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MLB 2025: Overreactions to Brewers' wins, Mets' losses, more
Esports

MLB 2025: Overreactions to Brewers’ wins, Mets’ losses, more

by admin August 20, 2025


  • David SchoenfieldAug 19, 2025, 07:00 AM ET

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    • Covers MLB for ESPN.com
    • Former deputy editor of Page 2
    • Been with ESPN.com since 1995

Whew. That was some weekend. The Milwaukee Brewers kept winning — until they finally lost. The New York Mets kept losing — until they finally won. The Los Angeles Dodgers made a big statement, the Philadelphia Phillies suffered a crushing injury, and the Chicago Cubs managed to win a series even though their bats remain cold.

What’s going on with these National League contenders? With fan bases in euphoria or despair, let’s make some verdicts on those current states of overreaction.

Overreaction: The Brewers are unquestionably MLB’s best team

“Unquestionably” is a loaded word, especially since we’re writing this right after the Brewers reeled off 14 consecutive victories and won a remarkable 29 of 33 games. They became just the 11th team this century to win at least 14 in a row, and you don’t fluke your way to a 14-game winning streak: Each of the previous 10 teams to win that many in a row made the playoffs, and four won 100 games. Baseball being baseball, however, none won the World Series.

The Brewers were just the sixth team this century to win 29 of 33. Cleveland won 30 of 33 in 2017, riding a 22-game winning streak that began in late August. That team, which finished with 102 wins but lost the wild-card series to the New York Yankees, resembled these Brewers as a small-market, scrappy underdog. The Dodgers in 2017 and 2022 and the A’s in 2001 and 2002 also won 29 of 33. None of these teams won the World Series, either.

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For the season, the Brewers have five more wins than the Detroit Tigers while easily leading the majors in run differential at plus-168, with the Cubs a distant second at plus-110. Those figures seem to suggest the Brewers are clearly the best team, with a nice balance of starting pitching (No. 1 in ERA), relief pitching (No. 10 in ERA and No. 8 in win probability added), offense (No. 1 in runs scored), defense (No. 7 in defensive runs saved) and baserunning (No. 2 in stolen bases). None of their position players were All-Stars, but other than shortstop Joey Ortiz the Brewers roll out a lineup that usually features eight average-or-better hitters, with Christian Yelich heating up and Andrew Vaughn on a tear since he joined the club.

On the other hand, via Clay Davenport’s third-order wins and losses, which project a team’s winning percentage based on underlying statistics adjusted for quality of opponents, the Brewers are neck-and-neck with the Cubs, with both teams a few projected wins behind the Yankees. Essentially, the Brewers have scored more runs and allowed fewer than might otherwise be expected based on statistics. Indeed, the Brewers lead the majors with a .288 average with runners in scoring position while holding their opponents to the third-lowest average with runners in scoring position.

Those underlying stats, though, include the first four games of the season, when the Brewers went 0-4 and allowed 47 runs. Several of those relievers who got pounded early on are no longer in the bullpen, and ever since the Brewers sorted out their relief arms, the pen has been outstanding: It’s sixth in ERA and third in lowest OPS allowed since May 1.

Then factor in that the Brewers now have Brandon Woodruff and Jacob Misiorowski in the rotation (although Misiorowski struggled in his last start following a two-week stint on the injured list). The Brewers are also the best baserunning team in the majors, which leads to a few extra runs above expectation.

VERDICT: NOT AN OVERREACTION. The Brewers look like the most well-rounded team in the majors, particularly if Yelich and Vaughn keep providing power in the middle of the order. They have played well against good teams: 6-0 against the Dodgers, 3-0 against the Phillies and Boston Red Sox, 4-2 against the New York Mets and 7-3 against the Cincinnati Reds. They’re 5-4 against the Cubs with four games left in the five-game series. None of this guarantees a World Series, but they’re on pace to win 100 games because they are the best team going right now.

Overreaction: Pete Crow-Armstrong’s struggles are a big concern

On July 30, PCA went 3-for-4 with two doubles and two runs in a 10-3 victory for the Cubs over the Brewers. He was hitting .272/.309/.559, playing electrifying defense in center field, and was the leader in the NL MVP race with 5.7 fWAR, more than a win higher than Fernando Tatis Jr. and Shohei Ohtani. The Brewers had started to get hot, but the Cubs, after leading the NL Central most of the season, were just a game behind in the standings.

July 31 was an off day. Then the calendar flipped to August and Crow-Armstrong entered a slump that has featured no dying quails, no gorks, no ground balls with eyes. He’s 8-for-52 in August with no home runs, one RBI and two runs scored. The Cubs, averaging 5.3 runs per game through the end of July, are at just 2.75 runs per game in August and have seen the Brewers build a big lead in the division.

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Crow-Armstrong’s slump isn’t necessarily a surprise. Analysts have been predicting regression for some time due to one obvious flaw in PCA’s game: He swings at everything. He has the fifth-highest chase rate among qualified batters, swinging at over 42% of pitches out of the strike zone. It seemed likely that it was only a matter of time before pitchers figured out how to exploit Crow-Armstrong’s aggressiveness.

Doubling down on the regression predictions, PCA has produced strong power numbers despite a below-average hard-hit rate (44th percentile) and average exit velocity (47th percentile). Although raw power isn’t always necessary to produce extra-base power — see Jose Altuve — those metrics were a red flag that PCA might have been overachieving.

VERDICT: NOT AN OVERREACTION. OK, here’s the odd thing: PCA’s chase rate has improved in August to just 28%, but that hasn’t translated to success. His hard-hit rate isn’t much lower than it was the rest of the season (although his average fly ball distance has dropped about 20 feet). His struggles against left-handers are real: After slugging .600 against them in April, he has hit .186 and slugged .390 against them since May 1. He’ll start hitting again at some point, but it’s reasonable to assume he’s not going to hit like he did from April through July.

It’s not all on PCA, however. Kyle Tucker has been just as bad in August (.148, no home runs, one RBI). Michael Busch is hitting .151. Seiya Suzuki has only one home run. Those four had carried the offense, and all are scuffling at once. For the Cubs to rebound, they need this entire group to get back on track. Put it this way: The Cubs have won just three of their past eight series — and those were against the Pittsburgh Pirates, Baltimore Orioles and Chicago White Sox.

Overreaction: The Mets are doomed and will miss the playoffs

On July 27, the Mets completed a three-game sweep of the San Francisco Giants to improve to 62-44, holding a 1½-game lead over the Phillies in the NL East. According to FanGraphs, New York’s odds of winning the division stood at 55% and its chances of making the playoffs were nearly 97%. A few days later, the Mets reinforced the bullpen — the club’s biggest weakness — with Ryan Helsley and Tyler Rogers at the trade deadline (after already acquiring Gregory Soto).

