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'The Summer Hikaru Died' Is Easily the Best Horror Anime in Ages
Product Reviews

‘The Summer Hikaru Died’ Is Easily the Best Horror Anime in Ages

by admin October 4, 2025



One would assume that horror and anime, two media seemingly tailor-made for each other, would consistently produce masterpieces. After all, anime’s visual elasticity and horror’s emotional extremity should be a match made in heaven. Yet, more often than not, their union exposes mutual blind spots rather than shared strengths.

Anime adaptations of horror manga frequently fall into two traps: slavish recreations that beg the question of what was actually adapted, or hollow spectacles that rely on cheap jump scares, evoking the aesthetics of a 2011-era YouTube craze. But then there’s The Summer Hikaru Died—an outlier, a revelation, and arguably the pinnacle of modern horror anime.

Created by mangaka Mokumokuren and adapted by CygamesPictures, The Summer Hikaru Died slipped quietly into Netflix’s summer anime lineup, overshadowed by the usual shonen fare. But from its first frame, it announced itself as something different, drawing from the same well as cult classics like Higurashi: When They Cry, horror auteur Junji Ito‘s ill-fated Uzumaki adaptation, Shudder’s Best Wishes to All, and Konami’s Silent Hill f.

It’s steeped in the iconography of Japanese horror: a sleepy countryside town with ritualistic secrets simmering beneath the surface and wide-eyed teens thrust into the abyss of its mystery.

As the title suggests, a boy named Hikaru Indo (Shūichirō Umeda) dies. But his death is only the beginning. What follows is a slow, devastating unraveling for his best friend, Yoshiki Tsujinaka (Chiaki Kobayashi), who finds himself living alongside a cursed entity wearing Hikaru’s face.

Yoshiki is faced with an ultimatum. He must either destroy it or acquiesce to the demonic entity’s wish to continue living as his best friend—someone he is very clearly in love with. Yoshiki’s selfish choice to continue living with his puppeteered childhood friend sets the tone for the entire series: horror not as a spectacle, but as an emotional reckoning.

The show’s central tension—Yoshiki’s refusal to reject “Hikaru” and “Hikaru’s” obsessive need to protect Yoshiki—creates a dynamic that’s both tender and terrifying. Their relationship evokes the tragic absurdity of trying to domesticate a bear: you may love it, it may love you, but one day it might maul you. Turning any perceived affection into a misplaced anthropomorphization of a killer.

© Netflix/CygamesPictures

As villagers begin to die and supernatural violence attaches itself to the pair like a magnet, Yoshiki is routinely tested to choose between shielding “Hikaru” or mercy-killing him for the greater good. In essence, The Summer Hikaru Died is a love story wrapped in a horror spiral, one that interrogates grief, self-hatred, and the intimacy of queer desire under subtle yet ever-presently monstrous patriarchal pressure. Yet, it doesn’t boast itself as “elevated horror,” but rather something more intimate, messy, and deeply human.

Unlike many mystery-driven anime, The Summer Hikaru Died doesn’t insult its audience with drawn-out reveals and an inept cast bumbling through its Scooby-Doo mystery of “what’s wrong with our village?” Its characters are observant, emotionally intelligent, and often one step ahead of the viewer. When they notice something’s off, they say so or play their cards close to their chest for the opportune moment to voice their perturbed concerns. When they suspect a curse, they act.

This narrative efficiency doesn’t undercut the show’s emotional weight; it enhances it, allowing the horror to bloom organically rather than through forced exposition and cheap scares tantamount to jingling keys in front of a child to keep their attention.

© Netflix/Cygames Pictures

Visually, the series is nothing short of stunning, with its horror never confined to set pieces but a constant optical undercurrent. Despite its weekly format, it boasts feature film-level animation, with a focus on dread over shock. The horror isn’t in the jump scares—it’s in the quiet moments: a panic attack in a grocery store, the creeping sense that something malevolent is watching you from the woods, the realization that your home is no longer safe, or your mind playing tricks on you with something being amiss from the corner of your eye.

Sonically, the anime is steeped in the low, ambient hum of cicadas and a soft, contemplative piano—evoking a mood of languid summer melancholy. But like the ebb and flow of a shoreline current, this tranquility is periodically ruptured by bursts of distorted noises and intrusions that jolt viewers into awareness of the unseen impurities haunting Yoshiki’s hometown.

© Netflix/CygamesPictures

These scenes aren’t framed as setups for a long-walked jump scare. Instead, they’re part of the show’s palpable, ambient dread. It lingers in the corners of every frame, threading through the narrative like a seasonal shift from summer’s golden haze, giving way to the brittle chill of fall. All the while, it creates a tonal duality that becomes a signature of the series, a steady heartbeat that makes its horror feel intimate and inescapable.

And yet, the show knows when to breathe. Like Jordan Peele and Zach Cregger, series director Ryohei Takeshita balances horror with humor, letting characters crack dry jokes or act appropriately human in the face of eldritch terror. These moments of levity don’t deflate the tension; instead, they deepen it, reminding viewers that horror is most potent when it’s grounded in real emotion. The show routinely showcases its artistic merits by implementing close-up live-action shots of marinated chicken or moving train cars, as well as scenic views from their windows, to imbue its artistry with both gross-out and moments of zen all at once.

