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Ripple vs SEC XRP lawsuit news
GameFi Guides

XRP Lawsuit Finale In Weeks? Lawyers Say Don’t Count On It

by admin June 17, 2025


Trusted Editorial content, reviewed by leading industry experts and seasoned editors. Ad Disclosure

Judge Analisa Torres is again being asked to reopen her own final judgment in the XRP lawsuit between Ripple Labs and the US Securities and Exchange Commission (SEC). Yet in the corridors of crypto law the real debate is not procedural, but psychological: will the judge indulge the parties’ second-try joint motion, or will she signal—again—that settlement must occur on her terms rather than theirs? Two outside lawyers who know the record as well as anyone, Bill Morgan and Fred Rispoli, have laid out starkly different expectations.

Will Judge Torres Kill The XRP Deal Again?

Morgan, a pro-Ripple Australian solicitor whose X threads often go viral among XRP holders, cautions that timing alone could betray the court’s mood. “It only took seven days for Judge Torres to reject the last joint motion to modify the judgment to reduce the fine and dissolve the injunction. Less than seven days to decide the current joint motion may not be the best sign she will grant it,” he wrote on 15 June, warning an impatient community not to mistake speed for sympathy.

Despite that warning, Morgan sees a substantive hook the judge could grab if she wishes to end the four-year dispute: “The strongest argument in the joint motion is that the modification of the final orders of Judge Torres is a necessary condition of the settlement agreement between the SEC and Ripple, and that if the final orders are modified by reducing the amount of the fine and dissolving the injunction, the litigation will finally be at an end and court resources will be saved as this will bring an end to the appeal and cross-appeal.”

Even so, Morgan’s endorsement is hardly unqualified. He reminds readers that the parties themselves chose to hinge settlement on rewriting the judgment: “They could have simply agreed to end the appeal and the cross-appeal and lived with and moved on from the final orders… Ripple wanted more. The parties are really imposing a fait accompli on the court and hoping the Judge exercises her discretion… Intuitively, I think she will grant the motion but it would not surprise at all if she does not.”

Rispoli, a US litigator who has represented individual XRP holders but not Ripple itself, reads the joint filing far more bleakly. “I don’t like this filing based on how obvious it was from Judge Torres’ last ruling that she was pissed,” he posted on 12 June. Rispoli faulted the motion for brevity where contrition was needed: “I recommended a long, detailed motion explaining the SEC’s failures in crypto regulation (with Commissioner declarations) and some apologies from Ripple for what it got tagged on. Instead, we got one paragraph on the other SEC dismissals and a paltry mention of the SEC Crypto Task Force. Oof.”

For Rispoli, the dispositive issue is judicial discretion, not black-letter law. He concedes that “the parties cite enough law for the court to grant it,” yet concludes, “I don’t think this gets it done, sadly.” His prediction is grim: unless the parties supplement the record or Judge Torres decides she simply wants the case off her docket, the motion could meet the same fate as its predecessor. He nevertheless notes that a continued injunction is “not a death knell—Ripple can still sell XRP to institutions, just not in the same way it did pre-2018,” though more conservative counterparties would likely remain on the sidelines.

Taken together, the two analyses produce an unusually narrow probability band: Morgan’s guarded optimism tempered by procedural unease collides with Rispoli’s skepticism that any judge, once “pissed,” will bend twice. What both agree on is that the court now faces a binary choice whose commercial impact is outsized: either ratify a $50 million penalty with no injunction and end all appeals, or send the question back to the Second Circuit for another year of briefing and, perhaps, an eventual merits ruling that neither side wants.

At press time, XRP traded at $2.25.

XRP found support at the 200-day EMA, 1-day chart | Source: XRPUSDT on TradingView.com

Featured image created with DALL.E, chart from TradingView.com

Editorial Process for bitcoinist is centered on delivering thoroughly researched, accurate, and unbiased content. We uphold strict sourcing standards, and each page undergoes diligent review by our team of top technology experts and seasoned editors. This process ensures the integrity, relevance, and value of our content for our readers.



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June 17, 2025 0 comments
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Homelander in The Boys
Esports

The Boys creator took one big lesson from Breaking Bad for Season 5 finale

by admin June 11, 2025



The Boys creator Eric Kripke is feeling a “fair amount of terror” about getting the show’s season finale right – and he turned to the makers of Breaking Bad for help.