It’s never that easy with the Mets though, is it? The San Diego Padres swept them. The Cleveland Guardians swept them. The Brewers swept them. Helsley lost three games and blew a lead in another outing. The rotation has a 6.22 ERA in August. The Mets lost 14 of 16 before finally taking the final two games against the Seattle Mariners this past weekend to temporarily ease the panic level from DEFCON 1 to DEFCON 2. The Phillies have a comfortable lead in the division and the Mets have dropped to the third wild-card position, just one game ahead of the Reds. The team with the highest payroll in the sport is in very real danger of missing the playoffs.

VERDICT: OVERREACTION. The bullpen issues are still a concern given Helsley’s struggles, and Rogers has fanned just one of the 42 batters he has faced since joining the Mets. Still, this team is loaded with talent, as reflected in FanGraphs’ playoffs odds, which gave the Mets an 86% chance of making the postseason entering Monday (with the Reds at 14%). One note, however: The Reds lead the season series 2 games to 1, which gives them the tiebreaker edge if the teams finish with the same record. A three-game set in Cincinnati in early September looms as one of the biggest series the rest of the season. Mets fans have certainly earned the right to brood over the team’s current state of play, but the team remains favored to at least squeak out a wild card.

Overreaction: Zack Wheeler’s absence is a big problem for the Phillies

The Phillies’ ace just went on the IL because of a blood clot near his right shoulder, with no timetable on a potential return. The injury is serious enough that his availability for the rest of the season is in jeopardy. Manager Rob Thomson said the team has enough rotation depth to battle on without Wheeler, but there are some other issues there as well:

• Ranger Suarez has a 5.86 ERA in six starts since the All-Star break.

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• Aaron Nola was activated from the IL on Sunday to replace Wheeler for his first MLB start in three months and gave up six runs in 2⅓ innings, raising his season ERA to 6.92.

• Taijuan Walker has a 3.34 ERA but also a 4.73 FIP and probably isn’t someone you would feel comfortable starting in a playoff series.

• Even Jesus Luzardo has been inconsistent all season, with a 4.21 ERA.

Minus Wheeler, that arguably leaves Cristopher Sanchez as the team’s only sure-thing reliable starter at the moment. Though a trip to the playoffs certainly looks secure, all this opens the door for the Mets to make it a race for the division title.

VERDICT: NOT AN OVERREACTION. Making the playoffs is one thing, but it’s also about peaking at the right time, and given the scary nature of Wheeler’s injury, the Phillies might not end up peaking when they need to. Nola certainly can’t be counted on right now and Suarez has suddenly struggled a bit to miss bats. There’s time here for Nola and Suarez to fix things, and the bullpen has been strengthened with the additions of Jhoan Duran and David Robertson, but even with Wheeler, the Phillies are just 22-18 since the beginning of July. Indeed, their ultimate hopes might rest on an offense that has let them down the past two postseasons and hasn’t been great this season aside from Kyle Schwarber. If they don’t score runs, it won’t matter who is on the mound.

Overreaction: The Dodgers just buried the Padres with their three-game sweep

It was a statement series: The Dodgers, battled, bruised and slumping, had fallen a game behind the Padres in the NL West. But they swept the Padres at Dodger Stadium behind stellar outings from Clayton Kershaw and Blake Snell, and a clutch Mookie Betts home run to cap a rally from a 4-0 deficit. Still the kings of the NL West, right?

After all, the Dodgers are finally rolling out that dream rotation: Yoshinobu Yamamoto, Shohei Ohtani, Tyler Glasnow, Snell and Kershaw are all healthy and at full strength for the first time this season. Only Roki Sasaki is missing. Yamamoto has been solid all season, Ohtani ramped up to 80 pitches in his last start, Glasnow has a 2.50 ERA since returning from the IL in July, Snell has reeled off back-to-back scoreless starts, and even Kershaw, while not racking up many strikeouts, has lowered his season ERA to 3.01. That group should carry the Dodgers to their 12th division title in the past 13 seasons.

VERDICT: OVERREACTION. Calm down. One great series does not mean the Dodgers are suddenly fixed or that the Padres will fade away. The Dodgers’ bullpen is still battling injuries, Betts still has a sub-.700 OPS and injuries have forced them to play Alex Freeland, Miguel Rojas and Buddy Kennedy in the infield. Check back after next weekend, when the Padres host the Dodgers for their final regular-season series of 2025.



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GameScience reveals Black Myth: Zhong Kui
Esports

GameScience reveals Black Myth: Zhong Kui

by admin August 20, 2025


Chinese studio GameScience, creators of Black Myth: Wukong, formally revealed their upcoming action RPG “Black Myth: Zhong Kui” at Gamescom Opening Night Live on August 20, 2025.

Black Myth: Zhong Kui serves as the second installment in the Black Myth franchise, presenting a single-player action role-playing experience grounded in ancient Chinese mythology. Developed by GameScience using Unreal Engine 5, the game draws inspiration from the traditional Chinese legend “Zhong Kui Banishing Evil”.

The development team promises unique gameplay mechanics and experiences that challenge their creative boundaries, while incorporating innovative concepts and improvements designed to resolve previous shortcomings and unfulfilled ambitions.

About Zhong Kui

The story of Zhong Kui was first recorded in “Tang Yishi” (“Unofficial History of the Tang Dynasty”) and gained wider circulation through Northern Song scholar Shen Kuo’s (1031–1095) “Dream Pool Essays”. Born on Mount Zhongnan, Zhong Kui travelled to Chang’an during Emperor Gaozu’s Wude reign to sit the imperial military examination but failed. In despair, he struck his head on the palace steps and died. Grateful for the green burial robe (the attire of lower-ranking officials, a token of imperial recognition) bestowed by Gaozu, he vowed to rid the Tang realm of every Xuhao (Chinese: 虚耗, Xūhào, meaning “wasteful expenditure” and “consuming blessings for nothing”) ghosts and harmful spectres.During the Kaiyuan era of the Tang dynasty, Emperor Xuanzong fell ill, and a month of treatment brought no relief. One night, while asleep in sickness, he dreamed of a small ghost slipping into the palace to steal Consort Yang’s embroidered sachet and his own jade flute. The ghost called itself Xuhao, a bringer of waste and disperser of blessings. Just as the emperor was about to summon someone to expel it, Zhong Kui rushed into the hall, seized the creature in one swift motion, gouged out its eyes, and swallowed them whole. The emperor awoke drenched in a cold sweat—only to find his illness cured.Taking this as an auspicious omen, Xuanzong ordered the court painter Wu Daozi to create “Zhong Kui Capturing the Ghost”. From then on, it became customary to paste images of Zhong Kui on household doors at year’s end, especially on New Year’s Eve, to “banish baleful wraiths, and still the miasma of evil”.

For more news on Black Myth: Zhong Kui, stay tuned to GamingTrend!


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Dragon Quest producer Ryutaro Ichimura left Square Enix because it was prioritizing "safe" or "copycat" games
Esports

Dragon Quest producer Ryutaro Ichimura left Square Enix because it was prioritizing “safe” or “copycat” games

by admin August 20, 2025


Dragon Quest producer Ryutaro Ichimura said he left publisher Square Enix because the company was prioritizing “safe” projects.

