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Incredible

Tools of the trade: I upgraded my gaming PC with a 420mm Arctic Liquid Freezer 3 AiO and vertical GPU mount, and now it looks incredible
Game Reviews

Tools of the trade: I upgraded my gaming PC with a 420mm Arctic Liquid Freezer 3 AiO and vertical GPU mount, and now it looks incredible

by admin October 6, 2025


With Battlefield 6 on the horizon – plus plenty of Borderlands 4, MechWarrior 5: Mercenaries and Hades 2 to play – I wanted to upgrade my AMD Ryzen 7 9800X3D and RTX 4090 Founders Edition gaming PC to better cope with these demanding titles.

The goal here is to improve temperatures, reduce fan noise and maybe make things look a little nicer, so I’ll be swapping the (admittedly chonky) 240mm AiO liquid cooler I currently have installed for a massive 420mm unit from Arctic. With more surface area and larger fans, I should be able to run the fans at lower speeds while still achieving much better cooling performance in these and other CPU-heavy games.

I set aside Friday morning to make the swap, and the results exceeded my expectations. I’ll share what I learned, why I made the choices I did, and also discuss the titanic Havn HS 420 VGPU case that I’ve been using for the past six months.

Part one: Arctic Liquid Freezer 3 Pro RGB install and mini review

I’ve been relatively happy with the Hyte Thicc Q60 240mm AiO CPU cooler I’ve been using for the past few months, with its pleasant black/white colour scheme and surprisingly good thermal performance for its size, but it does have some flaws. First, the display screen attached to the CPU block made it impossible for me to vertically mount my graphics card, as it hung down too far below the CPU socket.

More critically though, despite its incredibly thick radiators, it’s still limited by its dual 120mm fans, which need to spin relatively fast to push enough air through the thick rad. By replacing this unit with a (remarkably, around $100 cheaper) 420mm Arctic Liquid Freezer 3 Pro RGB AiO with three wider 140mm fans, I ought to be able to hit similar or even lower temperatures while running the fans significantly slower, cutting down on noise.

Here’s how my work PC looked before I started this project, with the Hyte Thicc Q60 240mm AiO installed. I dig the white/black colour scheme, but fan noise was relatively high. | Image credit: Eurogamer

Removing the Thicc Q60 was straightforward in the Havn HS 420 VGPU, as the case provides easy access to both sides of the computer and has clearly marked apertures for cable routing. The Arctic Liquid Freezer 3 Pro RGB (hereafter “new CPU cooler”) also has a relatively thick 38mm radiator, so rather than mounting it on the side access panel as I did with the Q60, I’ll be installing it at the top of the case and replacing the storage covers to cover the empty gap. A top placement also ensures that the pump on the CPU block is below the level of the radiator, which is generally good practice.

Installing the Arctic cooler was easy, with the fans installed on the block out of the box in the top-exhaust configuration that I wanted. The only real struggle I had with the new CPU cooler was deciding on which way up it should go. Initially, I wanted to install it with the Arctic logo on the included magnetically-attached CPU block fan the right way up, but this meant that the tubes were at the bottom and they interfered with the vertical GPU mount. In the end, I decided to sacrifice the aesthetics and live with the upside-down wordmark.

Here’s the Arctic Liquid Freezer 3 Pro A-RGB install, starting with the CPU block installed the right way up, then later upside-down to accommodate the vertical GPU mount. | Image credit: Eurogamer

With the new CPU cooler installed, I noted significantly lower CPU and GPU temperatures, with both sitting around 60 degrees celsius in Borderlands 4 (with around 50 percent load on the 9800X3D and 95 percent load on the RTX 4090), versus around 65-70 celsius CPU temperatures with the old setup. Even at maximum load – eg compiling shaders in Borderlands 4, a heavy all-core task that can last several minutes – the fans never ramped up to their maximum speed as they did before.

As well as the boost to performance, I appreciated the lack of a display on the CPU block, as it meant that the entire system only requires a single fan header and a single A-RGB header to run four fans. The last few high-end AiOs I’ve used from Hyte, Asus and NZXT have included displays, requiring a PCIe or SATA power connector and USB 2.0 connections, so going back to a simpler system was an unexpected relief.

Part two: vertical GPU swap

Moving from a traditional horizontal GPU mount to a vertical one provides a bit of an aesthetic boost, and for a large GPU like the RTX 4090 FE I’m using here, an extra sense of stability as well.

