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Google Pixel 10 review: perfectly fine
Product Reviews

Google Pixel 10 review: perfectly fine

by admin September 6, 2025


Asking the Pixel 10 to be more than what it is feels greedy.

Google’s non-Pro Pixel is priced fairly at $799, which is significantly less than the $999 Pixel 10 Pro. It comes with some handy upgrades, like Qi2 charging with built-in magnets. Its AI features finally show promise. It includes a dedicated telephoto lens for the first time. It’s a proper flagship and an all-around easygoing Android phone. But if I’m being greedy, then I do have one request: better cameras.

The rear cameras on the Pixel 10 are totally fine. For someone who’s not picky about image quality, they’d be better than fine. And maybe I’d think they were fine, too, if I wasn’t cursed with the knowledge that the cameras on last year’s model are better. And that’s because up until this year, the non-Pro Pixel came with the same main and ultrawide camera hardware as the Pro. But we can’t have everything, and when Google added that telephoto lens this year, it downgraded the other two rear cameras to essentially what’s in the midrange Pixel 9A. So the Pixel 10 has a perfectly fine camera system, as long as you’re not too greedy.

$799

The Good

  • Qi2 wireless charging with magnets is great
  • AI is actually kind of useful, finally
  • Telephoto camera is a nice addition

The Bad

  • Main and ultrawide cameras aren’t quite as good as the Pro
  • Battery life is just okay

Outside of the camera situation, the Pixel 10 comes with the same major upgrades as the Pro phones this year: a new chip and some magnets. Tensor G5 is the new processor on the 10 series, which I’ve found to run a tad cooler than previous versions. The G5 is Google’s first custom chipset made by TSMC, and it handles heavier workloads well. The regular 10 comes with 12GB of RAM compared to 16GB in the 10 Pro, and I did notice a little more stuttering on dense web pages than on the Pro. But for the non-professional phone user, it handles most tasks just fine.

Google Pixel 10 specifications

  • Tensor G5 chipset with 12GB of RAM | 128GB or 256GB of storage
  • 6.3-inch 1080p 60-120Hz OLED
  • 48-megpaixel f/1.7 main camera | 13-megapixel ultrawide | 10.8-megapixel 5x telephoto | 10.5-megapixel selfie camera
  • 4,970mAh lithium-ion battery
  • Qi2 wireless charging up to 15W; 55 percent charge in 30 minutes with wired 30W charger
  • IP68 dust and water resistant

There’s a whole lot of on-device AI running on the new chip — which you can read more about in my Pixel 10 Pro review — and I suspect it contributes to the Pixel 10’s just-okay battery life. A full day of moderate use is no problem, but if you add some intensive activities like an extended hotspot or gaming session, then you might start looking for a charger in the late afternoon. The average person probably won’t be bothered by it, but power users will want a charger or power bank handy to avoid battery anxiety at the end of the day.

AI is still hit-or-miss, but the hits are getting better.

AI is still hit-or-miss, but the hits are getting better. The Pixel 10 doesn’t offer the generative AI-assisted camera zoom feature that the Pro and Pro XL have, but you do get Magic Cue, which fetches helpful information based on what you’re doing. And it actually does work. It’s only in a handful of Google apps right now, but it can help put something on your calendar as you hash out plans in Messages or suggest a destination when you open Google Maps based on something you saved in your screenshots. I had a few more false positives while testing it on the Pixel 10 than I did with the 10 Pro; there were times when it suggested information that wasn’t relevant or it offered to create a calendar event when I told a friend I’d “be there in 30.” I still found it more useful than not, and it’s easy enough to ignore when its suggestions are off the mark.

The Pixel 10 gained a telephoto camera but lost a little image quality in the process.

The Pixel 10 has Qi2 with built-in magnets, and it’s a delight. There’s no case required (unlike with the Samsung S25 series phones), and I thoroughly enjoyed thwacking the phone onto a bedside PixelSnap charger at the end of each day. With the addition of what is essentially MagSafe, the Pixel series is looking like a pretty complete alternative to the iOS ecosystem these days. Each night when I put my phone on the charger, triggering bedtime mode, my Pixel watch followed suit and changed modes, too. That’s not a new feature, but little moments like that add up throughout the day.

I spent a week with the Pixel 10 Pro before switching to the regular 10, and there’s not much that feels radically different on the cheaper model — except the display. The standard 10 comes with a 6.3-inch 1080p screen with up to a 120Hz refresh rate, compared to the 1280p display on the 10 Pro. Its peak brightness of 3,000 nits is enough to keep the phone usable on a sunny day, and 1080p is just enough resolution for a screen that size. The screen seems more prone to dropping from its top 120Hz refresh rate, which is fine but a little jarring when you’re scrolling the NYT Games app and suddenly looking at 60Hz.

I also noticed some vignetting when using the phone in bright light — darkness around the edges of the screen, like you might see in a photograph. This turns out to be a known issue, resolved by switching to the “natural” display color profile. Overall, it’s a fine display but you definitely get more by spending more on the Pro.

On the subject of getting more for more with the 10 Pro: cameras. The Pixel 10’s 48-megapixel f/1.7 main camera doesn’t seem all that different from the 10 Pro’s 50-megapixel f/1.7 camera — until you get to the sensor size. The regular 10 uses a 1/2.0-inch type sensor that’s about half the size of the 1/1.31-inch type sensor in the Pro models. A bigger sensor will produce cleaner images with better dynamic range, and it’s a difference I felt, especially in portrait mode. Particularly if light is low, your subject is moving, and if you’re using the 2x zoom option, portrait mode on the regular 10 isn’t as good as on the Pros. Images show more noise, fine detail like hair looks crunchy, and subject isolation isn’t as precise.

A portrait-mode photo with the subject moving toward the camera at high speed is about as tough a scenario as you can throw at a phone camera, so it’s not too surprising that the Pixel 10 can’t handle it well. But it’s one way that the smaller camera sensor results in noticeably worse performance. Outside of portraits, the Pixel 10 takes perfectly nice photos. The ultrawide — also a smaller sensor than on the Pros — handles dim indoor lighting acceptably. The 5x telephoto lens is handy and definitely an upgrade over using 5x digital zoom. Maybe a telephoto lens and a killer main camera are too much to ask for in a $799 phone, but I’ll keep wishing for both anyway.

Gotta admit the blue color is nice.

Last year, the Pixel 9 felt like the phone that Android had needed for a long time: something elegant, simple, and durable. The Pixel 10 takes that same model and mostly improves it, adding Qi2 and a telephoto lens. The price stayed the same, which is nothing to sneeze at when the prices of everything else keep going up.

Losing the higher-end camera might not be a dealbreaker for most people, but it’s a little tough to swallow if you know what you’re missing out on. Most people who buy this phone won’t be burdened with that knowledge, and I think the Pixel 10 will make that group perfectly happy.

Photography by Allison Johnson / The Verge

Agree to Continue: Google Pixel 10, 10 Pro, and 10 Pro XL

Every smart device now requires you to agree to a series of terms and conditions before you can use it — contracts that no one actually reads. It’s impossible for us to read and analyze every single one of these agreements. But we started counting exactly how many times you have to hit “agree” to use devices when we review them since these are agreements most people don’t read and definitely can’t negotiate.

To use a Pixel 10 series phone, you must agree to:

The following agreements are optional:

  • Provide anonymous location data for Google’s services
  • “Allow apps and services to scan for Wi-Fi networks and nearby devices at any time, even when Wi-Fi or Bluetooth is off.”
  • Send usage and diagnostic data to Google
  • Talk to Google hands-free: “If you agree, Google Assistant will wait in standby mode to detect ‘Hey Google’ and certain quick phrases.”
  • Allow Assistant on lock screen

Additionally, if you want to use Google Assistant, you must agree to let Google collect app info and contact info from your devices. Other features like Google Wallet may require additional agreements.

Final tally: five mandatory agreements and at least five optional agreements

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September 6, 2025 0 comments
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xTool F2 Ultra
Product Reviews

xTool F2 Ultra laser engraver review

by admin September 6, 2025



Why you can trust TechRadar


We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

I’ve tested out a number of xTool laser cutters before, and I’ve always walked away impressed.

Whether it’s the feature-rich, easy-to-use xTool P2 or the precise xTool S1, I’ve always found the units to be innovative and accurate, ranking them among the best laser engravers and cutters around.

So, I was excited to get my hands on the xTool F2 Ultra. And after some comprehensive testing, let me tell you, this one is in a league of its own.