Ichimura joined Enix in 2000 and spent most of his career working on the Dragon Quest series, progressing to producer on Dragon Quest 8: Journey of the Cursed King and Dragon Quest 9: Sentinels of the Starry Skies.

But as the developer told ReHacQ, he ended up leaving because “to put it bluntly, [Square Enix] was copying others.”

“In DQ 2, you had a three-person party, in DQ 3 you could change jobs, in DQ 4, party members could fight using AI. Each entry pushed the series forward, both through the evolution of game mechanics and by leveraging the latest hardware of the time,” Ichimura said (as transcribed and translated by Automaton).

According to Automaton’s reporting, Ichimura felt Dragon Quest was a “leader” in the RPG space, and he was keen to “build something from zero.” But with spiralling costs, the producer felt Square Enix was less willing to innovative and instead focused on its tentpole franchises or “pakuri kikaku” — copycat projects — like the Minecraft-like Dragon Quest Builders, or Pokémon Go-inspired Dragon Quest Walk.

When Square Enix wouldn’t greenlight an idea for “game in which players could learn about wordbuilding and story structure through gameplay, and then build their own Sragon Quest-style games,” Ichimura left.

Ryutaro Ichimura formed PinCool, a new NetEase Games-funded development studio, in May 2023.



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Cat laying in train car
Esports

Scientists discover how to gene edit animals & fast forward evolution by millions of years

by admin August 19, 2025



Researchers in Japan have discovered that, through gene editing, it’s possible to completely change the behavior of animals. By simply swapping the gene, that animal’s body has been shown to adapt and grow to form the new trait that was manually edited in.

This technology is still early on in testing. We’re a bit away from cats barking and dogs meowing, but the roots of the tech are there and have already been proven to work on fruit flies.

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By swapping just a single gene, scientists were able to completely rewire the brains of two genetically distinct species of fruit fly to swap their mating rituals.

And, while that may not sound like a big deal, their bodies physically adapted around the new gene just because scientists edited it. While small now, this science applied at scale could be revolutionary.

Japanese researchers discover how to swap animal traits

Researchers at Nagoya University accomplished this by swapping the genes between two fruit fly species, one belonging to Drosophila suboscura and the other being D. melanogaster. They’re in the same family, but that’s still pretty distinct in genetic terms.

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New Atlas describes the process of bringing back genes that are this far apart in fruit flies as turning back literal tens of millions of years’ worth of evolution. And scientists managed to do that in one go, all by altering one gene.

D. melanogaster flies perform singing as their mating ritual, while Drosophila suboscura give “gifts” to potential mates in order to court them. Nagoya researchers reversed these rituals naturally. Aside from the gene alteration, no environmental changes were introduced to push them more toward one behavior. The flies just did it of their own accord.

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Pexels/Erik Karits

Additionally, their bodies grew and changed to support the new gene. The singing fly developed stronger muscles to produce the right sound, and the other made changes to its visual and motor functions in order to throw up a “gift”.

In other words, scientists skipped millions of years’ worth of evolution in one fell swoop. And, considering that flies are around 60% similar to humans, the idea of jumping traits from one animal to another is now within feasible reach. It’d take time to figure out and implement at scale, but this could be a huge breakthrough across pretty much any industry that relies on animal products.

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And, while it will surely be a while until things like gene therapy are applied to humans, it is possible for this tech to be used in that way.

Scientists have also recently discovered how to turn back time. Though it’s only for a single particle, it could theoretically apply to much larger objects.



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Carlos Alcaraz, Emma Raducanu and a world of shipping
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Carlos Alcaraz, Emma Raducanu and a world of shipping

by admin August 19, 2025


EMMA RADUCANU AND Carlos Alcaraz sit side-by-side, in separate chairs, two armrests forming a barrier between them. It’s mid-June, and US Open organizers have asked the former singles champions — now doubles partners — to help promote the tournament’s new mixed doubles event by making a social media video. They face a producer sitting off-camera.

First question: What will they pick in the coin toss for their US Open match? The producer counts down the time: 3, 2, 1. In those three seconds, Carlos, dressed in black shorts and a black sweatshirt, gives Emma a coy and nervous look. He then looks down at his clasped hands. Emma, wearing a royal blue sweatshirt with her straight dark hair pulled into a ponytail, unwaveringly stares at the camera.

“Tails,” Raducanu says. At the same time, Carlos calls “heads.” They double over and burst into laughter.

The USTA, hoping to stir interest in mixed doubles, moved the event to a week before the main tournament and invited the top singles players to sign up. At stake: A Grand Slam trophy and $1 million in prize money. Carlos texted Emma moments after his agents got word of the new format and asked her to be his partner. Emma took a couple of days before saying yes. “Got to keep ’em on their toes,” she said. And now, days later, here they are, making a video together.

“I got a question,” Carlos says. “What would you pick if we win the coin toss?”

Emma glances at him. Smiles.

“I’ll let you pick.”

Carlos returns her gaze and grins.

“All the pressure is on me?” he says.

Emma smiles. Her eyes crinkle.

The video has 3.2 million views on Instagram. Carlos Alcaraz and Emma Raducanu, both 22 and both Grand Slam champions, are two of tennis’ biggest stars. Emma, who was born in Canada to a Chinese mother and Romanian father before moving to the United Kingdom, won her first — and so far only — Grand Slam championship in 2021 at the US Open when she was 18. Carlos, a Spaniard who combines a creative game with an affable personality, won his first major title at the 2022 US Open when he was 19 and has collected four more since. They have always said they’re just friends, but a growing community wants to believe there’s something more.

“Okay when’s the wedding,” one comment on the video reads.

“Is Carlos’s smile bigger than normal?”

And then my favorite: “We all know, we all see it, we all feel it. Love is in the court.”

Welcome to the world of shipping, where passionate fans play matchmaker to their favorite characters as well as unsuspecting celebrities. Tennis is their latest stage.

Alcaraz and Raducanu are at the heart of the movement as fans break down every shared look, word and giggle. Fans have flooded Reddit with thousands of posts and comments. According to Google Trends, the query “Carlos Alcaraz and Emma Raducanu” increased 2,250% in worldwide search interest over the past 90 days, peaking when she showed up to watch him play at Wimbledon on July 6.

All this interest sparked a quest for answers: Why does the world get so invested in celebrity relationships? What is it about Carlos and Emma that makes fans root for their union? And does it matter if it’s real or imagined?

Carlos Alcaraz and Emma Raducanu, who are slated to play mixed doubles at the US Open this week, have sparked the interest of shippers worldwide. ESPN Illustration

THE TERM SHIP, which comes from the word relationship, first appeared in internet fandom parlance in the late 1990s. It is used to express a desire that two fictional, or real-life people, enter a romantic relationship. Soon, the phrase “one true pairing,” better known as OTP, caught on.

But even before the internet, magazines provided a means for readers to consume news about celebrities and their love interests. Cover photos with a big heart around two famous actors on, say, People Magazine sparked readers’ imaginations and conversations in their friend groups.