There’s plenty of space here between the RTX 4090 FE and the side of the case, which is always a worry for vertical GPU setups. | Image credit: Eurogamer

The Havn HS 420 VGPU case is designed for this, and therefore includes an extra assembly that replaces the usual PCIe slots and provides a PCIe 4.0 riser cable. The downside is a more complicated install process and blocking access to your extra PCIe ports, but given the rarity of second graphics cards or other add-in cards, that’s probably a trade most builders would be quite happy to make.

I found it easiest to install the 4090 into the vertical assembly first, then install the whole deal into the case. That makes pushing in the PCIe riser cable a tad tricky, but means that the graphics card itself doesn’t risk being damaged when you’re trying to pop it into the PCIe socket. Here, the bracket is secured with two thumb screws quite close to the glass window, so it’s easy enough to hold the assembly in place with one hand and secure it with the other.

The goal with vertical GPU placement is to make sure there’s a good amount of space between the card and the glass, so that hot air leaving the card has a chance to be directed away (in this case, by the three fans below). There’s a good two or three inches between the GPU and the side glass here, so that’s good enough for me.

I’m probably still paying a slight performance penalty for using a vertical GPU orientation, but one that I’m happy enough with given the very modest temperatures at full burn in-game.

Part three: Havn HS 420 VGPU long-term review

The £200/$230 Havn HS 420 is a fascinating high-end PC case that offers quite unusual features and a plethora of fan setups, and I’ve found it every bit as performant and sensibly arranged as the Corsair 9000D I was using before. You have more than enough space here for a full-size ATX board with a huge amount of SATA storage and a 420mm AiO, and this ought to hold it in good stead for custom water cooling as well. There’s even a bit of extra glass included in the box to virtually divide the CPU and GPU areas of the case, though I didn’t end up using it.

I particularly like the aesthetics of the case, with the rounded motif replicated across the top I/O (USB-C, two USB-A, 3.5mm) and power button, the various air inlets in the base and lid, the unusual circular rear fan mounts and so on. The white case works well with the white RAM, white Arctic P14 Pro fans and white Arctic Liquid Freezer 3 Pro A-RGB AiO cooler, and I only wish that I had a white motherboard and graphics card to complete the look.

A great-looking case, with plenty of well-designed space in the rear for accommodating cable clutter, removable frames for AiO installation and a consistent rounded aesthetic for various elements. | Image credit: Eurogamer

The curved glass used for the front and side of the case is also truly impressive, with a well-engineered system that slides it out before releasing it. I’m not such a huge fan of the small screws used to secure each side, as there’s no good place to store these if you want to leave the system in a state where it’s easy to pull apart for maintenance, upgrades or cleaning, and consequently I’ve lost them. However, at least with them removed, it’s easy enough to access each of the dust filters.

In terms of cable routing, the rear of the case provides a useful amount of space, all cable routes are clearly labelled, and there’s a surplus of tie points and so on. Installing fans and radiators is also made easier by the fact that each of the main sections (top, side, bottom) have removable frames, so you can install the rads/fans onto the frame outside of the case, then re-insert the frames.

Overall, it’s not the quietest or coolest case that I’ve ever used – I suspect that I may want to explore alternative fan arrangements, reduce fan RPMs further and/or use extra fans in the side intake to keep CPU temperatures even lower – but that’s OK. The Havn HS 420 VGPU is still comfortably the best-designed PC case I’ve tested, with great aesthetics and streamlined build experience, and I’d happily recommend it.

What I’ve learned, and what’s next

I’m happy with my redesigned gaming PC for now, but it’ll be interesting to see how it fares with next-gen graphics cards when they arrive down the line – especially if they again see an uptick in power consumption and therefore waste heat production. For the more imminent future, I’m planning to upgrade to a 9950X3D, which ought to produce a little more heat on the CPU side and therefore allow me to fully tune the fans to deal with worst-case scenarios.

I’m also curious to hear your comments and suggestions – should I turn around one of the rear fans as an exhaust, as I’ve seen elsewhere online? Add side intake fans? Get in touch with a company that will supply a white graphics card and motherboard? Clean up my cable mess? Some of these are possible, so do get in touch via the comments below or via Bluesky.