(Image credit: Alastair Jennings)

The xTool F2 Ultra follows on from the impressive F1 but boosts speed, power and design to offer one of the most powerful yet easy-to-use desktop laser engravers on the market. While the working area might be relatively small, the fact that it features a 60W MOPA fibre laser enabling you to engrave, emboss and cut various metals is a feature that’s rather unique. Then there’s the fact that this is coupled with a more standard 20W diode laser for non-metallic materials, such as wood, meaning that if you own a small business, it offers a powerful tool that will enable you to create and customise a wide range of products.

  • xTool F2 Ultra at Amazon for $5,499

While machines like this have been available in the past, they’ve often been ultra-complex and required additional software to handle the speed and power of the fibre laser. However, with integrated software and streamlined workflow, it is pretty much unmatched by any other system I’ve used. I’m pretty confident that even a complete beginner would be able to get up and running with the F2 Ultra.

From the outset, I was impressed not just by the user setup but also by how quick and easy it was to use the xTool software. You just need to select your design, place it over the material in the software, select the material type from the library, then select engrave, cut or emboss before hitting go and watching the design appear within seconds.

The price point of this machine really reflects the quality and speed of what is possible, with the Galvo system enabling speeds of up to 15,000 mm/s and the smart dual-camera setup helping you accurately position items in the machine. It’s impressive what you can do and create in very little time.

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Many of the more complex manual setup procedures are removed, with the machine essentially taking over everything, such as focusing automatically. There’s just a small alignment procedure at the beginning of the setup process, but once that’s done, aside from dialling in material and positioning your designs, the machine takes care of everything else.

I’ve used quite a few dual-fibre and diode laser machines in the last year, and while I’m always impressed with what is achievable, there’s usually a bit of tuning and fiddling with calibration and configuring software like LightBurn to accurately mark or engrave. However, here the software aligns everything; you just push the green bar on the control panel, and the machine takes care of the rest.

With the F1, I was impressed by the speed, utility and flexibility of the machine, but the F2 Ultra is in another league, obviously reflected in the price point. Compared with any other system on the market, the F2 Ultra, especially when coupled with the conveyor belt, offers a huge amount of options and possibilities. For any small business dealing with laser engraving and embossing, there’s now only one machine, the F2 Ultra.

xTool F2 Ultra: Price & availability

The xTool F2 Ultra is available on xTool’s official site – it’s priced at $4999 in the US and £6029 in the UK.

I’m also seeing the unit retailing for $5499 on Amazon.com. However, it doesn’t appear to be available on Amazon.co.uk at the time of review.

xTool F2 Ultra: Design

Specs

Laser Technology: Dual-laser: 60W MOPA fibre + 20W blue diode
Work Area: 220 × 220 mm (expandable to 220 × 500 mm with conveyor)
Spot Size: 0.03 × 0.03 mm (fibre); 0.08 × 0.06 mm (diode)
Engraving Speed: Up to 15,000 mm/s
Positioning Accuracy: Up to 0.0001 mm
Camera System: Dual 48 MP with AI recognition
Dimensions: 730 × 320 × 265 mm
Weight: 20 kg
Supported Materials: Metals, wood, acrylic, leather, glass, ceramics, plastic
Safety: Fully enclosed with auto-shutdown and fire detection
Software: xTool Creative Space + LightBurn compatible

One of the standout features of the xTool products is just how well-designed they are. This is from a company that, a few years ago, was producing simple open-frame laser cutting machines with a distinct DIY feel. Those machines are far removed from the F2, which is highly refined and of exceptionally high quality, aimed at small to medium-sized businesses rather than the casual consumer or prosumer.

While the machine itself is relatively compact with a footprint that will sit perfectly on a desktop, it has a high-quality build that reflects not only its price point but also its suitability for years of use.

The machine is relatively simple, with a slide-up enclosure that encloses the working area. If you need to have it open for larger materials, that’s possible. There’s also the ability to add an air filter to extract fumes, and as you’d expect with a professional-level machine, there’s a kill switch and a decent touchscreen display to monitor the process and access many settings.

As with many other laser engravers and CNC machines, most interaction is done through complementary software. xTool provides its own ecosystem, which is one of the best on the market, streamlined and easy to use. Unlike some other fibre lasers, there’s no need to purchase expensive extra software or plug-ins. Once you’ve paid (admittedly a lot) for the F2 Ultra, it should work out of the box and be set up within about 10 to 15 minutes.

The design is also clever in that you can use it as a fully enclosed system with smart safety features like emergency stop, flame detection, and automatic shutdown when open, or bypass some of those for conveyor belt use with larger objects.

In terms of size and weight, it comes in at roughly 20 kg and measures 730 × 320 × 265 mm. This smallish footprint will sit comfortably on your desktop, though you do need to allow for the machine’s height and a small side control panel.

If you’re using the conveyor belt, you’ll need even more space. It’s an optional extra, but if you’re planning to use it, it’s well worth having a full workbench left free to easily operate the machine.

On initial setup, I used the USB connection to sync with my laptop. After initial calibration, I switched to the Wi-Fi connection, which I found strong and reliable, even on my underpowered workshop network.

The overall build is premium and extremely sturdy. The two internal cameras and full autofocus add to the ease of use and high-end feel. However, compared with something like the ComMarker B6, this is a far larger and heavier machine.

(Image credit: Alastair Jennings)

xTool F2 Ultra: Features

The F2 Ultra is an interesting machine as it combines two laser types in one enclosed engraver. The first is a powerful 60W MOPA fibre laser used for engraving, embossing and cutting thinner metals, the second laser is a 20W diode laser used for cutting and engraving organic materials such as leather and wood.

Not long ago, it was unusual to find both lasers in one machine, but as we saw with the ACMER P3, combining the two is becoming more common. The big difference between the Atomstack P3 and the xTool F2 Ultra, aside from the price, is the build area. The ACMER P3 is designed for far larger objects, while the F2 Ultra features a far more powerful fibre laser and is designed for more intricate work. In terms of product design and finish, the F2 Ultra is in another league.

One of the biggest advantages of having a dual-laser system is that it enables automatic switching between laser types depending on the material. In the past, other machines with dual lasers required you to manually swap out the tool heads, fibre or diode. We’ve seen this before with older xTool and Creality machines.

The fibre laser not only cuts through thin metals but also enables colourful anodisation of aluminium and steel. The diode laser can cut through relatively thick organic materials, ideal for a 3mm base ply, and in some cases up to 20mm in thickness.

In terms of laser power, the MOPA fibre laser for metals comes in at 60W, which is extremely powerful for this type of machine. The 20W blue diode laser is mid-range but perfectly suited to the small platform and build area the F2 Ultra offers.

When it comes to engraving speed, the fibre laser uses Galvo scanning technology, enabling speeds up to 15,000 mm/s. This sounds fast, and when you see it in action, it is. You can engrave a MacBook Pro in a matter of seconds, although, while the temptation was there to do so in this review, I held off, at least for the moment.

The more I used the machine, the more impressed I became with its features. The dual 48MP cameras enable AI-powered alignment, making a real difference to positioning. The cameras feed into the xTool software, allowing for precise placement on the material. With a positioning accuracy of up to 0.0001 mm, even the finest materials are handled with extreme precision.

While the working area of the F2 Ultra is smaller than many large-scale engravers, it’s designed for small businesses looking to engrave and cut smaller items. The base size is 220 × 220 mm, which suits a wide variety of objects. If more space is needed, a conveyor accessory expands this to 220 × 500 mm.

One of the areas that excited me most was the precision; the fibre laser offers a spot size of 0.03 × 0.03 mm and the diode laser 0.08 × 0.06 mm, allowing for extremely fine detail.

Thanks to the dual-laser setup, there’s decent material compatibility, most notably stainless steel, aluminium, titanium, gold, and even silver. With very thin materials, it’s possible to cut as well as engrave metal, which is rare even among fibre laser engravers, but that additional power boosts that potential.

The machine also handles all the usual materials, acrylic, leather, rubber, ceramics, and glass (though some surfaces may require preparation). It’s designed for precision, not bulk processing, and while cheaper machines exist for large-scale cutting, the F2 Ultra excels in high-quality, fine-detail work.

Supporting that precision are smart features like smart focus, autofocus, and automatic Z-axis adjustment. Unlike other engravers, where you manually enter material thickness or use gauges, this machine does it all for you.