Think John F. Kennedy and Marilyn Monroe. Fans of the “forbidden fruit” trope looked for clues in every interaction between the two. Rumors of a scandalous affair between the stunning actress and America’s 35th president hit their peak after Monroe performed “Happy Birthday Mr. President” on May 19, 1962, at Madison Square Garden for his 45th birthday.

In the tennis world, decades before Emma and Carlos became a popular OTP, fans widely shipped American stars Chris Evert and Jimmy Connors, as early as 1972, when they were dating in secret. Then, in 1974, after they were engaged, fans rejoiced. It came to a sad end — for the couple and fans — when they broke off their engagement weeks before their wedding that same year.

About that same time, fans of “The Brady Bunch” speculated about Barry Williams (Greg Brady) and Maureen McCormick (Marcia Brady). Later, fans rooted for Anthony Geary and Genie Francis (Luke and Laura in “General Hospital”) and Olivia Newton-John and John Travolta (Sandy and Danny in “Grease”) to carry their on-screen romances into real life.

In the 1990s, the World Wide Web became a haven for shippers. Fans no longer had to wait for a party or a convention to speak about their favorite ships. There was a collective space, open around the clock, for fans across the globe to discuss and dissect their favorite pairs and their every move. Websites such as Six Degrees and LiveJournal gave them a platform to connect.

For many shippers, declaring an OTP wasn’t enough. They doctored photos. They edited videos. Sometimes, the pairings were so powerful, they sparked book-length stories. Enter fan fiction.

Fan fiction isn’t a new phenomenon. Some 5,200 years before Emma and Carlos were born, humans loved extending stories — retelling them with embellishments and sometimes even subverting them. Homer’s “The Iliad,” an oral poem featuring Greek deities, inspired Virgil’s “Aeneid,” which connected Roman and Greek myth. Shakespeare drew inspiration from real-life heroes to write his historic plays.

Modern-day fanfic can be traced to “Star Trek.” Fans began extending the lives and relationships of characters such as Captain Kirk and Spock, publishing texts and pieces of art that drew inspiration from the original content. In 1967, fans published “Spockanalia,” a fanzine that contained the first modern iteration of fan fiction. They mailed the zine to other fans and sold it at science fiction conventions.

Even into the 1990s and 2000s, the fanfic community largely focused on fictional characters. Discussions and name-mashing around Harry Potter thrived. Some Potterheads saw the possibilities in a Harry and Draco Malfoy ship, and dubbed it “Drarry.” Emma Watson (Hermione) and Tom Felton (Draco) sent fans down rabbit holes with their crackling onscreen chemistry. The “Dramione” ship was reinvigorated when Watson admitted to having a huge crush on Felton in a 2011 interview. At one point, both actors called each other their “soulmates.” (They’ve never dated, much to the chagrin of many Potterheads.) Both ships sparked reams of thought-provoking narratives.

“It might not be that J.K. Rowling or anybody even meant for those characters to have this romantic or sexual tension, and attraction between them,” says Abigail De Kosnik, a UC Berkeley associate professor whose expertise lies in popular and fandom culture.

“The characters themselves came out in such a way on the page, or on the screen, or the actors playing the characters just had so much natural chemistry that the fans are noticing subtext underneath the dialogue.”

The same applied to real-life celebrities. In 2013, Anna Todd wrote a notable early piece of fanfiction called “After.” Based on the boy band One Direction and published on Wattpad, a website dedicated to publishing fanfic, “After” secured not just a book but also a movie deal.

Today, websites such as Wattpad, AO3 and Celebrity Story Library thrive on fanfic writers publishing periodic content.

AO3 has 3,825 published works under its tennis fandom. On Wattpad, fanfic on Carlos and Emma has tens of thousands of readers. Sometimes, writers ship them together. Sometimes, they’re shipped with another tennis player. Sometimes the object of their desire is a name with meaning only to the writer.

Bad boy Jimmy Connors and “girl next door” Chris Evert were a beloved tennis couple in the 1970s. AP Photo

CHRIS EVERT IS laughing.

I’ve asked her — in many ways — how she handled being in the public light in the 1970s during the height of her fame. How she handled the media speculating about her love affair with Jimmy Connors. How she handled fans being in love with her love affair with Jimmy Connors. How she handled the media wanting to learn every detail about their breakup.

It has been more than 50 years and she hasn’t thought about it in a long time, she says. And, the questions make her smile.

“We were No. 1, we were young, we were up and coming,” Evert says. “The world was fascinated with that.”

It was more than that. The media painted Evert as “the girl next door.” Connors, on the other hand, was the bad boy. Newspapers and magazines called her a “sweet little rich girl.” He was a “street fighter,” a “punk.”

Even then, decades before the girl-next-door-meets-big-bad-wolf trope became a staple of fanfic writers, it was too good for the public to ignore.

Both generational talents, both ambitious, both young. They dated in secret in 1972, wanting to avoid the press. Then, in 1973, they made their relationship public and participated in mixed doubles Grand Slam events together. The speculations became true. When they competed — even reaching the semifinals of the US Open mixed doubles championships in 1973 — media attention ramped up. The next year, they both won Wimbledon singles titles, and the media dubbed the achievement the “Love Double.”

It ended all too soon.

A news story headlined “No Love Game,” published in the Lexington Herald on July 4, 1975, provided the painful details. In it, Evert revealed, moments after her loss to Billie Jean King in the final of Wimbledon, that she and Connors called off their engagement. Connors, according to the story, attended her match with actress Susan George. He later showed up to his semifinal match with red lipstick smeared on his cheek. He brushed off questions about a new relationship with George, calling them good friends. Meanwhile, Evert, when asked about Connors’ new relationship, said, “I had no idea Jim was dating her. But since we have broken our engagement, he is entitled to go out with whoever he likes.”

Had their relationship played out in 2025, shippers and fan fiction writers would have had lots to say. But this was before the internet democratized the fandom culture. She didn’t have fan feedback in the way that current players do. For that, she is thankful.

Do you see any parallels between you and Jimmy and Emma and Carlos?

“No, because they’re not having a relationship,” she says.

I chuckle. I try to explain to her that to shippers, it doesn’t matter. What matters is they want it to happen.

“I’m so glad I came up in the ’70s, not in this day and age,” she says. “Because, I mean, jeez, you’re controversial and talked about no matter what you do.”

Raducanu rose to stardom after making one of the most surprising runs in tennis history at the 2021 US Open. Paul Zimmer/Imago/Icon Sportswire

TODAY, MUCH OF the ship talking takes place on forums such as Tumblr and Reddit. I created accounts on multiple sites to learn more about the community. In between ships of Wednesday Addams and Enid Sinclair in “Wednesday” and Conrad and Belly in “The Summer I Turned Pretty,” I found an Emma Raducanu forum that had more than 13,000 members and high engagement on any post that included Carlos and Emma, which was about three-fourths of them.

I waded in. “Why are you interested in Carlos Alcaraz and Emma Raducanu?” I titled my posts. I detailed my inquiry underneath it. What is it about their potential relationship that piques your curiosity?