After all, Kripke has been down this road before: the last episode of Supernatural left many fans dissatisfied, and the impact of a ‘bad’ finale (or even a polarizing one) is enormous on the rest of the series.

For example, look at Lost. It’s generally ranked as one of the greatest TV shows of all time, widely viewed across the world, but the main reason people still talk about it is its incredibly divisive ending.

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Kripke wants to get it right, so he looked at one of the greatest finales of all time for inspiration.

The Boys creator is in “terror” over Season 5 finale

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Speaking to The Night Agent creator Shawn Ryan for Sony’s Creator to Creator podcast, Kripke confessed: “I am in a fair amount of terror about a series finale.

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“You can count in one, maybe two hands, the truly great series finales… and, conversely, the graveyard is literally filled with terrible [finales].

“You could have the greatest show for years, but if you stiff that ending, and that’s what’s sending everyone out in the parking lot, they go, ‘Oh, maybe that show wasn’t that good.’

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“How do you tie up the stories? How do you do it in a way that is emotional and satisfying? How do you do it in a way that creates, frankly, the illusion that some detail that you dropped in Season 1 or Season 2 is now suddenly coming back to pay off?”

AMC

In Kripke’s eyes, Breaking Bad “is as good as a show gets” (and most people agree, considering its ‘Felina’ finale is still rated 9.9 on IMDb.) “I was able to ask some of those writers, ‘The way you tied everything together, how did you do that?’” he continued.

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“And they said, ‘Oh, we just had a list of loose ends on our board, that we had no idea of what to do with them, that we would keep compiling over the seasons, and when then it was time to do the final season we would just start checking them off, because we are going to look like geniuses because the Season 2 storyline becomes this.’

“So that, I would say, has been a big challenge. The size of it, you know?”

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Find out what else we know about The Boys Season 5 and Gen V Season 2, and check out what else is dropping this year with our 2025 TV show calendar.



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June 11, 2025 0 comments
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The Internet Reacts To The Last Of Us’ Second Season Finale
Game Reviews

The Internet Reacts To The Last Of Us’ Second Season Finale

by admin May 28, 2025


The Last of Us concluded its second season on Sunday with a pretty big cliffhanger, as HBO plans to adapt the story of The Last of Us Part II across three seasons in total. Here at Kotaku, I’ve been recapping each episode of the show, and I have not been having a good time. Frankly, I find it to be a mostly irredeemable attempt at adapting the narrative of the PS4 game. But what about the rest of the internet? Surely not everyone is as disappointed as I am and plenty of them enjoyed the show, right? Well, yeah. But they’re not quite as loud as the folks who weren’t thrilled with the finale and season at large.

PlayStation’s Days of Play Brings Bomb Rush Cyberfunk, NBA 2K25 & More To PS Plus

To start on a positive note, despite fans being divided over Bella Ramsey’s performance as Ellie, with some criticizing it for its more immature approach to the character compared to Ashley Johnson’s in the game, several fans sang their praises of Ramsey’s work in the finale. Personally, I appreciated that the show pulled off Ellie’s disillusionment with the people of Jackson despite what I felt was poor writing, and Ramsey’s execution of this tension finally boiling over received some praise.

However, with the show reaching one of its most climactic moments in the finale, many game fans are growing increasingly frustrated with the embellishments HBO has made. Some take issue with how certain characters’ personalities have been altered, like Jesse being an asshole instead of the golden retriever we once knew, and Abby lacking the muscle that once signified her obsession with killing her father’s murderer. Despite some praise for Ramsey’s performance, many longtime fans remain critical of Ellie’s newfound sadism and how she seems far less confident than her game counterpart. This is on top of weeks of criticism from fans who think that Ellie feels infantilized in the show, especially when compared to her girlfriend Dina, who is carrying the angry, vengeful torch in her stead.

Character traits are one deviation from the source material fans are up in arms about, but perhaps the most controversial change in the finale involves the death of Mel. As in the game Ellie kills Mel, one of Abby’s friends who was with her on the expedition to kill Joel, but unlike in the game, here it’s an accident. Ellie fires a bullet at Mel‘s partner Owen and she just happens to be in the wrong place at the wrong time, as the shot goes right through him and into her. In the source material, this is one of the most impactful moments of Ellie’s revenge tour, as it also results in the death of Mel’s unborn child, making Ellie confront just how much collateral damage she’s caused in her myopic need for vengeance. Fans argue that by making this kill an accident, the show is undermining Ellie’s story which originally showed her undergoing a deliberate descent into violent rage, and instead lets her off the hook by shifting the blame.

