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Like Us, the Director of 'John Wick' Didn't Love 'The Continental'
Gaming Gear

Like Us, the Director of ‘John Wick’ Didn’t Love ‘The Continental’

by admin June 5, 2025


This weekend, a new film from the world of John Wick is coming to theaters. It’s called Ballerina and we’re guessing you’ve heard about it. But two years ago, did you hear about a full-fledged John Wick streaming series that was on Peacock? Maybe not. The Continental: From the World of John Wick debuted on the streamer in 2023 to average reviews and tepid audience response. It has yet to return.

Part of that is probably because two of the most crucial people involved in the John Wick franchise, star Keanu Reeves and co-creator/director/current overseer Chad Stahelski, were not actively involved. And, in a new interview talking about both Ballerina and a new documentary called Wick is Pain, Stahelski sounds more than a little bummed about it.

“Keanu and I were—I wouldn’t say sidelined, but our opinion was heard and not really noted,” Stahelski told the Hollywood Reporter. “[The studio] tried to convince me they knew what they were doing. A group of individuals thought they had the magic sauce. But if you take out Basil Iwanyk’s producing intuitiveness, if you take out Keanu’s way of delivering quirky dialogue and if you take out all the visuals I have in my head from Wong Kar-wai, anime, Leone, Bernardo Bertucci or Andrei Tchaikovsky … then it’s not the same thing. They thought this was as easy as using anamorphic lenses, do a kooky hotel, put in weird dialogue, and insert crime drama.”

Chad Stahelski on the set of John Wick 2 with Keanu Reeves – Lionsgate

Stahelski continued, admitting his way of doing things doesn’t always line up with the status quo. “If you saw our process, you’d be like, ‘You’re telling me this billion-dollar franchise does it this way?’” he said. “I’m scouting my next film in London and we saw a cool location yesterday which totally changed the second act. We rewrote the whole thing. I find great cast members and rewrite their parts constantly. That’s what makes [the movies] so good and organic—we’re constantly upgrading. But the studio likes to know what they’re getting for their buck and want to lock a script for budget reasons. While we’re saying, ‘Just write the check, we’ll see you at the finish line.’”

Which, it sounds like, was the case with The Continental. It was not the case, however, with Ballerina, in which both Stahelski and Reeves were involved. And it will not be the case with a potential John Wick 5, which Stahelski knows everyone wants, but he’s still not completely sold on.

“I’m not going to lie to you, it’s a bit of a conundrum,” he said about bringing Wick, who died in the last film, back. “Me and Mike Finch— the writer on 4 who’s also writing 5—we’ve got a pretty good story that I think is cool. Once we have a 50-page book, and if we’re feeling it, we’ll sit with Keanu and shape this thing. Look, everybody seems to want it. It’s a matter of whether we crack it. We’re actively working on it. It’s just … is it going to be satisfying?”

As for John Wick 5, we’ll have to wait and see. But if you head over to the Hollywood Reporter we promise the rest of Stahelski’s interview is incredibly satisfying.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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June 5, 2025 0 comments
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Keanu Reeves as John Wick
Esports

Ballerina review: A violent, worthy entry to the John Wick universe

by admin June 4, 2025



No one asked for a John Wick movie (mostly) without John Wick. And yet, Ballerina makes a strong case for why this universe might just survive without Keanu Reeves’ terse, suit-clad poster boy. 

Spinoffs are tricky, especially when they orbit a character as singular as John Wick. Since 2014, the franchise has built an entire mythology around Reeves’ grief-stricken Baba Yaga, a man of few words and many, many weapons. 

But with Chapter 5 potentially closing the book on his blood-soaked journey, the focus has shifted to expanding the world he’ll leave behind – a world where violence is art and vengeance is ritual.

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Enter Eve, Ana de Armas’ ballerina assassin raised by the same Ruska Roma syndicate that molded Wick himself. While the new movie doesn’t quite match the story of its predecessors, when the blades are flying and the bullets are dancing, it delivers exactly what it promises: beautiful, balletic carnage.

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What is Ballerina about?

Set between the events of John Wick: Chapter 3 – Parabellum and Chapter 4, Ballerina follows Eve (Armas), a graduate of the Ruska Roma’s brutal ballerina-assassin training program, on a revenge mission tied to her tragic past. 