In two hours, responses poured in. Some called me a loser for chasing a nonstory and dubbed me a gossip journalist. One fan asked to report the story with me and promised to stake out Emma’s and Carlos’ hotels to get to the bottom of the rumors. Another fan posted a photo of Carlos’ face superimposed on Emma’s body (in her Wimbledon outfit, visor and all) as though the two fused. Yet another fan made a painstaking illustration of Emma and Carlos looking at each other and photoshopped a tennis ball shaped like a heart between them.

I amended my posts:

“To make it perfectly clear, I am not here to prove the validity of these rumors. I am here to understand why we, as a society, are interested in shipping certain celebrities together, regardless of the truth of the claim. To understand our culture, our times, our psyche.”

The comments kept coming in, but the wavelength changed. One stood out to me.

“With everything going on in the world, everyone is rooting for a good love story,” the fan wrote. “They have parallel stories both winning at a young age and continuing to keep up with the momentum can be tough. They seem very similar as far as both being charismatic and are able to get the crowd on their side when playing their matches. It would be nice to see 2 people who have a lot in common find their way to each other. They could be the next [Roger] Federer and Mirka [Federer] or [Andre] Agassi and [Steffi] Graf.”

I reached out to the moderator of the Raducanu subreddit, Cain Allen, a British man who has followed Emma and Carlos since their 2021 US Open runs, and asked him for Reddit trends he has noticed with their “relationship.” A third of the traffic on any Alcaranu post, he says, comes from Spain and Asia. He says he notices double the comments on their posts.

“Everybody seems to have an opinion of some sort, either they’re like, ‘Oh, this is a load of bull,’ or ‘I am so excited for this relationship,'” Allen says.

Why them? Why not, say, Iga Swiatek and Casper Ruud? Or Ben Shelton and Taylor Townsend, who are also teaming up for the US Open mixed doubles?

Allen says he suspects it’s a combination of their perceived personalities: She’s smart, sassy and attractive; he is honest and earnest and a gentleman.

Another big reason, he says: multiculturalism.

“Emma is from all over — born in Canada, raised in the UK. Chinese and Romanian parents — she can go from perfect Mandarin to Romanian, and she gained fans from all different types of cultures,” Allen says.

Alcaraz, he notes, is a Spaniard with a charming game and an endearing desire to learn English. It makes them relatable and likeable to fans, he says.

As I scrolled on social media after our call, I came upon a fan’s comment on a US Open post about Emma and Carlos.

“I want this ship so bad,” it says. “They will make a good couple.”

With flashy shot selection and strong defense, Alcaraz won his first major title at the 2022 US Open and has since collected four more. Dylan Buell/Getty Images

CHELSEA CHEYANNE, A 34-year-old superfan of “Buffy the Vampire Slayer,” tells me she has written 223 fan fictions — and what she estimates to be more than 675,000 words across 65 fandoms — since 2008. Cheyanne couldn’t stomach that Buffy doesn’t end up with Spike, her one true pairing. So, she began writing thousands of words in her gold-colored journal, coming up with scenes of how they’d reconnect, what they’d say to each other and how they’d end up together. Her friends invited her to join Fanfiction.net and she fell in love with the community. She wrote original work and posted it on the website. Slowly, she migrated her work to AO3, got into the superhero fandom and now voraciously reads fanfic based on superhero ships.

“Shipping is my primary end goal with fanfiction writing,” Cheyanne says. “It’s like mashing your dolls together to make them kiss.”

Cheyanne’s motivation to write fanfic comes from a lack of resolution to romance in the original works.

“I just needed more,” she says. “I needed to know what happened next, and if no one was going to tell me what happened next, I could write it.”

There’s a similar urge for RPF (real people fiction) writers. Even though social media has increased the visibility of celebrities, there are only so many pieces of information publicly available. So, it’s only natural for fans to fill in the blanks with their own narrative fiction.

“They write fan fiction because reality is just not delivering,” De Kosnik says. “In the absence of the storyline actually progressing in the way that they wish it would progress, fans create the narrative and share that with each other, and read each other’s narratives.”

Like many fan fiction writers, Cheyanne’s stories are driven by “tropes,” a plot pattern made comforting and exciting by the inclusion of beloved characters.

Cheyanne’s favorites: slow burn (but with a resolution and time for the couple to do “mundane things together, but then there will also be kissing”). Time travel is another one of her rich tropes. She loves sending her favorite ships to the past and future looking for their romantic partners.

My personal favorite? The “golden retriever/black cat” trope, where one person in the relationship is the earnest and eager one chasing the cold and aloof one.

Xeno, a 27-year-old fanfic writer and reader who shared only her first name, says her one true pairing is KuroKen, a ship name for volleyball players Kuroo and Kenma in the “Haikyu!!” series. The anime doesn’t have couples in the series, but Kuroo (a middle blocker) and Kenma (the setter) exhibit such soulmate energy that fans have spent decades shipping them and writing thousands of fanfics on them.

The trope Xeno is reacting to: best friends to lovers. They understand each other deeply on and off the court, usually without having to convey their thoughts to each other.

It reminds me of Emma and Carlos, who met when they were teens and have been friends ever since. I asked Xeno, who is not a part of the tennis fandom, if she would read a fanfic on Alcaranu.

“That does sound appealing to me,” Xeno says.

It was a shipper’s delight when Alcaraz and Raducanu announced they would team up at the US Open mixed doubles event. Max Cisotti/Dave Benett/Getty Images

THE ENCHANTMENT WAS palpable. Now, I needed to test the science. I reached out to a psychologist.

Is shipping a kind of parasocial relationship? Why are we prone to it as a society? What happens to our brain when we ship two people? And, finally, why Carlos and Emma?

Human beings have a collective fascination with the “will they/won’t they” concept, says Northwestern University’s psychologist and parasocial relationship expert Alexandra Beth Solomon. Genres of TV shows and movies have been made exploring it. Ted and Robin in “How I Met Your Mother,” Luke and Lorelai in “Gilmore Girls,” Ross and Rachel in “Friends,” Eve and Villanelle in “Killing Eve,” Harry and Sally in “When Harry Met Sally,” Jesse and Celine in the “Before Sunset” series.

“There is a collective fascination in trying to crack the code of what makes relationships work,” Solomon says. “What makes two people be drawn together?”

Solomon read about Carlos and Emma before our call, but she wants me to give her an overview of what I observe about them — and what I think fans react to. A two-minute elevator pitch of their appeal, she says.

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Carlos Alcaraz is a charming Spaniard, I begin. He rose to the No. 1 ranking in the world in 2022, wowing fans with his incredible shot selection. In conversations with him, I’ve found him to be earnest and kind. When play was stopped during his first-round Wimbledon match because a fan had fallen ill in the heat, Carlos ran over with a bottle of water to help. He said in an interview that he would give “boss” duties to Emma during their partnership.