The fully enclosed enclosure offers Class 1 safety so that you can be sure to be protected from those high-power lasers, which, if you’re using this in a small workshop or shop, is well worth considering. Built-in sensors include flame detection, which triggered several times during testing when pushing the machine’s limits of power, and an emergency stop is also available.

(Image credit: Alastair Jennings)

xTool also supplied a smoke filtration unit, which connects to the machine and keeps fumes to a minimum. This is an optional extra, but if you’re spending on the F2 Ultra, it’s well worth the investment.

Although the F2 Ultra is well above many machines I’ve tested in terms of quality, it still supports popular laser engraver accessories, including the rotary tool, conveyor feeder, and air-assist smoke purifier, all of which enhance cut quality and streamline workflow.

As for software, I really like xTool Creative Space. It’s fully featured, with helpful tools and instructions, and is very easy to use for laying out designs. If you’re a more advanced user, the machine is fully compatible with LightBurn, although you’ll need the Galvo plug-in. Once installed, all the cameras and configurations work through that as well.

xTool F2 Ultra: Performance

Starting out with the xTool F2 Ultra, this is one of the easiest machines I’ve come across to set up and use of its type. While the machine is relatively large, its actual footprint is quite compact, meaning it sits comfortably on your work surface without taking up too much space. It’s more vertical than wide or deep.

Once positioned, with the dongle and control panel plugged in, you can switch on the machine, and it runs through its initial checks, ready for calibration. I connected it to my MacBook Air via USB and used the Creative Space software to complete the alignment and calibration process. This involved placing a piece of material inside, clicking ‘next’, and allowing the software to mark two points, which were used to align everything automatically. Once complete, the machine was ready to go.

In the box with the review sample were a few test materials. Over a three-hour period, I cut, engraved, and embossed various items, from metals to wood and leather, and was impressed by how quick and easy the machine was to use. I liked that the fully enclosed nature meant I could just pull down the lid, hit start in the software, then press the green bar on the control panel and watch the engraving, cut, or emboss process begin.

In almost all cases, the output quality was excellent. Only the first few materials required some adjustment as I got a feel for the machine’s power. For example, my first attempt at engraving a 3mm base ply used too much power and burned the material to ash. On the second run, the result was far better. The standard 20W diode laser was very capable, and with the air assist and smoke filter extracting fumes, the quality and precision of the cut were impressive.

One thing I really liked, whether working with metal, wood, or leather, was the camera-assisted positioning. Through xTool Creative Space, you can capture a live image of the material on the work area and place your design directly on top. This allows for near-100% accurate placement.

If you’re unsure about positioning, you can also click the ‘frame’ button, which projects your design outline onto the material inside the machine. This projection is sharp and precise, allowing for fine adjustments before committing to a cut or engraving.

As with any laser engraver, I ran a series of test passes on different materials, especially metals and woods, to get a feel for the required power and speed settings for both diode and fibre lasers. Although the 20W diode laser is mid-range by today’s standards, its power and accuracy deliver clean, high-quality cuts through 3mm base ply.

Switching to the fibre laser highlighted just how capable this machine is. The 60W power output provided more engraving depth than I’ve seen in other fibre lasers I’ve tested, and the speed and accuracy are unmatched so far.

For the first few engravings, I used sample files included with the software, most of which completed in a few seconds. Even though I know these machines are fast, the speed of the xTool F2 Ultra still surprised me.

One of my early projects was engraving a set of dog tags for my dog and a few friends. Usually, this might take a few attempts to get right, but here, the accuracy and speed were such that each tag was engraved in under five seconds.

What’s more, by laying out a batch of tags on the surface and applying different text to each through the software, I was able to engrave up to 20 tags in one go and faster than anything I’ve used before.

The more I used the fibre laser, the more intuitive the software became. Unlike other fibre lasers that take time to learn and have complex configuration steps, with the F2 Ultra, I felt confident within an hour, engraving coins included in the material pack with intricate designs.

The small work area is ideal for this kind of precision engraving. But of course, this is a dual-laser machine, and I wanted to test the diode laser on more materials. I engraved the cover of a book, lowering the laser power to about 5% and increasing the speed. After a few test dots to fine-tune power levels, I ran the full design, which was completed in under a minute with excellent quality.

As I continued engraving tools, creating more coasters and keyrings, the one thing that stood out was the precision of the engravings. When using my own materials, I learned that careful attention to power and speed settings was essential. My first batch of coasters burned quickly, but a test pass and adjustment solved that.

The quality of the lines, especially with air assist and the filter removing fumes, was excellent. That said, the limited work area is noticeable. This machine is built for precision tasks, not large-scale projects. For that, something like the xTool P2 would be more appropriate.

All this use was good and standard, but the point of the F2 Ultra is that it’s far more, especially with the ability to emboss metal. How you do this isn’t exactly straightforward initially, as there’s a little delving into the menu; the same is the case when using the Rotary attachment. Essentially, in the XCS software, you click the Select Processing Mode, then scroll down past the “Roller – Use Rotory attachment”, “Use Converyor Large” to the “Emboss” option. Once selected, you can then start to lay out your chosen design.

The next step is to select the material, in this case, a brass coin blank supplied by xTool. This is selected from the material menu; here, you need to select “More Materials”, type in Brass and 1.57″ (40mm) Blank Commemorative Coins Brass” will appear. From here, you can select the material, select the F2 Ultra, then click “Add to XCS”. Then click back onto the material and select the “1.57” (40mm) Blank Commemorative Coins Brass.

Now the coin can be placed into the F2 Ultra, and by clicking “Refresh Background” then “Auto Measure”, the coin will appear on the screen, ready for you to position the design.

The design is the next stage of processing, as a straight image won’t get you the emboss effect, and a depth map needs to be created.

To do this, you click the “Ai” icon, select “Image Processing”, and select “Embossment”. You’re then given the option to upload your image, select the Emboss type, and then click “Generate” Once the processing is finished, you can drag and drop the coin design onto the workspace and over the preview of the coin. Once you’re happy, you can click process, and the embossing will start. For most projects, this process is considerably slower than general engraving and can take well over an hour; however, the end results are incredible, especially once polished and finished off.

(Image credit: Alastair Jennings)

It’s worth noting that the depth map creation isn’t an exact science, and there’s no way to adjust the map, but after a while and with the 3D preview, you start to get an idea of what works and what doesn’t.

By the end of the test, I was genuinely impressed by the fibre laser, which is clearly the core of the F2 Ultra. The inclusion of a powerful diode laser fine-tuned for detailed work adds even more versatility, ideal for small businesses.

It’s clear this machine is designed for small to medium-sized businesses that rely on laser engraving, whether to create and customise products or for crafts requiring precision, such as jewellery work. It offers a level of detail and reliability that many other fibre and diode systems cannot match.

xTool F2 Ultra: Final verdict

The xTool F2 Ultra is one of the best fibre laser engravers on the market, with a premium build and a product-designed enclosure that makes it an ideal option for many small to medium-sized businesses. It’s perfect for small-scale production, customisation, and any business that needs to laser engrave a wide range of surfaces. What it is not is a large-scale laser engraver for oversized projects. This is focused on absolute precision.

The inclusion of two lasers and the dual cameras for AI alignment onto smaller objects helps ensure ultimate precision. If you need to do batch engraving, it speeds up the entire process, essentially handling much of the setup and configuration for you.

After using it for a month, this is by far the best fibre laser engraver I’ve tested. The major downside is the cost. The base machine is expensive, and once you add in the conveyor, rotary tool, and smoke filtration units, though combo packs are available from xTool, it still adds up to several thousand pounds, which is a considerable investment for a small business.

(Image credit: Alastair Jennings)

However, this is a professional machine. It’s not just a starting point; it’s a system you can build your business around. Its precision and quality are high-end, and if you’re looking for a solid, reliable machine to support or expand your business, the F2 Ultra is an obvious choice.

What I also appreciate is how well xTool Creative Space is designed. It’s robust, intuitive, and simple to use. While you can use third-party options like LightBurn, which offers more advanced control, you will need the Galvo plug-in and some setup time to get everything calibrated properly.

For experienced users, this opens up even more potential; however, if you’re a small business looking for a fast and versatile laser engraver, the F2 Ultra stands out as the best option on the market. Paired with one of xTool’s straight diode machines, it gives you a powerful ecosystem capable of handling a huge variety of projects with ease and speed, making it a sound investment.