Not everyone hates the change, though. Again, Ramsey’s skill at communicating Ellie’s devastation has received praise, and some view it as a moment of the character’s true compassion coming out.

A lot of this discourse can arguably be chalked up to “Game fans are just precious about the original scenes.” Some might believe the show should be judged on its own merits rather than compared to the game it’s adapting, but many, myself included, feel that even on its own terms, the show is a mess of tonal contradictions and confused characterization. To me, examining it through the lens of Sony’s attempts to further capitalize on the series, even to the detriment of its story and integrity, is the only way that it’s even interesting to talk about. If you take those elements away from the discussion, in my opinion the show is just bad in a boring way, with amateurish writing and inconsistent performances.

A lot of those problems are rooted in what seems to be an attempt to sanitize the original text and avoid controversy. However, the show’s inconsistent writing makes it feel like mash-up of competing stories in which Ellie’s motivations swap at the drop of a hat, which is frustrating to follow even without the context of playing the games. It’s easy to handwave criticisms as game fans simply not liking changes from the beloved source material, and if someone’s critique starts and ends with “the show is different than the games,” that’s not in and of itself making a qualitative point, it’s merely an observation. But as much as some people on both sides want to reduce the argument to dismissive extremes, the truth of the discussion exists somewhere in the middle, and right now it feels like some diehard game fans and show newcomers are ready to dismiss each other’s claims and praise on principle without hearing each other out.

Personally, I’ve found the show rewarding as a game fan because it’s been interesting to unpack why I think these changes are problems, rather than just being upset that it’s not recreating the game beat for beat. A lot of the show’s embellishments have felt like change for change’s sake. The Last of Us games felt very intentional in the story they wanted to tell, so taking a wrecking ball to so many characters and moments has made the show feel like a much less confident and coherent text. I don’t think it can be salvaged after this, but we’ll see if season three, which will primarily star Kaitlyn Dever as Abby, can turn things around.

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May 28, 2025 0 comments
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The Last of Us season two finale audience significantly lower than first season's, but HBO insists it will "grow significantly"
Game Reviews

The Last of Us season two finale audience significantly lower than first season’s, but HBO insists it will “grow significantly”

by admin May 27, 2025


The Last of Us season two finale, which aired early on Monday morning here in the UK, welcomed 3.7 million cross-platform viewers in the US.

This figure is significantly lower than the season’s opening episode, which premiered with 5.3 million same-day US cross-platform viewers. To compare further, The Last of Us’ first season finale set an audience record of 8.2 million viewers on its debut.

However in a press release, HBO said it expects to see the second season finale’s audience “grow significantly” following the Memorial Day holiday weekend, which contributed to lower viewer numbers.

The Death of Console Exclusives Is Inevitable and I Don’t Know How I Feel About It. Watch on YouTube

Additionally, the network states the second season of The Last of Us is now averaging close to 37 million global viewers per episode, with that number “growing”.

To give more context, following its debut in 2023, HBO said the first season of The Last of Us was averaging nearly 32 million cross-platform viewers per episode in the States. At this time, the company added The Last of Us was the most-watched show in the history of HBO Max in both Europe and Latin America.

Viewer numbers have continued to rise since season one’s release, and the show’s global audience now sits at more than 90 million.

The second season of The Last of Us picks up five years after the events of the season one finale, with Ellie and Joel – played by Bella Ramsey and Pedro Pascal – now living in Jackson. New cast members this season include Kaitlyn Dever as Abby, Isabela Merced as Dina, Young Mazino as Jesse and Catherine O’Hara as a new character for the show, Gail.

Image credit: HBO

Prior to its season two premiere, The Last of Us was renewed for a third season. At this time, showrunner Craig Mazin said: “We approached season two with the goal of creating something we could be proud of. The end results have exceeded even our most ambitious goals, thanks to our continued collaboration with HBO and the impeccable work of our unparalleled cast and crew.”

Earlier this month, the showrunner confirmed The Last of Us TV team is working on a four season plan, stating there’s “no way” the show’s narrative can be wrapped up in only three seasons. As for its next outing, earlier this week The Last of Us’ cast and crew shared some insight into where the show will go during its third season.

For more on the show, you can check out my discussion feature: The Last of Us season two wraps with episode seven, but was it a satisfying finale?