On the other hand, Emma Raducanu had a fairytale US Open championship in 2021. Fans find her a little aloof. It’s hard to tell what she’s thinking, and that makes her mysterious, I say. As a couple, there is something about Carlos’ earnestness and Emma’s aloofness that fans are drawn to. Their youth, their rise to fame, their cultural cache in the world play into it all, I believe. I finish.

Solomon’s eyes bulge as I speak. She sits up straighter, nodding vigorously.

“As you told me the story, I could feel the shift in my body — it feels exciting,” Solomon says. “There is a neurophysiological, chemical reaction to the experience of falling in love. So, our collective fascination is us drafting off of that. It’s a way of vicariously getting that neurophysiological hit of what that might be like.”

I mention some of the comments I’ve noticed online.

“My heart just skipped a beat.”

“Just kiss already.”

To Solomon, there is a strong sense of “pure escapism.”

The world is divisive. The political climate is combative. The internet is a cesspool where people yell at each other. It feels like we’re losing our ability to empathize and hear each other out. Against that backdrop, there is something pure about rooting for two people to get together. Particularly, two people who break through the bleakness. The young, multicultural, global power couple.

“When you have an earnest, confident man who’s saying to you, ‘You’re going to be the boss of me, you are in charge here,’ that spikes female desire,” Solomon says.

So is shipping a form of parasocial relationship, I ask her toward the end of our conversation.

Sort of, Solomon says.

“I feel drawn to and invested in the happenings of a public figure’s life and my knowledge of their world connects me to them,” Solomon says.

And if, eventually, Emma and Carlos find their way to each other romantically, fans feel a heightened sense of helper’s high, she says. Like they knew something even before the two figured it out for themselves.

THE FUN CAN be in the figuring. Some fans go from wanting something to be true to trying to prove something is true. They become online sleuths.

“Fans feel really smart when they pick up on subtext — they feel like they’re in on something so secret and special, and something they’re not meant to find out,” De Kosnik says.

Videos get replayed. Photos get viewed and magnified. Social media posts get analyzed and parsed. Shippers draw conclusions.

“He definitely has a crush on her,” one fan posted. “I would say it’s so obvious.”

“They’re destined for each other,” another wrote.

One fanfic writer couldn’t resist a video where Carlos explains how he texted Emma and asked her to be his mixed doubles partner. “I have actively tried to avoid shipping them DESPITE all the crumbs over the years but they keep pulling me in with antics like this. Stopppp! let me put my ao3 days behind me.”

De Kosnik believes Emma and Carlos know what their “antics” are doing. Emma was asked in a news conference about the internet’s fascination with Alcaranu. “I’m glad the internet is having fun and we’re providing some entertainment for everyone,” she said. It struck De Kosnik as a savvy response.

“That’s a great answer because it’s very meta and it doesn’t admit or deny,” De Kosnik says. “She’s laughing, like, ‘I’m going to treat it like an inside joke between us’ and that makes the fans feel like she’s almost in on the conspiracy theory with them, you know?”

But not all the interest shown toward Emma has been on the internet or innocuous. In February this year at the Dubai Tennis Championships, she walked over to the chair umpire midway through her second-round match and seemed to be holding onto the railings for support. She had noticed a man in the stands who had been exhibiting “fixated behavior” toward her by approaching her twice in Dubai and following her to tournaments in Doha, Singapore and Abu Dhabi in the previous weeks. The man was ejected, detained by police and later issued a restraining order. I asked De Kosnik if there is a continuum from a shipper to a fanfic writer to a stalker. Can one lead to the other?

“Shipping and stalking [are] quite different even though it’s unfortunately true that some stalkers choose to stalk celebrities,” De Kosnik says. “[It’s not a] ‘progression’ in that mentally healthy people can be made into stalkers by too much time on the internet.”

Anna Nasset, an international speaker, author and stalking survivor, underscores the differences in intent.

“A fan fiction artist or author is somebody who enjoys celebrating the celebrity and making up interesting stories in another universe about them,” she says. “A stalker is somebody who is motivated to create fear, intimidate, harass, or harm.”

After years of studying the fandom culture, De Kosnik believes fans use shipping and fan fiction as a meaningful way to engage with celebrities. When fans “met” Carlos and Emma, they figuratively downloaded a low-res image onto their brains. Then, every fact they learned about the two fine-tuned their understanding until it became a high-quality image. That one high-quality image turned into a whole album. The need to share and compare albums is human nature. The progression, she says, is healthy.

“So instead of trying to force a romance between two actual people, it’s really beautiful that fans play with the little dolls they have made of the people,” De Kosnik says. “And then they do this little puppet show for each other, and then they like to watch each other’s puppet shows, you know?”

The ship on “Alcaranu” had already sailed when Raducanu showed up to watch Alcaraz’s match at Queen’s Club. Julian Finney/Getty Images

SHE SAT IN the balcony. He rolled on the court. Days after the US Open announced its glamorous mixed doubles partnership, Raducanu attended Alcaraz’s semifinal at the Queen’s Club Championship in London.

“Just glad that she came to support, to watch my match,” Alcaraz said after winning the 250th Tour-level match of his career. “It was great having her in the stands.”

He added that he watches her matches on TV every time he can.

In one interview, Raducanu explained that her history with Alcaraz paved the way to their present.

“When you become a bit more known or a bit more successful, you just find yourself reverting back to people you knew from a young age and because that’s a real genuine connection because it becomes very busy and you have a lot more friends — but the ones that you’ve known for a long time mean a lot more to you.”

Weeks later, she returned to watch him play. This time at Wimbledon.

Ever since, Raducanu has been in the United States, playing hardcourt tournaments in the lead-up to the US Open. Now, Alcaraz has crossed the Atlantic, too.

I reached out to his manager to see if I could ask him my one burning question. He told me he’d love to help, but Alcaraz would not be doing interviews during the hardcourt season.

I reached out to the WTA to see if I could pose just one question to Raducanu. “Maybe tomorrow,” they said at first. “Maybe next week,” they said later. Now, they’ve gone silent.

Tennis’ most pressing romantic storyline remains unresolved. Raducanu and Alcaraz are scheduled to take the court together for the first time Tuesday and turn Flushing Meadows into a shipper’s paradise. But last week Alcaraz advanced to the final at the Cincinnati Open, and weather pushed back his match against Jannik Sinner until Monday afternoon. Can he make it to New York in time for the mixed doubles? Will they or won’t they play together? Are they or aren’t they a couple? The drama crescendos.

“Before the Music Begins”

Wearing a long black sleeveless summer dress, sports journalist Luna Rhodes cups her cucumber mint mocktail as she makes her way to the VIP suite at Barclays Center in Brooklyn. It’s days before the US Open mixed doubles championship and she’s on assignment at a Coldplay concert. Her dress has a pocket; inside is her trusty recorder. She has been assigned to find out more about a celebrity couple: Carlos and Emma.

During the pre-tournament news conference earlier that day, Emma mentioned her plan to take the evening off. Luna got a tip that Carlos wanted to catch a concert. She made a calculated guess and bought a ticket to that evening’s Coldplay concert.

The suite leads to a VVIP section. Her ticket doesn’t give her access to the area, but she has never been one to follow the rules. She swipes the curtain open. She gasps.