Swipe to scroll horizontally

Value:

Premium machine for pro users with deep pockets

4

Design:

Durable, enclosed, and workbench-friendly layout

4.5

Features

Dual-laser + AI + Galvo = professional flexibility

5

Performance

Flawless output across materials and batch work

5

Total

Among the best all-in-one engravers available today

5

Buy it if…

Don’t buy it if…

For more crafting tech, I’ve tested and reviewed all the best 3D printers.

xTool F2 Ultra: Price Comparison



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September 6, 2025 0 comments
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A hologram of a man speaking to camera within a cylindrical, industrial sturcture in Neyyah.
Product Reviews

This Australian puzzler that took seven years to make is basically Myst with endearingly naff FMVs and music composed by a 10-year-old

by admin September 6, 2025



While Myst and its sequel Riven are omnipresent games thanks to developer Cyan Worlds constantly remaking them, games directly inspired by Myst are few and far between. The most notable example is Jonathan Blow’s maze-obsessed puzzler The Witness, which distressingly will be a decade old come January.

Now though, veteran publisher MicroProse has just released Neyyah. That may read like onomatopoeia for the noise Minecraft villagers make, but it is in fact a first-person 3D point ‘n’ click puzzler, one that doesn’t so much wear its Myst inspirations on its sleeve as have them tattooed all over its body.

Created over seven years by solo developer Adam Gwynaire, Neyyah transports players to not one but several remote islands dotted with strange plant life and mysterious structures. Like Myst, it’s a first-person point and click adventure that involves reactivating arcane machinery by solving puzzles that interconnect in obscure ways.


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There’s a trailer for the game below. The 3D environments certainly look the part, though I’m less sold on the FMV cutscenes used to tell the story, which have a (somewhat endearing, in all fairness) am-dram quality about them. According to a recent press release, the game’s cast includes Gwynaire’s “ex-wife and stepchildren” alongside several theatrical actors from the home city of Perth, Australia.

Neyyah Launch Trailer – YouTube

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The press releases mentions an intriguing detail regarding Neyyah’s extensive soundtrack, which features more than 80 individual tracks composed for the game. Around a third of which was composed by Gwynaire. The other two-thirds, however, were created by Zaedyn Turner, who was apparently between 10 and 14 years old during the composition process.

Frustratingly, there isn’t an example of Turner’s work online, though there is a track composed by Gwynaire available on YouTube. It certainly captures that wistful Myst vibe, ie something that would fit on that Pure Moods CD your mum had in the car in the mid-1990s.

Neyyah is available now. While it only has a handful of Steam reviews so far, they currently sit at a 96% positive rating. “If you enjoyed Myst and Riven you are unlikely to find a closer love letter [to] those games than this,” writes user SpudGunMcGee, though BoonMike, who enjoyed the game overall, says that Neyyah’s exacting replication of Myst’s structure “remind[s] me of all the quality-of-life improvements those ’90s games don’t have.”

Keep up to date with the most important stories and the best deals, as picked by the PC Gamer team.

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Product Reviews

Bank Hacking Has Doubled Since 2023 And Investors Are Getting Spooked

by admin September 6, 2025


Financial institutions are navigating a growing cybersecurity minefield, with data breaches doubling since 2023 and increasingly affecting a company’s market confidence or regulatory standing.

According to a report from AInvest, third-party breaches in the financial sector have doubled since 2023. The report also found that the average breach costs hitting $4.8 million, and insider-related incidents costing $17.4 million per organization.

With cyberattacks via third-party vendors and insiders rising, investors are beginning to scrutinize fintech and banking stocks for cyber resiliency as intensely as for earnings per share.

Hacks of this type often take around 80 days to contain, illustrating how experts still struggle to thwart real-time risks.

Hacks are growing in size and impact

The consequences also go beyond balance sheets: Santander’s 2025 cross-border data breach, for instance, dented its market standing even before regulatory fines were levied.

In that attack, 30 million customers from Spain, Uruguay and Chile and some Santander employees had their data hacked, including their personal data like social security numbers. In October 2024, the bank was fined €50,000 by the Spanish data protection agency (AEPD) for failing to report the breach and violating the General Data Protection Regulation (GDPR). 

“Following an investigation, we have now confirmed that certain information relating to customers of Santander Chile, Spain and Uruguay, as well as all current and some former Santander employees of the group had been accessed,” it said in a statement posted at the time.

“No transactional data, nor any credentials that would allow transactions to take place on accounts are contained in the database, including online banking details and passwords.”

A rising tide of threats

These trends align with research from the International Monetary Fund, which found that the growing scale and sophistication of cyberattacks on financial infrastructure are now large enough to threaten economic stability.

The growing cost of cyber losses after a breach has been noticed, identified, disclosed to customers and fined by regulators has soared to $2.5 billion, accounting for reputation, regulatory, and remediation impacts.

Investors are also seeing a shift in the political and regulatory landscape. The European Union’s Digital Operational Resilience Act (DORA) and the UK’s Cyber Resilience Bill are ushering in higher standards for third-party risk and digital continuity in financial services.

Meanwhile, the Reserve Bank of India is demanding that banks deploy “AI-aware” defenses under a zero-trust framework, citing systemic risks tied to vendor lock-ins. For investors and regulators, cybersecurity is no longer just an IT concern, it’s a board-level strategic imperative.

The real-world cost of cyber vulnerability

In the UK, institutions like HSBC and Santander continue logging dozens of service outages each year, despite investments in cybersecurity and modernization. Barclays alone reported 33 outages between 2023 and 2025, an alarming reminder of the fragility of complex, dated infrastructure.

Similarly, a surge in phishing and third-party breaches is forcing firms to redirect resources toward building resilience-based infrastructure. New findings show that 45% of employees at large financial institutions remain susceptible to clicking malicious links, making human error a critical line of attack even with technical safeguards.

Thinking of investing in bank stocks?

For investors, the key takeaway is clear: cybersecurity maturity must factor into valuation and stock selection, especially within the fintech and banking sectors.

Companies investing in zero-trust architecture, which means requiring strict verification of every user, device, and application before granting access to resources, and AI-based anomaly detection are likely to be better protected and safer bets for investors wanting to avoid hacks.

Additionally, companies that have rigorous quarterly audits of their third-party cybersecurity plans see much more confidence from the capital markets.

Operational resilience is another critical factor, with institutions that participate in cyber war games and incident response exercises, organized by entities like the Federal Reserve and FS-ISAC, being viewed more favorably.

Another sign banks take security seriously? Financial institution leaders who prioritize employee cybersecurity training are recognized for effectively closing the most dangerous gaps in the defense chain, enhancing overall human risk management.

Security as a competitive edge

The confluence of regulatory pressure, rising financial fallout, and geopolitical cyber threats means investors can no longer afford to overlook cybersecurity metrics. Firms that treat defense as a cost center may ultimately come off worse than those that regard it as a strategic asset.

Financial institutions that embrace robust cyber hygiene, anticipate evolving threats—including AI and quantum risks—and align with regulatory expectations, could well distinguish themselves as proven leaders rather than potential liabilities. The security of tomorrow’s balance sheet may well depend on the strength of today’s defenses.



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How to Babyproof Your Home (2025)
Product Reviews

How to Babyproof Your Home (2025)

by admin September 6, 2025


As a new parent myself, I can tell you unequivocally that when babies become mobile, the world becomes their playground. Coffee tables become climbing gyms, cabinets become treasure troves, and phone chargers become rope toys. Babyproofing your home isn’t about bubble-wrapping your life; it’s about thinking like a young mind and getting one step ahead of curiosity. We’re here to help: This guide will help you spot hidden dangers, make smart fixes, and provide a safe space for little ones to explore without hazards around every corner.

Need a childproofing professional to help with the job? The International Association for Child Safety has a database to find one close to you.

For recommendations on our favorite baby gear, check out our guides to the Best Strollers, Best Travel Strollers, Best Baby Monitors, Best Breast Pumps, and Best Baby Carriers.

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Before Baby Is Born

Whether you’re expecting or your baby is still firmly in the potato stage, it’s best to start babyproofing sooner rather than later. Baby and toddler safety expert Holly Choi—whose business, Safe Beginnings, offers CPR courses, safety consultations, and more—warns that little ones often advance faster than you think. “Some kids can go from zero to 100 in a week,” she says. “They’re constantly practicing in their crib. Half the time we don’t even see it, and then suddenly, they’re in everything.” Think of babyproofing less as a weekend project and more as an ongoing lifestyle shift.