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May 27, 2025 0 comments
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The Last of Us season two wraps with episode seven, but was it a satisfying finale?
Game Reviews

The Last of Us season two wraps with episode seven, but was it a satisfying finale?

by admin May 26, 2025


The Last of Us’ second season has now come to an end, with a gritty episode which delved further into the themes of grief and revenge.

Please note, there will be spoilers for The Last of Us – both the show and the game – below.

Image credit: HBO

I never thought this last episode of The Last of Us season two was going to be easy to pull off. The showrunners delivered a moving episode last week, which, while a great watch, staggered the current day’s momentum. And, unfortunately, I don’t feel the series gained enough of that momentum back in season two’s seventh episode to make for a truly great finale.

The finale is not quite 50 minutes long, picking up after the main events of episode five. Jesse is with a wounded Dina in the theatre, where he proceeds to remove the arrow from her leg. Dina tells him she can’t die, and also refuses to drink any alcohol, rousing his suspicions that there is something more she isn’t telling him.

A short time later, Ellie arrives back at the theatre, following her confrontation with Nora. It is clear that this Ellie is a very different person from the Ellie we saw in season one, who after beating David to death was unable to contain her emotions despite her actions in that moment saving her life. She was distressed, crying and shaking.

After Ellie beats Nora in Seattle, though, she is almost numb. She does not lash out, but rather stares vacantly as Dina tends to her wounds, calmly saying how she made Nora talk. The Ellie we once knew is fading away.

Image credit: HBO

The dynamic between Ellie, Dina, and Jesse during the season two finale is a high point of the episode. The three young actors each show an earnestness in their performances. When Ellie tells Isabela Merced’s Dina what Joel did at the Firefly hospital, Dina firmly says they need to leave Seattle. They need to go home (this does water down her speach about revenge from earlier in the season, though, it has to be said). Young Mazino’s Jesse, meanwhile, serves as the level-headed, parental voice of reason, taking on a role well beyond his years as he rallies the team to find Tommy before they leave Seattle. Lastly, Bella Ramsey continues to deliver a tenacious performance as Ellie.

I particularly liked the scene between Ellie and Jesse in the bookshop. Here, Jesse admits that he not only once considered leaving Jackson to be with a woman he had fallen in love with, but that he had voted not to go after Abby during the council meeting several episodes earlier. Jesse does not patronise Ellie here. Instead, he is calm and collected. He explains his reasons, stating that Jackson’s community is what’s important to him. He acts for the greater good, even if that means sacrificing his personal happiness. He is a natural and capable leader, something that highlights Ellie’s increasingly warped sense of reality and scrappiness.

Unfortunately though, Jesse’s sound words are not enough to get through to Ellie, who sees an opportunity to find Abby, and takes it, even though she promised to go home. And, from here on, the season finale begins to struggle.

Image credit: HBO

Ellie separates from Dina and Jesse to find Abby, and on her way comes across Seraphites, as well as Mel and Owen. But, while these scenes do pack a punch – seeing Ellie getting hoisted by the neck by the Seraphites is certainly not an easy watch – they don’t get enough time to stand on their own and really make an impact on the viewer.

The confrontation with the Serphites in the woods is a footnote on Ellie’s way to the aquarium. Did it really need to be there? For Ellie’s story, I really don’t think it did. I appreciate there is the war between the WLF and the Serpaphites ticking along in the background of this episode, but I have played the games. I know what the showrunners are building up to with the WLF and the Seraphites in the background, but if someone doesn’t know the source material already, I wonder if these moments – including the one between Isaac and Park at a WLF camp – may fall a little flat due to their lack of clear direction.

The Last of Us season two’s finale teased events beyond Ellie and Dina, but given viewers will have to wait (potentially) a couple of years to find out what these story scraps all mean, are they actually worth it? | Image credit: HBO

Then there is that confrontation between Ellie, Mel and Owen. I say confrontation, but actually the show changes some narrative points here, and I think this is to the detriment of the story. In the show, Ellie shoots Owen in the throat, killing him. Meanwhile, a rogue piece of detritus from the shot lodges itself in Mel’s neck, wounding her enough that her death is inevitable.

So, Mel’s death was accidental. I don’t think it should have been. In the game, Ellie knows what she is doing as she kills Mel, and I wish the series had committed to making Ellie’s killing spree, which continues to show her downward spiral on her quest for revenge, intentional.