Carlos Alcaraz is sitting on a love cushion. He’s wearing a white dress shirt. Next to him, in a stunning red dress, is Emma Raducanu.

Carlos practically jumps up. Emma stays where she is. Carlos recognizes Luna from her years of covering his career and walks over. “Luna,” he says. “How did you know I was here?”

Luna answers his question with one of her own. “So… what’s going on here?” she asks. Carlos turns and looks at Emma. He shakes his head and chuckles.

“Busted,” he says, shrugging his shoulders.

Emma raises an eyebrow and sighs. She walks over to Carlos and playfully slaps his arm. “Oh Carlos, ever the jokester,” she says. “Let’s go find our seats.”

They stroll off, together, toward a door on the far end of the suite.

Luna takes one last sip of her mocktail. She sets it down, turns, and hurries out the way she came. She has a story to write.





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New SILENT HILL f Trailer features English voiceovers for the first time
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New SILENT HILL f Trailer features English voiceovers for the first time

by admin August 19, 2025


Silent Hill f is a new entry in the iconic psychological horror series that follows Hinako Shimizu (voiced by Konatsu Kato in Japanese and Suzie Yeung in English) as her secluded hometown of Ebisugaoka, Japan becomes consumed by mysterious fog that transforms her familiar surroundings into a nightmarish landscape.

Created by renowned author Ryukishi07 with music by longtime Silent Hill composer Akira Yamaoka, the game challenges players to navigate the twisted, fog-covered town while solving complex puzzles and confronting grotesque monsters to survive.

The story explores themes of “doubt, regret, and inescapable choices” with a central focus on finding “beauty in terror,” as players must determine whether Hinako will discover the hidden beauty within the horror or succumb to the madness that surrounds her. This new chapter in the Silent Hill series blends traditional psychological horror with a haunting Japanese setting, promising an atmospheric experience that distinguishes it from previous Western-developed entries in the franchise. I can’t wait!

A terrifying new story trailer for SILENT HILL f featuring the English voice-acting cast for the first time has just emerged from the fog during gamescom’s Opening Night Live showcase.  When Hinako Shimizu’s secluded town of Ebisugaoka is consumed by a sudden fog, her once-familiar home becomes a haunting nightmare. As the town falls silent and the fog thickens, Hinako must navigate the twisted paths of Ebisugaoka, solving complex puzzles and confronting grotesque monsters to survive. 

SILENT HILL f releases Sept. 25 on PlayStation 5, Xbox Series X|S, Steam, Epic Games, and Microsoft Windows. You can now pre-order the Standard and Deluxe editions for both digital and physical versions. For more news on SILENT HILL f, stay tuned to GamingTrend!


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Treyarch says it uses AI "not to replace, but streamline" human-created art
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Treyarch says it uses AI “not to replace, but streamline” human-created art

by admin August 19, 2025


Treyarch is using AI to “streamline” human-created art, “not replace” it.

That’s according to associate creative director Miles Lesile, who told IGN that while the team does use AI, it’s utilized “as tools to help the team.”

“We live in a world now, where there are AI tools,” Leslie said. “I think our official statement we said last year, around Black Ops 6, is that everything that goes into the game is touched by the team a hundred percent. We have generative AI tools to help us, but none of that goes in-game.

“And then you’re going to say, ‘Yeah, but it has.’ I’ll say it has by accident. And that was never the intention,” Leslie added. “We’ve come out and been very clear that we use these as tools to help the team, but they do not replace any of the fantastic team members we have that are doing the final touches and building that content to put it in the game.

“So everything you play: human-created and touched. AI tools in the world we live in: it’s how do we streamline it? That’s really the goal. Not replace, but streamline.”

Activision Blizzard reportedly approved the use of generative AI tools including Midjourney and Stable Diffusion for producing concept art and marketing materials back in July 2024.



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Cat laying in train car
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Chinese scientists are building “pregnancy robots” to carry and deliver human babies

by admin August 19, 2025



A team in China is reportedly developing humanoid “pregnancy robots” equipped with artificial wombs capable of carrying and delivering babies.

According to Chosun Biz, Dr. Zhang Qifeng, founder of Kaiwa Technology in Guangzhou, is spearheading the project. The robot is designed with a synthetic uterus inside its abdomen, connected by a hose that delivers nutrients to a fetus much like an umbilical cord.

The machine would be able to carry a pregnancy for about 10 months before giving birth, with the company planning to debut a prototype as early as next year.

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The expected price tag is around 100,000 yuan (about $14,000 USD), a fraction of the cost of surrogacy in the United States, which can range from $100,000 to $200,000.

Artificial womb inside a humanoid robot

“We want to integrate a gestation chamber into a humanoid robot and build an artificial womb so it can carry a full-term pregnancy in the normal way,” Zhang told tech outlet Kuai Ke Zhi.

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He added that the artificial womb technology “is already in a mature stage” and only needs to be fully integrated into the robot to support a human fetus.

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Chinese scientists are reportedly creating the world’s first pregnancy robot to carry and deliver human babies

Kaiwa plans to launch a prototype in 2026 for around $14,000 pic.twitter.com/cUdIuOb3Kj

— Dexerto (@Dexerto) August 19, 2025

The concept recalls the 2017 “biobag” experiment at the Children’s Hospital of Philadelphia, where researchers kept premature lambs alive for weeks inside a temperature-controlled fluid environment.

While still in development, Zhang says his team is addressing ethical and legal concerns by holding forums with local authorities in Guangdong Province and submitting policy proposals to regulators.

Social media has been split over the project.

“I’ve seen enough sci-fi to know exactly how this ends. Not great for humanity,” one user wrote.

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Others defended the concept, arguing it could help parents struggling with IVF or surrogacy. “This isn’t for people who can and want to have pregnancy. It’s an optional choice,” one commenter said.

For now, the pregnancy robot remains a prototype. But, if it launches in 2026, it could spark one of the most disruptive debates in the history of reproductive technology.

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Underdogs Diego Pavia, Vanderbilt look to keep good times rolling
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Underdogs Diego Pavia, Vanderbilt look to keep good times rolling

by admin August 19, 2025


  • Ryan McGeeAug 19, 2025, 07:00 AM ET

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    • Senior writer for ESPN The Magazine and ESPN.com
    • 2-time Sports Emmy winner
    • 2010, 2014 NMPA Writer of the Year

It is so hard for anyone to stand out in Nashville because everyone in Nashville is always trying so hard to stand out.

All of those off-the-bus would-be country music stars, performing in so many Broadway bars owned by so many actual stars, entertaining all those bachelorettes in pink cowboy hats and those dudes who look like they are attending a Luke Combs lookalike contest. Music City, USA is always a good time, but it also becomes very repetitive. This town aches for someone to come along and finally snap it out of its endless two-stepping loop. Say, a big-haired blond woman from Sevierville, Tennessee. Or a Man in Black on the train a-comin’ from Folsom. Maybe a girl from a Christmas tree farm in eastern Pennsylvania.