Check Smoke and Carbon Monoxide Detectors

Test/Silence button on a household carbon monoxide alarm detector.Photograph: Kenneth Cheung/Getty Images

Both smoke detectors and carbon monoxide detectors should be installed on every floor of your home, especially in or near sleeping areas. Test them monthly by pressing the built-in test button (usually in the center or on the side), and replace the batteries once a year, or right away if you hear that low-battery chirp.

The US Environmental Protection Agency estimates that 87 percent of homes built before 1940 have some lead-based paint, which can be a serious risk to children and pregnant women. The safest way to rule out lead-based paint is to hire a licensed lead inspector with your municipality’s department of health.

Courtesy of Newton

A safe sleep starts with the right mattress. A newborn mattress should be firm with no give, and it must fit snugly in its bassinet or crib with no gaps around the edges. (Fellow WIRED parenting writer Nena Farrell loved the one above for her son.) Stick to a fitted sheet designed for a mattress that size, and skip extra add-ons like pillows, blankets, and stuffies.

As cozy as rugs are, they can be a tripping hazard, which is the last thing you want when you’re carrying a newborn in your arms. Use nonslip pads beneath your rugs or double-sided rug tape to keep them in place, and avoid small rugs altogether in high-traffic areas. Also clear the premises of other obstacles like loose toys or cords that could catch your foot mid-step, especially on the stairs. “One in four babies injured on the stairs were being carried by an adult,” Choi says.

Introducing a baby into a home where pets rule can be stressful for everyone involved, so establishing routines with them early will help make things smoother for the whole family. Before Baby arrives, work on basic obedience with your pets. Teach dogs to sit and stay, and make sure they know the off-limit areas in the house. Help cats get comfortable with baby gates and closed doors.

First aid, CPR training with an infant mannequinPhotograph: Virojt Changyencham/Getty Images

Not a traditional babyproofing checklist item, per se, but unthinkable accidents happen no matter how prepped your home may be. Check your local hospital or the Red Cross for courses (they even offer them online) to prep you before baby arrives.

How to Babyproof Your Home’s Interior

Babies are naturally curious. We’ll break down the practical steps to make your space safer.

“If you are going to do one thing, period, I want it to be anchoring your furniture,” Choi says. “Tip-over injuries are so fast, and furniture is probably the largest hazard we all have in our home. You’re really lucky if you get a second chance with tip-over injuries.”

It takes surprisingly little force to tip over even heavy pieces of furniture, and the risks are serious. Use wall anchors to secure anything in your home that could topple over, especially tall, narrow pieces and in areas where your baby is the most mobile. Mounting furniture takes minutes, and most kits come with the basic hardware you need. And don’t forget about TVs, which should be mounted to the wall or secured with anti-tip straps.

Cover Outlets and Hide Cords

Eye-level cords and outlets are particularly inviting for babies to poke and prod. Snap-in or slide-in outlet safety covers keep tiny fingers and toys blocked from danger.

Hide or secure cords from electronics like lamps and chargers—they can be pulled, chewed on, tripped over, and dangling wires can be an opportunity to pull and bring heavy electronics down with it. Cord covers, floor strips, and cable boxes are all smart ways to keep electric cords out of reach.

Courtesy of Amazon

Stairs, kitchens, and bathrooms can be danger zones once a baby starts moving, and baby gates are your first line of defense. (WIRED reviewer Nena Farrell recommends the one above.) For the top of stairs, a hardware-mounted gate is best, because they’re sturdier and can’t be pushed loose. “If a child throws themselves against a pressure-mounted gate, they will go down the stairs with the gate,” Choi says. “And the mechanism of injury of going down the stairs with the gate versus just going down the stairs is significantly worse.”

Doorways and hallways can use pressure-mounted options. Make sure that the gates are tall enough that your baby, a future toddler, won’t be able to climb over them and that latches are secure and childproof.

Coffee tables, TV stands, and low bookshelves often have sharp edges right at a baby’s head height. Corner guards soften the impact if your little one bumps into a corner. They come in a variety of shades and styles to blend in with furniture—just be sure they’re gripped nice and tight, since babies can be surprisingly good at peeling things loose.

Keep Medications and Cleaning Supplies Out of Reach

If you have a young one, you know that they love sticking things in their mouths, and every pill and spray can look like a toy. Medications, vitamins, and cleaning supplies should be locked up high and out of sight, and ideally in cabinets with childproof latches. This rule also goes for any “natural” or herbal products, which can still be toxic in large doses.

Close up on child proof cabinet latch and knob on far rightPhotograph: tiburonstudios/Getty Images

No matter what, you’re bound to have child-level cabinets that’ll have hazardous materials in them. Installing childproof locks on cabinets helps keep little hands away from toxic cleaners, medications, and dangerous and sharp kitchen cabinets. “We’re not locking things down because we’re going to not supervise our kids,” Choi says. “We’re locking things down since we’re just buying ourselves time.”



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Product Reviews

Amazon greenlights a Life is Strange series adaptation

by admin September 6, 2025


With Hollywood video game adaptations surging, it was only a matter of time before Life is Strange got the treatment. After all, even platformer and sandbox game adaptations have (shockingly) found success in this new era. A well-written adventure game seems like a much shorter leap. Amazon announced on Friday that Prime Video has ordered a series based on the 2015 game.

Like Don’t Nod’s classic, the series will blend angsty teenage realism with supernatural elements and moral choices. And Amazon’s teaser synopsis points to a familiar storyline. “The story follows Max, a photography student, who discovers she can rewind time while saving the life of her childhood best friend, Chloe,” the announcement reads. “As she struggles to understand this new skill, the pair investigate the mysterious disappearance of a fellow student, uncovering a dark side to their town that will ultimately force them to make an impossible life-or-death choice that will impact them forever.”

British writer and actor Charlie Covell (End of the F***ing World, KAOS) will chart the series’ creative course. They’ll serve as creator, executive producer and showrunner. Story Kitchen’s Dmitri M. Johnson, Mike Goldberg and Timothy I. Stevenson will executive produce the show. Square Enix and LuckyChap are all part of the project, too. Amazon MGM Studios will produce it.

Series showrunner Charlie Covell

(Charlie Covell / Amazon)

Covell wants the series to appeal to both newcomers and fans of the games. “It’s a huge honor to be adapting Life Is Strange for Amazon MGM Studios,” they said in Amazon’s press release. “I am a massive fan of the game, and I’m thrilled to be working with the incredible teams at Square Enix, Story Kitchen and LuckyChap. I can’t wait to share Max and Chloe’s story with fellow players and new audiences alike.”

Amazon has been an eager participant in this new “Video Game Adaptations That Don’t Suck” era. Earlier this week, it announced that Game of Thrones’ Sophie Turner will step into Lara Croft’s boots for its upcoming Tomb Raider series. Season two of Prime Video’s acclaimed Fallout arrives later this year. Its first trailer teases the show’s first appearance of the game’s dreaded Deathclaws.

Meanwhile, back in the gaming world, Square Enix is still churning out Life is Strange titles. In 2024, Max returned in Double Exposure, the first direct sequel to the original game’s story. Don’t Nod spun out its own spiritual sequel to the series, Lost Records: Bloom & Rage, earlier this year.



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First look: Dyson’s Spot+Scrub Ai robot seeks out stains
Product Reviews

First look: Dyson’s Spot+Scrub Ai robot seeks out stains

by admin September 6, 2025


The Dyson Spot+Scrub Ai Robot is the company’s first combination robot vacuum and mop. It debuted at Dyson’s Berlin store during the IFA tech show this week and is a follow-up to the company’s 360 VisNav robot vacuum, which launched in 2023. Featuring a new round design, a self-cleaning roller mop, lidar navigation, and Dyson’s first multifunctional dock, the Spot+Scrub also comes with an “AI” moniker because it’s 2025 and doesn’t everything?

I spent some hands-on time with Dyson’s newest robot floor cleaner and came away underwhelmed. Dyson’s traditional vacuums set high expectations, but its robot versions have yet to meet them. I didn’t get to test the Spot+Scrub or see its stain-targeting feature in action, but my time with it didn’t convince me that Dyson has finally cracked the robot vacuum code.

The headline feature is AI-powered stain detection, and despite the buzzword, this idea does appear to address one of the biggest problems with robot mops — that they don’t do as good a job as manual mops. When its onboard cameras spot stains, the Spot+Scrub can “identify, react, check, and clean,” according to Dyson, using green lasers to highlight the dirt and allow the cameras to see it better. This helps it identify the type of stain, whether it’s dry or wet, and clean it appropriately, continuing to clean it until it’s gone.