I will say this, though. The moment it is revealed that Mel is pregnant is certainly a harrowing one, and Ariela Barer does a brilliant job bringing emotion to Mel’s death as she reaches out to Ellie in a bid to save her unborn child.

I wish Ellie had been stronger here. Ellie is clearly upset by the accident which led to Mel’s death, and is deeply affected at the realisation that Mel is pregnant. Of course, it reflects Dina’s pregnancy. And yet, when in her dying moments Mel asks Ellie if her baby is OK, Ellie can’t even muster a small lie to ease her passing. She just stays silent.

Changes like making Mel’s death accidental dilute the impact of The Last of Us Part 2’s story. I feel the show made Ellie seem quite infantile here, when really by this moment in the game we are starting to see the real darkness in Ellie, which makes the player further question if her bloody quest for revenge is actually justifiable any more.

Meanwhile, although I can not fault the actors who continue to deliver some truly outstanding performances, any impact this moment may have had on viewers is over too quickly. Jesse and Tommy arrive to see Ellie looking distressed, and swiftly remove both her and, by extension, the viewers from the scene. It’s uncomfortable, but it would have benefited the story to let us all sit in that moment for longer, to allow the reality of it all to nestle in.

Image credit: HBO

The rest of the episode continues to happen at breakneck speed, and while she doesn’t get much screen time, Kaitlyn Dever steals the scene with Abby’s return, making a big impression very quickly.


Prior to the season two’s debut, there was much chatter about Dever being physically very different from her in-game counterpart. But, while smaller in build, there is no doubting Abby’s capabilities in the show. She means business, and while Ellie’s kills have often been messy and lacking finesse, it is clear Abby has military training and a steady resolve.

The show ends with a cliffhanger, with Abby shooting at Ellie before we cut back to Abby at the WLF base in Seattle. “Day One,” the screen teases. Now, we are going to hear Abby’s side of the story.

It is an interesting set up, for sure. But, again, I worry how those who have not played the games will feel about season two ending this way. Has the show done enough to pull viewers back for season three, which is still potentially several years away, where the focus will be on a character we have actually spent very little time with?

Image credit: HBO

The second season of The Last of Us has been uneven. There is no doubting the production value behind the season, and the actors have all done a phenomenal job bringing Naughty Dog’s characters to life for TV. Merced’s Dina has been a particular highlight this season and, along with Mazino, has been a brilliant addition to the cast.

But, despite these great performances, the story has felt both too slow and too rushed. Episodes such as the series’ second instalment offered plenty of action, but then episodes such as the fifth and today’s finale felt more like a patchwork of convenient and sometimes rather dull moments, all dashing to an all-too-quick conclusion. Spores, for example, only showed up once to serve Nora’s death. It would have been good to have seen them at least one more during the season to make their introduction feel less contrived.

Image credit: HBO

Saying that, though, I am genuinely looking forward to season three, which was confirmed earlier this year. Showrunners Craig Mazin and Neil Druckmann have an interesting journey ahead of them, and I am curious to see how they will continue to evolve and adapt The Last of Us Part 2 for TV.

Before I go, I will give season two credit for something extra, though – I am so glad we didn’t have to see Ellie kill a dog (also, thank you Jesse for confirming Shimmer is actually OK, despite seemingly being forgotten about Ellie and Dina).

She lives! | Image credit: HBO

And with that, that’s a wrap on The Last of Us season two. Thank you for joining me each week to discuss the episodes as they happen.

Until next time, keep looking for the light!



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May 26, 2025 0 comments
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Last Of Us 7 Ellie Crash
Gaming Gear

Put All Your Spoilery ‘Last of Us’ Finale Thoughts Here

by admin May 26, 2025


And the long wait for season three begins. Sunday, HBO aired the season two finale of The Last of Us, and it was a lot. Lots to digest for people who are watching this show on their own, and probably even more for people who are watching as fans of the game. Before our larger recap on Monday, we wanted to give you a chance to talk about your feelings, and we even got showrunners Craig Mazin and Neil Druckmann involved. Spoilers follow.

Season two of The Last of Us ended very much like the midway (ish) point of The Last of Us Part II. After finding and killing two more of Abby’s friends—Mel and Owen—Ellie’s Seattle journey feels like it might be coming to an end. Especially because Mel was pregnant. That was not Ellie’s intention. And so she, Tommy, Dina, and Jesse regroup and decide it’s time to head back to Jackson, even though Abby is still out there.