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When she recognizes a mark on a target’s wrist – the same one seen on those who murdered her father – she spirals into a bloody pursuit involving cults, bounty hunters, and a whole town full of killers. 

While Eve is the main star here, the OG gang make an appearance in one way or another; Reeves’ Baba Yaga, Ian McShane’s Winston, and even Lance Reddick’s Charon in a posthumous appearance. 

But the action is the star here – and it’s tremendous. Epic flamethrower showdowns, wince-inducing ice skate blows, and more stabs and shots than you can shake a bloodied fist at, the kills are as creative as they are absurd. 

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From the John Wick school of violence

Lionsgate

With its prolific, elaborate fight sequences, Ballerina fits squarely into the John Wick universe, and in some instances, it takes things even further – one notable death is so violent, it edges into Quentin Tarantino territory (you’ll know it when you see it). 

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Although Chad Stahelski steps back from the director’s chair, serving as producer this time around, his influence is undeniable. The fluid action that defines the franchise is alive and well, sharpened further by director Len Wiseman’s flair for high-concept spectacle. 

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The choreography is where it all comes together. Together with the 87Eleven team – long-time architects of the franchise’s most memorable fights – they craft set-pieces that are both vicious and graceful, with Armas not missing one beat. 

This isn’t the only way Ballerina lets you know it’s a John Wick film. Visually, it mirrors the stylized aesthetic of its predecessors. The camera moves with kinetic purpose, while stark, contrasting lighting and a purple-pink palette nods to the criminal underworld in which it’s set. 

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The story loses its balance

Lionsgate

What Ballerina lacks, however, is a story that can keep up with its choreography. Despite the film’s non-stop momentum, the plot feels both too busy and too boring, with a lot of moving parts that never quite click.

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The John Wick films are outlandish, yes, but they’re grounded in simple, effective motivations – John’s dog, his grief, his rules. Ballerina tries to echo this with Eve’s vendetta, but races through exposition and side characters too quickly to build real connections.

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John Wick: Chapter 3’s Continental siege, for instance, worked not just for its action, but because it carried the weight of three films’ worth of alliances and lore. Ballerina doesn’t have that foundation – its fights look great, but without deeper context, even the most outrageous moments can start to blur together.

This hurts the characters, too. Catalina Sandino Moreno’s Lena and Norman Reedus’ Pine are intriguing but underdeveloped. Gabriel Byrne’s Chancellor is a strong villain, but again, his presence is more of an idea than a fully fleshed-out threat.

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Then you’ve got all the others to think about: Winston, the Director (Anjelica Huston), Charon, and, of course, John Wick himself. There are simply too many characters jostling for screen time.

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One Wick, many strong performances

Lionsgate

As for Reeves’ brief appearance as Wick, here’s the kicker: it essentially highlights what’s missing from the film. Not every assassin can command the screen like the Boogeyman. There are countless Eves, but there’s only one John Wick.

That’s not to totally discredit the character. It’s refreshing to see a female assassin written with such complexity. Eve isn’t hyper-sexualised or glibly “strong” – she’s broken yet resilient.

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Armas sells every moment, both in combat and in quieter, emotional beats. She’s an action star through and through, slicing through stunt sequences with complete conviction.

Byrne brings the same simmering menace he had in End of Days and The Usual Suspects, Reedus does well with what he’s given, and while McShane can play Winston in his sleep at this point, his dry charm is always welcome.

Finally, a heartfelt nod to Reddick, whose posthumous appearance as Charon is handled with real care. Fans disappointed by his abrupt exit in John Wick 4 will be pleased to know he gets a far more fitting send-off here.

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These performances elevate the movie, alongside its killer fight sequences and visual style. If what you’re after is action – and lots of it – Ballerina delivers. It may stumble when it comes to story, but damn if it isn’t fun to watch.

Ballerina review score: 3/5 – Good

There’s no mistaking Ballerina for anything but a John Wick movie. From the neon-drenched lighting to the bone-crunching, blood-splattered fight sequences, this spinoff makes itself at home in the franchise.

It’s slick, violent, and stylish – sometimes excessively so. The narrative may lack focus, and the ensemble might be overstuffed, but there’s no denying the film’s technical craft. The action scenes are many, and they’re masterfully choreographed.