Several robot vacuum mops from companies like Narwal, iRobot, Ecovacs, and Dreame offer similar “dirt detection” features — to varying degrees of success, based on my testing. Dyson seems confident that the Spot+Scrub is superior.

In an interview at Dyson’s event this week, James Dyson, founder and chairman of Dyson, said that he thinks the current crop of robot mops “are disappointing.” “Quite a lot of stain is left on the floors,” he says. “That’s why ours is better, because we can see the stain and we go back and get it until it’s gone.”

1/4The underside of the Spot+Scrub.

Along with stain detection, the Spot can also “spot” objects like socks and cables to hopefully avoid them. Dyson has also ditched its vision-based navigation system for lidar, which I’m told should help with the navigation issues its Vis Nav had.

The other big change is that the Spot+Scrub is round, a departure from the Vis Nav’s squared-off look. It has a decent 18,000 Pa of suction power, which peaks on carpet thanks to a built-in carpet sensor. Its super long, soft microfiber roller mop tackles the wet floor cleaning, extending out to clean along edges, and a combined rubber bristle brush sits behind the mop to help get up dry dirt. The roller mop raises when it encounters carpet to avoid getting your rugs damp, but it doesn’t have the extra protection of a cover that we’ve started to see on mopping bots. Dyson didn’t share pricing, but plans to launch in China later this year and the US in 2026.

Dyson has failed to dazzle with its robot vacuums

My first impression seeing the Spot+Scrub in Dyson’s Berlin store this week was how big it is. The robot itself is about a third larger than the Vis Nav, and its dock is “hulking.” Part of the reason for that is the large roller mop it uses to wet clean. Roller mop bots are the hot new thing in robot vacuums, replacing spinning mop pads.

Ecovacs, Dreame, Eufy, and others have all rolled out roller mop models recently, the main advantage being that the mop can be cleaned while it runs, rather than having to head back to the base for a refresh. This requires a lot of onboard infrastructure, though, which is why they’re all so big. The Spot+Scrub is probably 4 inches tall (although I didn’t take out a tape measure), but there’s no lidar tower on top, so it may still make it under your couch.

The Spot+Scrub comes with Dyson’s first multifunction dock that automatically empties the robot’s bin, cleans and dries its mop, and refills and drains its water tanks. This is also very large, and while it has touches of the signature Dyson design, including some pops of red and purple, overall, neither it nor the robot itself looks that different from every other robo vac out there, which is disappointing.

The multifunction dock has three containers for dirt, clean water, and dirty water.

There’s a spot in the clean-water tank to add Dyson’s detergent.

The dust canister can be easily emptied into a bin, no bags required.

The dock’s most interesting feature is the bagless dust container that can hold 2 liters of dirt. It’s a larger version of the Vis Nav’s onboard bin. To empty it, you pull it out, place it over a trash can, press a button, and the waste dumps out. While having to potentially deal with a bit of dust spillage while emptying isn’t ideal, it’s a fair tradeoff for not needing to buy separate bags, which is what most auto-empty docks use. Ecovacs’ latest robot vacuum, the Deebot X11 OmniCyclone, which also launched at IFA this week, has a similar dustbin solution.

The Spot+Scrub works with the redesigned MyDyson app, which I got a sneak peek at. It now shows the robot’s real-time cleaning progress, thanks to the addition of lidar navigation. From the app, you can schedule the robot and choose how it cleans: either vacuum, vacuum and mop simultaneously, just mop, or vacuum then mop.

The app also shows when the robot has identified a stain that it went back to clean, so you can check its work. Connectivity-wise, Dyson tells me Matter support is planned, which would allow the Spot+Scrub to connect to smart home platforms like Apple Home, Amazon Alexa, and Google Home for voice control and other features.

The Spot+Scrub uses lidar for navigation, but it doesn’t have a lidar tower on top. Its bin/filter is located in a compartment on the top. It has two physical buttons on top for control.

So far, Dyson has failed to dazzle with its robot vacuums, despite having developed them since the 1990s. It’s one thing to build the world’s best vacuum; it’s quite another to create the world’s best robotic vacuum. While its Vis Nav had impressive cleaning power, its app, navigation, and overall experience were just okay.

My initial impressions of the Spot+Scrub are that it feels quite iterative, not the game-changing product you’d expect from Dyson. But if its stain-seeking and scrubbing feature really works as advertised, and it can properly navigate my house, then I’ll be impressed. I look forward to testing it.

Photos and video by Jennifer Pattison Tuohy / The Verge

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Astell & Kern A&ultima SP4000 portable music player on a white surface
Product Reviews

Astell & Kern A&ultima SP4000 portable music player review: a brilliant step on the journey but not “the peak of performance and design” promised.

by admin September 6, 2025



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Astell & Kern A&ultima SP4000: Two-minute review

The Astell & Kern A&ultima SP4000 is the brand’s newest flagship digital audio player, and it is priced accordingly. If you measure the worth of a product by how relatively heavy and remarkably shiny it is, though, you won’t be able to argue with the $3,999 asking price.

The SP4000 goes a distance towards justifying its cost in the way it’s specified to perform, too. Numerous technological highlights abound, none of them in any way ‘affordable’, and between the sheer heft of the physical item and the lengthy list of technologies Astell & Kern has brought to bear, the SP4000 seems about as purposeful as these things ever get.

And in action, it is an uncomplicated pleasure to listen to, fully befitting a place in the best MP3 players around. In every meaningful way, the SP4000 is an extremely accomplished device, able to combine brute muscularity with deft insight, rhythmic positivity with outright scale. No matter what you choose to listen to, the Astell & Kern seems to enjoy it just as much as you do – and it’s not about to sit in judgement on your choice of headphones either.

Astell & Kern A&ultima SP4000 review: Price and release date

(Image credit: Future / Simon Lucas)

  • Priced at $3,999 / £3,799 / AU$6,599

The Astell & Kern A&ultima SP4000 is on sale now, and in the United States it sells for $3,999. In the United Kingdom the asking price is £3,799, and in Australia you’ll have to part with AU$6,599.

Not cheap, is it? Anyone who takes an interest in this sort of thing will know Astell & Kern has no problem in pitching its products as uber-high-end propositions, but no matter how many times I see one of its products priced this way, it remains difficult not to do a double-take…

Astell & Kern A&ultima SP4000 review: Features

(Image credit: Future / Simon Lucas)

  • 4 x AKM4191 and 4 x AKM4499EX DACs in 1:1 architecture
  • 4 x opamps per analogue output
  • Snapdragon 6125 octa-core processor

Something would seem amiss, wouldn’t it, if a digital audio player costing very nearly four thousand of your US dollars wasn’t groaning under the weight of its specification? Well, when you consider the extensive nature of the SP4000, it’s a wonder it’s not even bigger and even heavier than it actually is.

It follows that I should try to be reasonably brief, otherwise we’ll be here all day.

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At its most fundamental, the SP4000 is built around ‘octa’ audio architecture. The digital-to-analogue signal processing is in a 1:1 structure, with one AKM4191 digital processor paired with one AKM4499EX DAC. This allows digital signals to be delivered to a single DAC, four times over – this is a true quad-DAC design, with the aim of allowing precise signal transfer with a vanishingly low signal-to-noise ratio. The ability to deal with PCM resolutions of up to 32bit/768kHz and DSD512 means any realistic digital audio file is catered for.

There are eight opamps deployed, four attending to the unbalanced 3.5mm analogue output and four dealing with the 4.4mm balanced equivalent. The intention is to increase dynamic range and enhance detail retrieval – Astell & Kern calls this arrangement ‘high driving mode’ and suggests it provides powerful and stable signal output.

A newly developed LDO (‘low drop-out’) regulator in the power supply stabilizes battery voltage in an effort to suppress noise. Proprietary ESA (‘enhanced signal alignment’) technology is designed to improve the alignment of frequency signals (sometimes opaquely referred to as ‘timing’) to minimize distortion and enhance clarity. The PCB is a high-end ‘Any Layer HDI’ design that allows for extremely complex circuitry to be laid out in a very small space, minimizing signal loss.

(Image credit: Future / Simon Lucas)

What else? The audio block sits behind a 99.9% pure copper shielding can, offering significant shielding from electromagnetic interference. The audio block itself is Astell & Kern’s ‘Teraton X’ design, which incorporates HEXA-Audio circuitry along with power-efficient amplification and considerable power noise cancellation, to deliver what the company suggests is the ‘ultimate sound solution’.

