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Broadcast TV Is a 'Melting Ice Cube.’ Kimmel Just Turned Up the Heat
Product Reviews

Broadcast TV Is a ‘Melting Ice Cube.’ Kimmel Just Turned Up the Heat

by admin September 26, 2025


Jimmy Kimmel returned to ABC this week. Sort of. About a quarter of ABC’s usual audience couldn’t see the talk show host this week after two major owners of ABC affiliates, Sinclair and Nexstar, refused to carry the show. Those right-leaning companies apparently felt that Kimmel’s joke—which included some disputed facts—was so unpardonable that they couldn’t expose their viewers to the comedian. They were also the first organizations to pull the plug on Kimmel, after Federal Communications Commission chair Brendan Carr seemed to threaten action. That means that even the stations that did carry the show—as well as Disney, which owns ABC—might be courting the ire of a government official who seems eager to use his powers to silence critics.

Carr does have power. The FCC can grant and revoke broadcast licenses if stations don’t serve the public interest. It’s an artifact of a time when virtually 100 percent of viewers got their shows over the air, via television antennas. Local TV stations were granted slices of the very limited broadcast spectrum to beam their programs and had to meet certain standards to keep that privilege. But that era has passed. Local television stations now reach their audience via cable or internet bundles. Also, networks increasingly stream their programming through apps. Yet Carr still has the ability to bully networks and affiliates by threatening to take their licenses.

This raises a question: What’s the point of maintaining the current system? It’s certainly a mess for Disney and its fellow network owners like Comcast, which owns NBC, and Paramount, which owns CBS. Instead of kowtowing to free-speech-hating regulators, and toadying affiliates who are fine with censoring ABC programming, maybe Disney should bid farewell to stations that decline to run its programming. Disney already streams shows on Hulu (which it controls) and on its own app. There have long been examples of local stations owned and operated by networks. What if Disney or Comcast let contracts with troublesome affiliates lapse and then started their own local stations without using spectrum—both as apps and cable channels? Let Nexstar and Sinclair find their own programming, where they can tailor content to any standard they want. Disney can happily bypass the airwaves without worrying about FCC threats. They can even say those seven dirty words!

I ran this idea past a former FCC commissioner, who pointed out some potential problems involving existing contracts and such. But generally, he agreed that the idea not only made sense but was already in motion, on the largest scale. “It’s what Disney is doing by streaming ESPN and everything else. It is something that has to be coming,” he tells me, speaking on the condition of anonymity. Blair Levin, the former chief of staff to an FCC chairman, was even more sympathetic to my idea. “Broadcast is a melting ice cube,” he says. It’s only a question of how long it will take to thaw. Five years? Ten?

So my idea is less novel than I thought. The Kimmel conundrum has only turned up the heat on a doomed chunk of frozen water. Even as I chatted with former FCC officials, Needham, an investment bank that tracks media, put out a note that suggested even more drastic action is warranted. Disney, it said, should immediately begin streaming its entire schedule! The money it would reap from ads or subscriptions would more than make up for any losses, and Disney’s market cap would rise.

I don’t expect that to happen right away. The multiyear contracts and ongoing relationships between affiliates and networks lock in the current situation for a while. But when I asked an executive from a company that owns TV stations whether the current arrangement was sustainable, I didn’t get the pushback I expected. “It’s a real question,” he tells me, admitting the relationship of late has become more fraught.



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September 26, 2025 0 comments
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Eva and Ice stare into their cameras.
Game Reviews

Ice Cube Explains His Awful War Of The Worlds Movie

by admin September 16, 2025


Last month, Amazon quietly released a new film version of H.G. Wells’ The War of the Worlds. The movie, in which everything we see is happening on computer screens, stars Ice Cube and was a huge flop with critics. It featured a scene where the world is saved thanks to an Amazon drone driver. Seriously. Now, a month later, the rapper and actor has explained how the internet’s favorite bad movie of 2025 came to be.

During a recent livestream marathon hosted by popular creator Kai Cenat, Ice Cube dropped by to talk about his career, his future projects, and just shoot the shit with Cenat and his friends. At one point during the stream, Cenat asked Ice Cube about Amazon’s War of the Worlds. And while Cenat didn’t call it a terrible movie, it was clear that Ice Cube wasn’t particularly happy about the finished product, which apparently was shot half a decade ago in about two weeks.

“[War of the Worlds is a movie] I did in 2020 during the pandemic, five years ago,” Ice Cube told Cenat during the marathon stream. “We shot it in 15 days, and it was during the pandemic. So, the director wasn’t in there. None of the actors was in there. This was the only way we could really shoot the movie. [It was] pandemic time.”

Ice Cube added that this is the reason War of the Worlds is presented entirely as a series of computer screens. He then added: “But really, if shit went down, everybody would only have their screen to look at.”

As for why the movie took five years to release, Ice Cube provided an odd answer, telling Kai Cenat that after Universal sold the movie to Amazon Prime, it “took a minute to finish” the film because of “how it was shot.”

“The movie is shot, the actors are shot, but all the footage is from real surveillance cameras around the world,” claimed Ice Cube. “And they had to build all that shit. So yeah, it took a minute.”

As someone who has watched the movie and flipped through it a few times, I think a lot of the footage featured in it is actually stock footage or content licensed cheaply from some asset library.  But hey, maybe they really did fly around the world collecting original security camera footage for this straight-to-digital low-budget adaptation of a classic novel. That’s possible, too, I guess…?



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September 16, 2025 0 comments
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