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Ballerina may not have the soul of the John Wick saga, but it sure knows how to pirouette through chaos.

Ballerina arrives in cinemas on June 6, 2025. You can also read everything we know about John Wick 5, why Baby Yaga isn’t actually dead, and other new movies to watch this month.

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For more information on how we score TV shows and movies, check out our scoring guidelines here.



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June 4, 2025 0 comments
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Eve Maracco walking through a neon-lit club in Ballerina: From the World of John Wick
Gaming Gear

‘It’s really misleading’: Ballerina director Len Wiseman explains why the John Wick series’ new movie shouldn’t be called a spin-off film

by admin June 3, 2025



  • Ballerina: From the World of John Wick shouldn’t be called a spin-off, its director says
  • The film series’ latest entry is set between the third and fourth John Wick movies
  • It “expands on the mythology” of the action thriller franchise, he adds

Ballerina director Len Wiseman has rejected claims that the John Wick film franchise’s latest entry is a spin-off.

Speaking to TechRadar ahead of the movie’s release, Wiseman argued that it should actually be called a “spin-on” – i.e. a film that puts its own spin on a film franchise’s well-established formula.

Wiseman admits that very few people, if anyone, will have heard the phrase “spin-on” before. Nevertheless, he insists that the Ana de Armas-starring film is “fully connected” to the movie series’ other entries – and not just because Wick appears in it.


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Ballerina‘s first trailer raised eyebrows about Wick’s inclusion. After all, at the end of John Wick Chapter 4, Keanu Reeves’ iconic hitman was – spoiler! – presumed dead. With John Wick 5 in early development, though, it’s likely that the well-dressed assassin hasn’t taken his last breath.

From the World of John Wick: Ballerina (2025) Official Trailer – Ana de Armas – YouTube

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However, Ballerina takes place between John Wick Chapter 3: Parabellum and its sequel, which is why Reeves’ gun-for-hire is, at this point on the John Wick timeline, still alive and kicking. For more on said timeline, read my guide on how to watch the John Wick movies in order.

But I’m getting off-track. With Ballerina set between Parabellum and John Wick Chapter 4, plus Reeves’ involvement in its story, the franchise’s latest entry should be viewed as the mainline series’ newest flick. It’s for that reason that Wiseman has coined the “spin-on” moniker for one of 2025’s highly anticipated new movies.

When I ask him if Ballerina should be labeled an “in-between-quel” – another industry term for a movie that’s set between two other films – Wiseman replied: “Yeah, it is. I’ve seen people call it a spin-off, which is really misleading.

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“Ballerina’s events mostly run parallel to John Wick Chapter 3: Parabellum. We’re really building out the world of John Wick, so it’s more of a ‘spin-on’ than a ‘spin-off’. I know that’s not a phrase, but it should be!”

John Wick will have a supporting role to play in Ballerina (Image credit: Lionsgate)

Asked to explain how Ballerina explores the movies series colloquially known as the ‘John Wick universe’, Wiseman added: “One of the things that first attracted me to this film was the mythology of John Wick and how layered it is.

“Here, we’re able to dive deeper into that mythos and explore the Ruska Roma, who we’ve met in previous movies. Before, we’ve seen this group through John Wick’s eyes and his experiences [with them]. Now, we get to sift through the layers of their folklore, and try to balance that with what was previously established. We had a ton of fun with that and I think audiences will appreciate it.”

Ballerina: From the World of John Wick lands in theaters worldwide on June 6.

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June 3, 2025 0 comments
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Voice Of John Redcorn In King Of The Hill Killed In Shooting
Game Reviews

Voice Of John Redcorn In King Of The Hill Killed In Shooting

by admin June 3, 2025


Actor Jonathan Joss, who voiced John Redcorn on King of the Hill, was killed in a shooting over the weekend in San Antonio, Texas. Joss was 59 years old.

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On Sunday night, San Antonio police officers were dispatched to a shooting outside a home around 7 p.m. local time. When police arrived, they discovered Joss near the edge of the road with multiple gunshot wounds. The officers attempted life-saving measures and called for medical support, but he was pronounced dead shortly after they arrived. Police are still investigating the shooting. TMZ, which was the first outlet to break the news, reported that Joss was shot by a neighbor after an argument turned violent.