The entire show is run by a Snapdragon 6125 Octa-core processor that features a high-performance CPU and 8GB of DDR4. CPU, memory and wireless comms circuitry are configured as a single module, and with the digital circuit components arranged in the same area it’s effectively a system on a chip.

I could go on. There are six digital filters available to allow the user to, in a small way, design their own sound. The ‘crossfeed’ feature allows a little of the left-channel mix into the right channel (and vice versa) and, in conjunction with some adjustment options, tries to replicate the effect of listening to speakers when listening to headphones. The second generation of Astell & Kern’s DAR (‘digital audio remaster’) technology, dubbed ‘Advanced DAR’, uses a ‘virtual sound extender’ as part of a two-stage upsampling process that can convert PCM signals of up to 48kHz to 385kHz or to DSD128, and signals of greater than 96kHz to DSD256, for playback.

Surely, though, the broad point is made by now. Astell & Kern didn’t leave space for the kitchen sink, but it has thrown pretty much everything else at the A&ultima SP4000.

Features score: 5 / 5

Astell & Kern A&ultima SP4000 review: Sound quality

(Image credit: Future / Simon Lucas)

  • Epic levels of insight and detail
  • Rhythmic and dynamic positivity
  • Sounds simultaneously open and unified

Yes, you can fiddle around the edges of the way the A&ultima SP4000 sounds – investigate filters, fool around with EQs, you name it – but what you can’t do is alter its overarching sonic character. Which is just as well, because this Astell & Kern digital audio player is a staggeringly direct, informative and, ultimately, complete listen. Few are the sources of audio information, of any type and at any price, that can match its powers of communication – and I have heard plenty.

No matter if you’re listening to a 16bit/44.1kHz FLAC file of Ride’s Leave Them All Behind, a 24bit/48kHz FLAC file of James Holden’s Common Land or a DSD64 file of The Band’s I Shall Be Released: it’s all the same to the SP4000. In every circumstance it’s a profoundly detailed, rhythmically positive, articulate and energetic listen. There really isn’t an aspect of music-making at which it doesn’t prove itself masterful.

And it’s not as if I can offer a “yes, but…” or two in the name of balance. The longer I listen to the SP4000, the more beguiled I become.

Tonal balance? It’s basically impeccable. Frequency response? Smooth and even from way down at the low frequencies to the vertiginous top end. The Astell & Kern sounds naturalistic and unforced, and it’s completely even-handed in the way it presents the frequency range. And at every point, it’s absolutely alive with detail both broad and fine. The minutiae of tone, timbre and texture are made absolutely apparent, and the player loads all of this information onto the listener without being in any way showy or uptight about it. This fanatical attention to detail is simply a way of ensuring you get as complete a rendition of your digital audio files as possible.

The presentation is spacious and well-defined at the same time, and no matter if it’s a large ensemble all packing the stage or just one voice with a single guitar as accompaniment, the SP4000 lays it all out in confident and coherent fashion.

It deals with rhythm and tempo with similar authority, keeping momentum levels high and observing the attack and decay of bass sounds (in particular) with obvious care. It can ease back if necessary, though – nothing gets hurried along, but rather is allowed to proceed at its own chosen speed. Dynamic headroom is, to all intents and purposes, limitless. From the smallest, quietest event in a recording to the last almighty crescendo, the SP4000 is on top of things – the distance between these two states is prodigious. And the smaller, but no less crucial, dynamics of harmonic variation, the attention to the over- and undertones that surround the fundamental when listening to a solo instrument, are given very judicious weighting. Context is everything, and the SP4000 seems to almost instinctively understand it.

And the Astell & Kern even has the decency not to be sniffy either about the music you listen to or the headphones via which you access it. Obviously it does better work (or, rather, its potential is best exploited) by hi-res files and high-end headphones – but if you want to connect your bog-standard true wireless in-ear via Bluetooth and listen to Spotify’s free tier the SP4000 won’t judge you. Not too badly, anyway.

Sound quality score: 5 / 5

Astell & Kern A&ultima SP4000 review: Design

(Image credit: Future / Simon Lucas)

  • Polished 904L stainless steel and PVD-coated ceramic
  • 150 x 85 x 20mm
  • 615g

Ordinarily, a digital audio player is designed to be reasonably compact, and light enough to be slipped into a pocket. Of course, Astell & Kern sets out for its digital audio players to be anything but ordinary.

So the SP4000 is a fairly large (150 x 85 x 20mm) device that weighs a considerable 615g. Too big and heavy, in other words, to be comfortably carried in any pocket smaller and less robust than that of a military greatcoat. This is its naked weight, too. If you add one of the included screen protectors (which is, admittedly, going to make negligible difference to the weight) and slip the player into its supplied Perlinger leather* protective case, it becomes heavier still. At least that case prevents the player’s sharp, pointy corners from digging into hands or pocket linings, mind you.

(*I’m not a vegetarian. I know people who are, though, and some of them are just as interested in high-quality audio as I am. So once again I find myself wondering why companies like Astell & Kern imagine real leather – in this instance, leather made from “the soft, delicate hide of calves under one year old” – to be the untouchable height of luxury. Surely it’s possible to offer a protective case for the SP4000 that looks and feels upmarket but that isn’t going to alienate who knows how many prospective customers? Or is that just me?)

The four sides of the SP4000 are built of 904L stainless steel (the same stuff the likes of Rolex uses, on the basis that it will accept an extremely high polish), and feature some of the angularity and asymmetry that Astell & Kern established as part of its design vocabulary a good while ago. The front is of toughened glass, 152mm on the diagonal, and is almost entirely touchscreen. The rear panel, meanwhile, is finished in PVD-coated ceramic.

It really goes without saying that the standard of build and finish on display here is flawless. With the design of the SP4000, Astell & Kern has set out to deliver a product that blurs the line between ‘electrical hardware’ and ‘luxury accessory’. Or, as the company’s website rather feverishly has it, “a work of art where technology, design, intuition and performance converge”. You may feel that Astell & Kern has done exactly what it set out to do, you may find the design rather self-consciously opulent. Taste is a very personal thing, after all.

It’s worth noting the grandeur of SP4000 ownership starts well before you peel the protective covering off the player itself. It arrives in a branded box that’s a similar size to that which contained a pair of size 10 Tricker’s boots I bought the other day. Inside there is another, branded, clasp-fastening box covered in what I strongly suspect is a further quantity of leather.

Inside that you’ll find the SP4000, along with compartments that contain that Perlinger leather cover, a case with a flap covering into which the player (in its cover) can be slipped (more leather, I presume), various guides and warranty documents, a congratulatory note from the company, and a reasonably heavyweight, branded USB-C to USB-C cable. I am pretty sure this all comes under the heading of ‘the experience’.

Design score: 4 / 5

Astell & Kern A&ultima SP4000 review: Usability and setup

(Image credit: Future / Simon Lucas)

  • 2160 x 1080 touchscreen
  • Supports Full Android OS
  • Qualcomm QC3.0 fast charging

The SP4000 represents the first time an Astell & Kern product has supported full Android OS. The convenience and all-around common sense of the operating system is intended to help the SP4000 be as flexible and convenient as possible, while some of the Snapdragon 6125 octa-core processor’s responsibilities center around rapidity of the OS response and the smooth, comfortable user interface motion.

Happily, it all works very well. The big 2K (2160 x 1080) touchscreen is responsive and swift, smooth-scrolling and consistent. The operating system will be mercifully familiar to anyone whose smartphone isn’t an iOS device, and it’s just as wide-ranging and usable here as it is in its most successful smartphone applications.

Setting up the SP4000 is no kind of hardship. It’s simply a question of connecting it to your local network (its dual-band Wi-Fi is tenacious when it comes to making and maintaining a connection to your router or tethering to your smartphone if you’re out and about), and from there it’s simple to load the apps you require. The ‘AK File Drop’ function makes transferring files from a PC, smartphone or FTP program on a common network faster and easier than before, too.

The Astell & Kern also supports Qualcomm QC 3.0 fast charging, which means it can be charged more rapidly (and more efficiently) than previous flagship A&ultima models. Mind you, ‘fast’ and ‘rapid’ are definitely relative terms in this instance. From ‘flat’ to ‘full’ takes around five hours, which is about half the time it takes for the SP4000 to flatten its battery if you’re listening to ordinary files at ordinary volume levels.

