’s post-Avengers mental health problems were in Iron Man 3.
In Thorne, Ironheart has a talented lead with the swagger, emotional nuance, and comedic timing – despite its melodrama, occasional toe dips into horror, and suspense-filled Ant-Man-like heisting, Ironheart is a surprisingly funny show – to bring all aspects of its protagonist to life, too.
Thorne has the swagger, emotional nuance, and comedic timing to bring all aspects of Ironheart’s protagonist to life
She’s not the sole bright spot among Ironheart‘s cast of characters.
The scene-stealing Ross, who plays Natalie in flashbacks and also portrays N.A.T.A.L.I.E – an AI construct like Iron Man’s J.A.R.V.I.S. and F.R.I.D.A.Y, and Black Panther‘s Griot, who Riri inadvertently creates – helps to bring a playful and squabbling relatability to the dynamic Riri shares with both characters. The pair’s natural rapport is evident from the outset and, while the way in which N.A.T.A.L.I.E helps to strip away Riri’s metaphorical armor to allow the latter to process her grief is a little on the nose thematically, it’s a ‘bestie’ dynamic that’s full of real heart.
Dancing with the devil
Anthony Ramos’ Parker Robbins/The Hood is Ironheart’s primary antagonist (Image credit: Marvel Studios/Disney+)
Ross, Riri’s concerned and warm-hearted mom Ronnie Williams (Anji White) and Natalie’s brother Xavier (Matthew Elam) notwithstanding, Thorne shares the most screentime with Ramos’ The Hood, whose introduction is not only novel in its execution, but also happens very early on.
Some Marvel TV shows are guilty of prolonging their narrative setup, but Ironheart gets to the crux of its primary plot within the first 30 minutes of its premiere. That might seem quick, but I can fully get behind a story that tackles its meatier content sooner rather than later – and which still maintains an air of mystery despite its fast-paced nature.
Ironheart follows in most MCU TV series’ footsteps by rushing through its finale
This doesn’t mean Ironheart‘s narrative structure is consistent in its quality. Some episodes feel hurried and, by proxy, don’t spend enough time reflecting on character choices or fleshing out certain plot threads. It also follows in most MCU TV series’ footsteps by rushing through its finale that, spoilers notwithstanding, sets up a possible sequel season and teases wider implications for the MCU via the arrival of a character MCU fans have waited years for.
Some MCU fans think they know who Alden Ehrenreich is really playing in Ironheart (Image credit: Marvel Studios/Disney+)
Ironheart has a semi-regular issue with its villains, too. Fans were full of praise for Ramos’ take on The Hood when the show’s first full clip was released online, but he feels a little underdeveloped in Ironheart‘s first half. It’s not until the series’ second three-episode batch that he’s fully realized as a menacing antagonist through his powerset, and positioned as a sympathetic villain via his backstory. In certain lighting, his magic-infused cloak is a tad garish, too, but I suspect that’s intentional.
Joe McGillicuddy (Alden Ehrenreich) falls into a similar category. A fascinating mix of bumbling and unhinged with his own tragic past, Joe bonds with Riri over their shared technical expertise and grief until their budding camaraderie is shattered by events midway through Ironheart‘s six-episode run. The fallout creates another conflicted antagonist for Riri to deal with but, while Ehrenreich does a fantastic job of capturing Joe’s betrayal of trust and emotional turbulence, his evolution from timid ally to complicated foe happens too quickly for my liking.
Ironheart satisfyingly blurs the lines between the magic versus technology-led storyline we’ve been sold
Still, Joe’s transformation, along with Riri’s magic-based suit upgrade and other references to the MCU’s mystical elements (there are as many ties to Doctor Strange as there are to Iron Man here), satisfyingly blur the lines between the magic-versus-technology storyline we’ve been sold. Yes, Ironheart pits these diametrically opposed forces against each other, but also acts as a collision point where they can come together and create something wholly unique for the MCU.
What’s more common is the at-times clunky and stifled dialog, which some fans pointed out in Ironheart‘s first trailer and isn’t aided by hard cuts between specific scenes, particularly in early episodes.
It’s also another Marvel production that refuses to explain certain things with enough intent. Sure, the MCU is a franchise where superpowered beings run riot and parallel universes exist among other things, but I don’t think I’m asking for much by wanting a bit more story exposition, especially for viewers who haven’t seen Black Panther 2. I guess my Wakanda Forever ending explainer will have to do!
My verdict
Marvel Television’s Ironheart | Official Trailer | Disney+ – YouTube
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Ironheart exceeded my expectations with its smaller-scale, family-oriented, street-level-style narrative that reminded me of Hawkeye, Ms Marvel, and Daredevil: Born Again, all of which I similarly enjoyed. I feared the worst when Marvel confirmed Ironheart‘s unusual release schedule, but its two-part release format lends itself well to the story it tells.
It isn’t the best Marvel TV Original, but I suspect Ironheart will prove a lot of people wrong. It’ll be a tough ask to win round anyone who’s already dismissed it but, if it does so through mine and other critics’ reviews, plus positive word of mouth, then Coogler, showrunner Chinaka Hodge, and the rest of its chief creative team might have built something iconic for Riri Williams after all.
Ironheart episodes 1 to 3 are out now on Disney+. Read my Ironheart release schedule article to see when its final three episodes will be released.
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