Joss has voiced fan-favorite character John Redcorn, a Native American healer and musician, since King of the Hill’s second season. Variety reports that he has already recorded his lines for the upcoming revival, which is set to arrive on Hulu this August. Redcorn will appear in the second episode of the show’s upcoming 14th season and will likely appear a few more times before the new season ends. He also appeared in NBC’s Parks & Recreation multiple times as Ken Hotate.

TMZ further reported that Joss had returned to his home on Sunday night after it had burned down in February, allegedly due to him using a BBQ pit. TMZ says that after he discovered the skeleton of one of his dogs, which had been killed in the fire in the remains of the home, he grew agitated and began ranting at others in the area. Reportedly, this was a common occurrence, according to TMZ. He allegedly got into a heated verbal confrontation with a neighbor in the area, who later returned and shot Joss multiple times.

The actor’s husband, Tristan Kern de Gonzales, posted a lengthy statement on Facebook alleging that the people in their neighborhood had been threatening the couple for years over their relationship. The late actor’s husband claims that when they returned to their burned-down home, a man approached them and yelled homophobic slurs before shooting Joss with a gun.

“He was murdered by someone who could not stand the sight of two men loving each other,” said de Gonzales.

Joss wasn’t the first voice actor for John Redcorn. The original actor, Victor Aaron, voiced the character in the show’s first season but died in a car crash. King of the Hill’s new 14th season arrives this August, and Hulu recently released the show’s intro, which includes John Redcorn.

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June 3, 2025 0 comments
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Jobs roundup: June 2025 | Turborilla appoints John Wright as CEO
Esports

Jobs roundup: June 2025 | Turborilla appoints John Wright as CEO

by admin June 2, 2025


It can be difficult keeping track of the various comings and goings in the games industry, which is why we compile them in semi-regular round-ups.

If you have new appointments or transitions in your company that belong here, please send the names of the appointees, new role and company, and prior role and company to newhires@gamesindustry.biz.

John Wright | CEO, Turborilla

John Wright has been appointed CEO of mobile developer Turborilla.

Wright has almost 15 years of experience in the games industry, most recently as vice president of mobile games at Kwalee.

He also worked at Luna Labs, joining in 2020 as vice president of operations before becoming head of operations and head of global growth partnerships. He then became head of customer success following Unity’s acquisition of the company.

“I’m honoured to lead Turborilla into its next chapter,” said Wright. “With our talented team, we’ll continue to grow the Mad Skills brand, strengthen our publishing partnerships, and create new experiences that engage players around the world, doubling down on what fans love.”

Turborilla founder and former CEO Tobias Andersson added: “We’re thrilled to welcome John Wright as our new CEO. John brings a wealth of leadership experience and a bold vision for the future, championing our guiding principles.

“I am confident in stepping back into a board member position and handing over the reins, knowing he’ll lead Turborilla to new heights.”

Gabor Mester | Head of US data analytics, Sony

Gabor Mester has been promoted to head of US data analytics at Sony.

Mester worked at PlayStation for 13 years, starting in 2011 in senior business and analytics strategy.

He held a variety of roles during his tenure, including senior manager for PlayStation user and feature analytics, director of business analytics and strategy, director of PlayStation Platform analytics, and senior director of platform analytics.

Mester left PlayStation in 2024 and moved to Sony in general. In his role, he is part of the firm’s ‘One Sony’ vision which is building “a data analytics culture and strategy to align Sony Pictures, PlayStation, Sony Music, and Electronics”.

Tom Glover | Senior director of communications, Niantic Spatial

Tom Glover has been appointed senior director of communications at Niantic Spatial.

Glover previously had the same role for the EMEA region at Niantic. Joining in 2022, he was involved in the communications strategies of Pokémon Go, Pikmin Bloom, Ingress Prime, and Monster Hunter Now, in addition to AR technology and internal communications.

Glover has worked in communications and PR for over two decades. Prior to Niantic, he worked at PR agency Golin. He started in 2018 as head of media (executive director), and was then promoted to executive director (EVP) in 2021.



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June 2, 2025 0 comments
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