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October 6, 2025 0 comments
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A skater rolls around the street.
Game Reviews

Skate 4 Is Getting Savaged In Early Steam Reviews But These Clips Are Incredible

by admin September 17, 2025


Skate 4, officially titled “skate.” (seriously, EA?), arrived on Steam in Early Access yesterday. The reaction has been swift and harsh. Full Circle’s reboot of the beloved extreme sports sim franchise is getting hammered with negative reviews bashing it as “mostly empty, soulless, and constantly remind[ing] you to spend money” and “everything i didn’t want.” But then I see incredible clips of players doing ridiculous nonsense and I immediately become transfixed.

Skate 3 came out well before our current age of social media brain rot, but clips of Jesus shredding to Pearl Jam have still made it the stuff of internet legend. I have no idea if Skate 4—excuse me, I mean “skate.”—will be able to rekindle the same grungy magic of a lost skater age, but I can say, based on some of the new clips going viral, that it does not seem like an entirely lost cause.

Man you don’t even know pic.twitter.com/4XIlCEdKx4

— Konto (@KontoLetzPlay) September 16, 2025

Have I told you that you can also clap in mid-air to stop yourself from instantly falling? It’s a shame that EA fumbled the bag so badly at launch. The always-online requirement alone kept tons of players from being able to easily hop into the game on day one thanks to server outages and long queue times. A microtransaction shop also doesn’t seem like a good fit for plumbing the nostalgia of mid-2000s gaming when companies didn’t try to nickel and dime fun. Many of these issues can be solved. Content can be added. That’s the whole point of Early Access, after all. Fortunately, you don’t have to be a Skate 4 defender—ahem, I mean “skate.” apologist—or even brave the launch-week woes for yourself to feast on what other players are cooking up.




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September 17, 2025 0 comments
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OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro lens in photographer's hands
Product Reviews

OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro review: an incredible wildlife and sports zoom

by admin September 10, 2025



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We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro: two-minute review

Having shot with the OM System 50-200mm F2.8 zoom, I’m now an even bigger fan of the Micro Four Thirds format for wildlife photography than I was previously. It’s a fabulous lens in every regard, with superb build quality, excellent handling and top-drawer image quality.

Above all, its bright maximum f/2.8 aperture – which is a first for a 100-400mm equivalent lens – delivers super-fast shutter speeds and better light intake than cheaper alternatives, which levels up the kind of telephoto wildlife action it’s possible to capture.

I tested the telephoto zoom with an OM System OM-1 II; together the IP53-rated weather-resistant pairing are impressively lightweight at just 59oz / 1,674g, and deliver incredible image stabilization and subject-detection autofocus performance, especially for birds – the lens’s autofocus can continuously keep up with the camera’s blazing 50fps burst shooting speeds.

I love how the lens balances with the camera, and I happily carried the pairing all day, rain or shine. Its internal zoom further protects against potential dust ingress over the long run, and I’ve no doubt it’ll last for many years of heavy use.

Image 1 of 3

(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)

Detail is impressively sharp, even at f/2.8, which is the aperture I used the most. This setting also enables the use of the fast shutter speeds that are crucial for high-speed wildlife photography.

Bokeh at f/2.8 is smooth for the most part, though in some scenarios it appeared a little fussy. Close the aperture down and you lose the circular shaping, and get harder edges instead. Bokeh is fine overall, but this is probably the only real negative to mention regarding optical quality.

Close focusing impresses – just 0.78m at any focal length, for up to half-life-size macro capture.

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I do have to get the small matter of the price out of the way at this point. At £3,000 (US and Australia pricing is TBC), the 50-200mm F2.8 IS Pro is less than half the price of OM System’s other pro ‘white’ lens, the 150-400mm F4.5, but almost three times the price of the 40-150mm F2.8.

In fact, it’s pricier than similar full-frame lenses – Nikon’s 100-400mm f/4.5-5.6 VR S comes to mind. However, considering the features on board, the build and optical quality, and that maximum f2.8 aperture, it’s still decent value, even if many will be priced out.

I can’t fault the OM System 50-200mm F2.8 as an overall package. It’s a superb telephoto zoom, and one that I can only dream will one day live in my gear bag. If you’re a serious wildlife shooter, OM System has produced one of the best camera and lens pairing you can find.

OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro specs

Swipe to scroll horizontallyOM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro specs

Type:

Telephoto zoom

Mount:

Micro Four Thirds

Sensor:

Micro Four Thirds

Focal length:

50-200mm (100-400mm effective)

Max aperture:

f/2.8

Minimum focus:

0.78m

Filter size:

77mm

Dimensions:

91.4 x 225.8mm

Weight:

38oz / 1,075g (without collar)

OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro: Design

  • IP53-rated weather-resistant design, internal zoom
  • Relatively lightweight at 38oz / 1,075g
  • 0.78m close focusing for 0.5x (equivalent) magnification

I can’t find any fault in the 50-200mm F2.8’s design. It’s IP53-rated, and is weather-resistant and freeze-proof to -10C; its internal zoom – a feature you’ll generally only find in high-end optics – is further evidence of its rugged credentials, as it’s one less place for potential dust ingress.

Check out the images below, which show how the lens barrel remains unchanged as you zoom through the focal range.

Considering its features – particularly that focal length and maximum aperture combo – it’s lightweight too, at 38oz / 1,075g (without the removable collar). Paired with an OM System camera like the OM-1 II, the total weight is only 59oz / 1,674g, making for a comfortable all-day carry.

Image 1 of 2

(Image credit: Tim Coleman)(Image credit: Tim Coleman)

All the external controls you’d want in a telephoto zoom are here: optical stabilization, manual / autofocus switch, custom buttons, and a focus range limiter.

Focus range can be limited to 0.78-3m, which is handy for macro photography (for which the lens has that impressive minimum close-focusing distance 0.78m), or to 3m to infinity, which is the option I’d pick when shooting telephoto wildlife. A third option is the full focus distance range, which could increase the risk of focus hunting.

The lens is supplied with a tripod collar, and I tend to keep this attached even when shooting handheld, as it provides another point of contact or place to hold when shooting.

Image 1 of 5

(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)

There’s no built-in teleconverter, which is a feature you’ll sometimes find in high-end telephoto lenses, including OM System’s own monster 150-400mm F4.5. However, I’d happily use OM System’s 1.4x teleconverter with this lens – I’ve used it before, and I wouldn’t expect to see any significant drop off in image quality.

Adding the 1.4x teleconverter extends the maximum reach of the lens at the cost of 1EV of light, effectively turning this into a 560mm f/4 lens. That’s still seriously impressive, and a better reach for bird photography, where subjects tend to be small and tricky to get close to.

OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro: Performance

  • 100-400mm effective focal length with maximum f/2.8 aperture
  • Optical and camera stabilization combine for up to 7.5EV stabilization
  • Sharp detail and, for the best part, smooth bokeh
  • Supports 50fps burst shooting with continuous autofocus

The OM System 50-200mm F2.8 is an impressive performer in every respect. Its autofocus speed and precision are top drawer; when paired with the OM-1 II, it quickly latched onto subjects such as birds, and was able to support 50fps burst shooting with continuous autofocus.

The lens’s optical stabilization can also combine with the OM-1 II’s in-body image stabilization to deliver up to 7.5EV of stabilization.

In real terms, OM System says you can shoot handheld at the maximum focal length, which is 400mm (effective), using shutter speeds as slow as 1/3 sec, and still get sharp results.

Of course, if the action is moving then 1/3 sec won’t be of much use, unless you want to intentionally blur your subject, but static objects will indeed appear sharp based on my testing.

Image 1 of 10

I used the continuous high burst shooting to increase my chances of freezing the action at the right moment in these two scenarios. (Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)

For me, what’s even better to have than the superb stabilization performance is the bright maximum f/2.8 aperture. This enables fast shutter speeds to freeze action, which is personally what I’m looking for a lens like this to do – for wildlife, you can do so much more with a f/2.8 telephoto than, say, an f/5.6 one.

The 100-400mm effective focal length range easily covers a range of scenarios – it’s my go-to range for grassroots sports like soccer, and for large wildlife. To give you an idea of the difference between 100mm and 400mm, I’ve taken pictures of the same scene at those extremes, and you can see some examples in the gallery below.

Image 1 of 6

400mm(Image credit: Tim Coleman)400mm(Image credit: Tim Coleman)100mm(Image credit: Tim Coleman)400mm(Image credit: Tim Coleman)100mm(Image credit: Tim Coleman)400mm(Image credit: Tim Coleman)

I also explored macro photography with the 50-200mm F2.8, and you can see some of those pictures below. The 0.25x maximum magnification (which is 0.5x full-frame effective) is half-life size and super-versatile – there’s no such full-frame lens with such a feature set.