© Netflix/CygamesPictures

In a sea of horror anime that shoot for greatness and land on surface-level cosplay mimicking the aesthetics of horror without grasping its emotional marrow, The Summer Hikaru Died stands head and shoulders above. It doesn’t resign itself to drawing inside the lines of its source material or paying homage to a bygone era of horror anime, but boldly takes it to depths the medium has yet to explore. threading grief, intimacy, and monstrosity into something profoundly unsettling and unquestionably human.

With its first season wrapped and a second on the horizon, The Summer Hikaru Died is the perfect series for horror fans to experience a haunting, heartfelt reminder that anime still has the power to surprise, disturb, and move viewers. Not by screaming louder, but by whispering hard truths we’re afraid to face.

The Summer Hikaru Died is streaming on Netflix.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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October 4, 2025 0 comments
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Famous Race-Losing Horse Who Inspired An Umamusume Character Has Died
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Famous Race-Losing Horse Who Inspired An Umamusume Character Has Died

by admin September 11, 2025



With a career record of 113 losses and no wins, racehorse Haru Urara became an unintentional pop culture icon in Japan and beyond. The beloved race-losing horse inspired one of Umamusume: Pretty Derby’s horse-girl characters, and her death this week has been marked by many well beyond the racing sphere.

After making her debut in 1998, racehorse Haru Urara became famous for her reliable losing streak, becoming a household name across Japan and for some a kind of patron deity for losers who nevertheless refuse to give up.

Former racehorse Haru Urara, known for an impeccable 113 race loss record, and as the inspiration for the Umamusume: Pretty Derby character of the same name, has died aged 29. pic.twitter.com/HXvdijrj1G

— Eurogamer (@eurogamer) September 9, 2025

Haru Urara lends her name and trademark losing streak to one of the characters in Umamusume: Pretty Derby, a game and anime franchise centered around anthropomorphised horse-girls who double as racers and idols. Though the racehorse Haru Urara retired in 2006, the Umamusume character made more people aware of her quirky background, with the anime and game seeing a trend of fans coming to visit the horse where she was spending her retirement at Matha Farm.

Haru Urara died at the age of 29, Eurogamer reports, but her legacy will live on in the form of an unlucky but endlessly positive anime horse girl in a surprisingly popular gacha game.

Umamusume was first announced as a gacha game back in 2016, but due to delays the anime adaptation released first in 2018. While the free-to-play game was released in Japan in 2021, it didn’t see a release outside of Asia until June this year. Umamusume’s worldwide Steam release proved popular with gamers, with the game hitting a peak of over 87,000 concurrent players in its first month of release. The game is also available globally on iOS and Android.

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September 11, 2025 0 comments
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Terence Stamp during 2005 Cannes Film Festival - Terence Stamp Portraits at Orange Beach in Cannes, France.
Gaming Gear

Actor Terence Stamp, who played General Zod in Superman and Mankar Camoran in The Elder Scrolls 4: Oblivion, has died

by admin August 17, 2025



As reported by the BBC, the family of Terence Stamp has confirmed that the actor died on Sunday morning at the age of 87. In Stamp’s long and illustrious career, the actor had some notable videogame performances, including the Prophet of Truth in Halo, and Mankar Camoran in The Elder Scrolls 4: Oblivion.

Stamp was born to a working class London family in 1938, and first rose to popularity in the 1960s, once even being considered to replace Sean Connery as James Bond. Stamp is perhaps best known today for the second act of his career, where he made a mark as a versatile character actor. Stamp played General Zod opposite Christopher Reeve in the first two Superman movies in 1978 and 1980.

The Making of Oblivion (FULL | HQ | ENG) – YouTube

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Stamp had a small number of videogame appearances in his career, most notably in Halo 3 and The Elder Scrolls 4: Oblivion. Stamp was one of a number of famous actors who lent their voices to Oblivion, including Sir Patrick Stewart, Sean Bean, and Lynda Carter. Stamp’s performance as Mankar Camoran can once again be heard in Virtuous’ remaster of Oblivion, as well as the upcoming Skyblivion mod remake.


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In the documentary, The Making of Oblivion, Stamp can be seen working in the booth, delivering some of his lines as Camoran and receiving direction from longtime Elder Scrolls lead, Todd Howard. Though Stamp says in the documentary that he had only gotten the FedEx of the script the night before recording and that he was less familiar with this “area of performance,” his delivery of Camoran remains a highlight of the game.

“Superman 1 and 2, kinda my formative years, when I was six or seven. Terence Stamp is General Zod, and he has a great line in Superman 2, where he gets Superman to kneel,” Howard explained in the documentary. “‘Son of Jor-El, kneel before Zod!’ And my brother would always do that but change ‘Zod’ to ‘Todd.’ Just over the years, one of those things.”

Naturally, in-between recording Cameron’s commanding and esoteric monologues to the Mythic Dawn cult, Stamp graciously delivered a menacing “Kneel before Todd!” For Howard and his brother.

Stamp was reportedly in talks to reprise his role as transgender drag queen Bernadette Bassenger in a distant sequel to the 1994 film, The Adventures of Priscilla, Queen of the Desert. According to IMDB, his final role will remain an appearance in Edgar Wright’s 2021 film, Last Night in Soho.

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August 17, 2025 0 comments
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