There are a few physical controls arranged around the edges of the SP4000. As you look at its touchscreen, there’s an elaborate volume control/power on/off on the top-right edge – it’s pleasantly shaped and knurled, and a light behind it glows in one of a variety of different colors to indicate the resolution of the audio file it’s currently playing.

On the opposite side there are three buttons that deal with skip backwards/rewind (accessible via ‘press’ or ‘press and hold’ respectively), skip forwards/fast-forward (same) and play/pause. There’s a ‘button lock’ switch on the top edge, to the right of the 3.5mm hybrid optical/unbalanced analogue and 4.4mm balanced analogue outputs, and on the bottom edge you’ll find a USB-C socket and a microSD card slot, which will accept cards of up to 1.5TB.

Usability and setup score: 4.5 / 5

Astell & Kern A&ultima SP4000 review: Value

(Image credit: Future / Simon Lucas)

First things first: you don’t contemplate ownership of the Astell & Kern A&ultima SP4000 because you’re in any way concerned about value for money. Is it the best-sounding DAP out there? Sure. Is it twice as good as alternatives from the likes of FiiO or Astell & Kern itself that cost comfortably less than $2k? Not a chance.

No, the value in the SP4000 comes from its status as the shiny flagship of the Astell & Kern range. It comes from the knowledge that no one you bump into when in the First Class Lounge has a more expensive DAP than you. It comes from the ability to add ‘DAP’ to the list of ‘madly luxurious accessories I own’.

Should I buy the Astell & Kern A&ultima SP4000?

(Image credit: Future / Simon Lucas)

Buy it if… 

Don’t buy it if… 

Astell & Kern A&ultima SP4000 review: Also consider

How I tested the Astell & Kern A&ultima SP4000

  • Tested for over a week
  • Tested with streamed and downloaded content
  • Tested with wired and wireless headphones

I slotted a microSD card filled with hi-res content (up to 24bit/192kHz and DSD64, anyway) into the SP4000, and I downloaded the Tidal and Presto music streaming apps while I was at it.

I used Sennheiser IE900 IEMs connected via the 4.4mm balanced output, Austrian Audio The Composer over-ears via the 3.5mm unbalanced alternative, and tried out the Technics EAH-AZ100 true wireless in-ears and Bowers & Wilkins Px8 wireless over-ears too.

I listened to lots of different types of music, via lots of different file types and sizes – and I did so indoors and (with some trepidation, I don’t mind telling you) outdoors too.

  • First reviewed in September 2025

Astell & Kern A&ultima SP4000: Price Comparison



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Wordle answers
Product Reviews

Today’s Wordle clues, hints and answer for September 6 #1540

by admin September 6, 2025



Wordle’s don’t stop for the weekend, and neither do we. There’s a fresh batch of clues and hints for the September 6 (1540) Wordle waiting just below, all neatly separated out so you can take just as much or as little help as you need (then come back for more if you want a little extra). As always, today’s answer is only a click away if you’d like to cut straight through to another win as well. Enjoy yourself.

A clue for today’s Wordle

Stuck on today’s Wordle? Here’s a clue that pertains to the meaning of the word.

If you’re still just as stuck after our clue, scroll down for further hints.


Related articles

Hints for the September 6 (#1540) Wordle

Our Wordle hints will start vague so as to just give you a bit of a nudge in the right direction at first.

As you scroll down, they’ll offer more and more help towards figuring out today’s word without fully giving it away.

Are there any repeated letters in today’s Wordle?

Don’t worry about repeating letters, because there aren’t any.

How many vowels are in today’s Wordle?

There are two different vowels to search for this Saturday.

Keep up to date with the most important stories and the best deals, as picked by the PC Gamer team.

What letter does today’s Wordle begin with?

Use a “B” and you’ll be fine.

Need a weekend win? Then keep scrolling, we’ve got yours ready to go.

The September 6 (#1540) Wordle answer is…

(Image credit: Future)

This is it. No turning back now!

The solution to today’s Wordle puzzle is…

The meaning behind today’s Wordle answer

Anything that sticks out, like some sort of bump or noticeable curve, could be a bulge. Overindulging can make stomachs feel, if not look, this way. 🎂

Previous Wordle answers

Past Wordle answers can give you some excellent ideas for fun starting words that keep your daily puzzle-solving fresh. They are also a good way to eliminate guesses for today’s Wordle, as the answer is unlikely to be repeated.

Here are the last 10 Wordle answers:

  • August 27: TOWER
  • August 28: SPLIT
  • August 29: GRAFT
  • August 30: ELATE
  • August 31: PETAL
  • September 1: LEAST
  • September 2: MIGHT
  • September 3: FETCH
  • September 4: BLEND
  • September 5: DRIFT

Learn more about Wordle 

(Image credit: Future)

How to play Wordle

Wordle’s a daily guessing game, where the goal is to correctly uncover today’s five letter word in six goes or less. An incorrect letter shows up as a grey box. A correct letter in the wrong space turns up yellow. And the correct letter in the right place shows up as green. There’s no time limit to worry about, and don’t forget that some letters might be used more than once.

Get better at Wordle!

What’s the best Wordle starting word?

Generally you want to pick something with a good mix of common consonants and vowels in it as your Wordle opener, as this is most likely to return some early green and yellow letters. Words like SLATE, CHIME, and REACT all work, but feel free to find your own favourite.

Is Wordle getting harder?

(Image credit: Valve)

Wordle is not getting harder!

There will always be the occasional day where the answer is the name of a body part, has a sneaky double vowel, or a word obscure enough to send everyone rushing off to a dictionary. But the daily answers, edited by Tracy Bennett, are still a good mix of common terms and tougher challenges.

Remember that if you’re craving more of a challenge, you can enable Hard Mode under the ⚙️ options menu. This option doesn’t make the words themselves harder, but it requires that “any revealed hints must be used in subsequent guesses.”

How did Wordle begin?

Wordle is the creation of Josh Wardle, and began life as a small personal project before its public release in 2021. From there it’s gone on to become a global phenomenon, attracting a dedicated daily audience, billions of plays, a whole host of competitors, and even a seven-figure sale to the New York Times where it’s become a mainstay of daily games alongside the crosswords and Connections.



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David Howard Thornton on the Art of Being Art the Clown
Product Reviews

David Howard Thornton on the Art of Being Art the Clown

by admin September 6, 2025


Terrifier icon Art the Clown has made an impact as the new king of painted-face slasher villains and the character enters a new era as a feature at Halloween Horror Nights. The spooky season haunt at Universal Studios Orlando and Universal Studios Hollywood features not only haunted houses inspired by Damien Leone’s bloody franchise but also a huge Art the Clown presence for walk-around characters.

At the red carpet for Halloween Horror Nights Hollywood, Terrifier’s very own Art the Clown, David Howard Thornton, talked to Dead Meat about his advice for the scareactors at Universal embodying the gleefully silent gorehound.

“First of all, I just told them to have fun because that’s how Art is. He finds so much joy in the horrible things he does. And I said, ‘Just find that sadistic joy in just messing with people.’ Just go wild with it and have fun with it. And it’s just, be a little jerk,” he shared.

Having experienced hilariously horror-tinged mime interactions with Art in the park ourselves, we can confirm it’s just a sheer demented delight.

© io9 Gizmodo

Thornton continued to explain his inspiration to better define the character, who first appeared in Leone’s early 2008 short film The 9th Circle and whom the actor took on in 2016’s Terrifier feature.

“I based him on a vulture. The idea came in because of his beak nose. And so I’ve added more of a hunch to him. Especially when he’s in predator mode, as I like to call it, when he’s actually on the hunt. Birds of prey lead with their eyes first; as they look at something, the head moves. And then the body follows. And that’s what I based Art’s movements off of when he’s in hunt mode.”

Imparting the art of being Art to Universal theme park scareactors really solidifies the clown as a titan of terror at the annual Halloween festivities. Thornton is proud of this horror honor. “It makes me so happy because I think it’s a great thing just to build up the love of our character. Because I love every year watching the videos that they have of Universal with the Grinch, all the things he does … [and] I love seeing now Art’s doing that same thing. And it’s catching that kind of popularity.”

I personally haven’t seen any of the Terrifier films but the memorable interactions within the haunted house and outside in the scare zones made me an instant Art fan. Art very much fits in the chaotic meet-and-greet fun you’d expect and joins fellow theme park standouts such as the Grinch and Beetlejuice in making a home at Universal as characters people want to meet.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.



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