It was while using the lens to shoot macro, including a dew-covered backlit spider’s web at first light, that I started paying particular attention to the bokeh – the quality of the out-of-focus orbs of light.

At f/2.8 it’s smooth and rounded, but there are scenarios, such as the cobweb shots, where it becomes a little fussy rather than smooth – stopping the aperture down to f/7.1 to increase depth of field revealed polygonal-shaped bokeh. For less extreme scenarios, bokeh quality is pleasant, but I wouldn’t buy this lens solely for that attribute.

Image 1 of 10

I took this photo at f/7.1 to increase depth of field, and you see that the bokeh has hard edges and polygonal shape, produced by the lens’s nine aperture blades. (Image credit: Tim Coleman)(Image credit: Tim Coleman)Here I’ve opened up the aperture and bokeh is rounder, but detail in the spider is softer because of the shallow depth of field. (Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)

Where this lens shines is in its wonderfully sharp detail, no matter the focal length or aperture (f/2.8 to f/11, at least). I’ve been really impressed by the quality of detail in my subjects, and I’ve been able to shoot images that simply wouldn’t be possible with cheaper gear, or even with full-frame lenses with darker maximum apertures, like the Nikon 100-400mm.

If anything is holding this lens back, it’s the limitations of the Micro Four Third’s sensor format, which is half the size of full-frame. It’s less clean in low light, and dynamic range is a little limited in high-contrast scenes, like the sunrise shot in the gallery below (scroll past those adorable guinea pigs).

The maximum f/2.8 aperture mostly makes up for any sensor format limitations, though, and in its own right the OM System 50-200mm F2.8 is a top-quality telephoto zoom, with no real drawbacks.

Image 1 of 10

(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)(Image credit: Tim Coleman)

Should you buy the OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro?

Buy it if…

Don’t buy it if…

(Image credit: Tim Coleman)

How I tested the OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro

  • Following an initial testing session with OM System, I used the 50-200mm extensively for an entire week
  • I paired it with the OM System OM-1 II
  • I took telephoto shots of wildlife, macro photos of spiders, and more

I first used the OM System 50-200mm F2.8 IS Pro at an event hosted by OM System at a wildlife trust in the UK, where I had some hands-on experience photographing exotic birds. I subsequently used the camera over a week-long loan period, paired with the OM System OM-1 II camera.

During my own time with the lens I’ve taken it out for sunrise shoots of birdlife on a common, been captivated by the macro world of insects including backlit spider’s webs, and snapped my family’s pet guinea pigs at last light.

I’ve made sure that all lens corrections are switched off in-camera, shot in both raw and JPEG format, used every key focal length and various apertures, then assessed image quality using Adobe Camera Raw, which has OM System profiles.

  • First reviewed September 2025



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September 10, 2025 0 comments
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This No Man's Sky Version Of The Office Is Incredible
Game Updates

This No Man’s Sky Version Of The Office Is Incredible

by admin September 8, 2025



A big new update for No Man’s Sky launched recently, adding the ability to create custom ships, but another custom creation is getting a lot of attention this week: a recreation of the office space from the popular NBC comedy The Office.

Redditor Ok_Misterpiece_9363 (via Kotaku) showed off their epic creation on Reddit this week, drawing heaps of praise in part of the very impressive attention to detail on display in the work. All the basics are recreated, of course, like the general layout of the office and the desks. The downstairs warehouse is there, too.

But this user-created space really shines with the finer points, like two chairs on the roof to signify where Jim and Pam watched fireworks together, along with the snowman-like sculptures in the parking lot where Jim was terrorized by Dwight.

It also includes a radar speed sign outside and multiple people standing around it, mirroring that time Michael ran a humanly impossible 31 mph. These smaller details aren’t in the flyover video embedded below, but can be found in the creation itself and shared by the creator in comments posted on Reddit.

This is just the latest example of the immense creativity of No Man’s Sky players, and you don’t have to look hard to find more. Game creator Sean Murray highlighted some of his favorite No Man’s Sky custom ship builds this week, including a ship modeled after Thomas the Tank engine and even himself.

As for The Office, the show’s spin-off series The Paper is out now on Peacock. The show follows the same in-universe documentary crew that made The Office, but this time they’re making a documentary about a struggling newspaper and the efforts to revitalize it. The show stars Domhnall Gleeson and Sabrina Impacciatore, all episodes are out now, and a second season has already been ordered.

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September 8, 2025 0 comments
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