Just then, Abby arrives. She kills Jesse and threatens to kill the rest. It’s a tense moment that we don’t see the end of. That’s because the show cuts to black and flashes back two days. Abby wakes up at a major WLF base and we know that, next season, we’re going to see what she has been doing all this time.

So, how did that make you feel? Did you like the decision? Did you even get it? At a press conference last week, showrunner Craig Mazin chimed in about how he hopes the audience feels as season two comes to a close.

“What I want the audience to feel thematically at the end of the season is that [the characters] aren’t where they were, but they’re not yet where they are going to go,” Mazin said. “That there has always been a story that we’ve been telling about the good and bad of love, but we switch which side is good and bad sometimes. Because sometimes we do need somebody to punish someone for us. Sometimes we do need somebody to protect us. Sometimes violence must be done to save the innocent. These are difficult moments. But of course, then there are times where sacrifice is called for. Where putting other people first is called for. Where creation does more than destruction.”

“And we are, especially with the porch scene prior to the last episode, and the way we now understand that there is this idea that maybe you could do a little bit better than me, we understand that both Ellie and Abby are moving forward in trouble,” Mazin continues. “They are in moral trouble because their certainty is beginning to fail them. And we can see it here with Ellie, for sure, because faced with the consequences of the thing she’s done and people that didn’t deserve to die dying, she’s starting to feel maybe a swing of the pendulum. And we don’t know where these two are going to end. But what I would hope the audience feels is that they are not done. They’re not done growing or they are not done falling. We’ll have to wait and see which it is.”

“The question that we’re asking and the thing we’re interrogating in this story is: when you’ve committed such horrible things, depending on your circumstance, can you ever come back from that?” Neil Druckmann added. “And we see in that porch scene, Joel is trying to come back from what he’s done even though he doesn’t regret it. And now we have these two characters that are on this downward spiral, trying to do justice for the people that they love and we’ll see how far that goes.”

Do you agree with Mazin and Druckmann here? Talk about that, or whatever else you want to talk about, below. Then check back Monday for not just our final breakdown/recap, but more from the showrunners on the ending of the season.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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May 26, 2025 0 comments
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Last Of Us Fans Are Bracing Themselves For Next Week’s Finale
Game Reviews

Last Of Us Fans Are Bracing Themselves For Next Week’s Finale

by admin May 20, 2025



Image: HBO

If long-time The Last of Us fans have learned anything watching HBO’s second season, it’s that knowing something is coming doesn’t make it any less painful to watch a second time. The live-action adaptation of The Last of Us Part II has been divisive (I fucking hated it, personally), but it’s still putting everyone through the emotional wringer by recreating the same deaths and carnage featured in the PS4 game. As such, those who have played the game know what to expect in an upcoming episode when they see moments they recognize in the previews, and that means Last of Us veterans are bracing themselves for the finale because they know something painful is coming.

Nintendo Switch 2 Price Is Set at $450 for Now, But Could Go Higher

HBO has released a brief 40-second preview of the finale ahead of its premiere on Sunday, and it includes a voiceover from Jesse (Young Mazino) about the war between the militaristic Washington Liberation Front and the cult-like Seraphites. He says he’s “not dying out here” in the middle of the Seattle warzone. But the irony is that homeboy probably is dying out here, and in the next episode.

In the preview, we see a clip of Ellie (Bella Ramsey) and Jesse running up the aisle of the theater that the group has made into their home base while in Seattle. We don’t get any context as to what the pair is running toward, but anyone who’s played The Last of Us Part II knows what’s coming.

Jesse is another unfortunate casualty in Ellie and Abby’s revenge tour, and for a game that loves to drag out character deaths, his end is pretty quick, but no less brutal. As he and Ellie run into the theater lobby, Abby, who found the group’s hideout, shoots Jesse right in the face, killing him instantly. Based on the preview, it looks like this scene is in the finale, unless the show decides to handle Jesse’s fate differently. The show has mostly followed the core events of The Last of Us Part II, albeit with some annoying script embellishments and misguided structural changes, but if Ellie’s horse Shimmer can avoid her violent fate, maybe Jesse can, too? Either way, fans are preparing themselves for the emotional damage.

The Last of Us’ season finale will premiere on Max at 9 p.m. Eastern Sunday, May 25.

 



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May 20, 2025 0 comments
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