Or a Bama-beating water bug of a quarterback who rolled in off a desert wind that blew in from New Mexico.

“Straight out the dirt, son,” Diego Pavia says, the 24-year-old laughing as he sits up and slaps his hand on a meeting room table in Vanderbilt football’s quarterbacks meeting room. “When I first got here, you would walk down to Broadway and everyone had on Alabama stuff or Georgia stuff or the bars would just have Tennessee flags out front. Now I see a lot of Vandy V’s out there. I think maybe people didn’t see that coming. Just like they didn’t see me coming.”

They see him now. We all do. One year ago, we saw the 6-foot QB (well, that’s how tall the Vanderbilt media guide says he is, but most everyone lists him at 5-10 … but, when a 5-10 sportswriter looks him in the eye, he might be 5-9 … but who cares because he’s also built like a BMW X4) lead the Commodores to the program’s first winning season, first stint in the AP Top 25 and first bowl win since the 2013 campaign. On Oct. 5, 2024, we saw him emulate his childhood hero, Johnny Manziel, by running past No. 1 Alabama, Vandy’s first win over the Tide in 40 years and first win over a top-5 team ever, ending an 0-60 drought.

And in more recent days, the world has seen Pavia at SEC media days and on Netflix, proclaiming that longtime lowly SEC cellar dweller Vandy can be a national title contender. And as the world entered last weekend, it did so dancing along with No. 2 in a music video that dropped for the song “Pavia Mafia,” as artist Axel Varela declared: “From the 505 to the world, baby!” and “Yo me enamoré del juego,” which translates to “I fell in love with the game.”

What none of us saw were those days when that love affair began for Pavia. It was on the outskirts of Albuquerque, where he grew up as the third of four children, with two older brothers and a kid sister. They were raised by Antoinette Padilla, who found herself in the role of a single mother as Diego was becoming a teenager and realized that her job as a front desk office worker wasn’t going to cover the bills. She had grown up as one of 14 siblings, also in a single-parent home, and refused to put her kids through that same struggle. So she enrolled in nursing school.

“I remember all of her books and papers spread out all over the kitchen table,” Pavia recalls. “She would cook dinner for us and we’d all eat and I’d see she hadn’t eaten anything. I’d ask her about it and she’d just say, ‘Oh, I’m not hungry.’ Now I realize that she was hungry, but that’s all we had. We were kids, so all we knew was that ‘we good, man.’ But now we know it’s because she was always sacrificing.”

Padilla was also always working. Once she began her career as a long-term care nurse, she refused to be saddled with the loans she had taken out to pay for school. She studied house flipping and started buying fixer-uppers around Albuquerque. And who do you think did the fixing?

“We would work in the yards, paint, install new windows, all of it, as kids,” Pavia says with a little shake of his head. “She would rent them out, save up and then sell them. Then she started doing cars on the side. Buy a car cheap at auction, for like $2,000, fix it up and resell it for $6,000.”

So, if one were to buy a house with windows installed or a car detailed by 13-year-old Diego Pavia, were they going to be happy with the results?

“I haven’t received any complaints yet, man.”

Diego Pavia enjoys the moment after Vanderbilt’s stunning win over No. 1 Alabama. Butch Dill/Imagn Images

In their mother’s sizable wake, the three boys attacked every aspect of their lives at full throttle, especially when it came to football and wrestling. Oldest brother Roel participated in both sports at Briar Cliff University, an NAIA school in Sioux City, Iowa. Just as Mom had shown Diego how to scramble out of debt, his brother showed him the benefits of attending college.

“As he got older, he developed into a rock,” Roel says. “He hit that growth spurt and it was all muscle. That’s when the older brothers stop picking on little brother because little brother can kick your ass.”

That growth was in the shoulders and legs. It was not in height. So, even as Diego led the Volcano Vista Hawks to a perfect regular season and the state semifinals, no one in Division I college football gave the QB a serious look. But what hurt the most was when the hometown New Mexico Lobos said they were passing not because they thought he was too small, but because he was too cocky.

“He still isn’t over that one,” Vandy football consultant Jerry Kill says with a laugh. “I don’t think he ever will be over that one. That’s always been part of his gasoline.”

Instead, Pavia settled for New Mexico Military Institute in Roswell, where he led his team to the 2021 junior college national title. That night, his heroics for the Broncos were being shown on local New Mexico television. Bellied up to the bar in the Las Cruces Hooters were Kill and longtime mentee Tim Beck, the just-hired head coach and offensive coordinator at New Mexico State. They were watching the game to scout a quarterback — initially, Pavia’s opponent. But when the fire hydrant playing QB for NMMI ran through Iowa Western for a 34-yard touchdown and an early 14-0 lead, Kill looked at Beck and said, “Hell, man, we’ve been watching the wrong guy.”

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That wrong guy became the right guy for the New Mexico State Aggies, as Pavia led the bottom-10 stalwart to a 7-6 record in 2022. The following year, the Aggies went 10-5, the program’s first double-digit-win season in more than six decades. Pavia most relished the Aggies’ win over New Mexico in Albuquerque, even more than their stunning upset at Auburn. Unfortunately, he went viral after that Rio Grande Rivalry win when video surfaced of him urinating on the UNM logo at its indoor practice facility. That incident came up again at season’s end, when New Mexico State earned an invite to the New Mexico Bowl, hosted by the Lobos, and the Aggies weren’t allowed to use that facility to prepare for the game.

“That was embarrassing and inexcusable and no one knows that more than Diego Pavia,” Kill says. “But I also told you he was still mad about what happened coming out of high school.”

“We all make mistakes,” Pavia admits now.

When Kill retired following that magical 2022 season, Pavia nearly made another mistake, though at the time most believed his mistake to be the decision that he made, not the one he backed out on. Suddenly a hot commodity at the dawn of the NIL era, Pavia accepted an invite and a nice payout to transfer from New Mexico State to Nevada. Then his phone rang. It was Kill, whose retirement had lasted all of a few weeks.

“I went to Las Cruces to try and convince Tim Beck to come help us with our offense,” Clark Lea says of the trip he took in late fall 2023, just as he had wrapped up his third season as head coach at Vanderbilt, his alma mater. It was a crushingly disappointing year, the Commodores starting 2-0 but finishing 2-10. “Jerry sat in on some of our conversations and we all connected immediately.”

Diego Pavia takes a selfie with the Roman god Vulcan depicted on the Birmingham Bowl trophy after Vandy’s first bowl win since 2013. Matthew Maxey/Icon Sportswire

Soon Beck was headed to Nashville with several of his offensive players in tow. Kill tells the story that he was on the beach in Mexico, three margaritas deep, when Beck and Lea finally convinced him to join them. Pavia tells the story that Kill then called him and said, “Don’t make a mistake and go to Nevada. I’m moving to Nashville and you’re coming with me.”

Pavia loves Kill and Beck so much that he made the move without hesitation, even leaving money on the table at Nevada. He also refused to leave Vandy after the storybook tale of 2024, telling the “Bussin’ With The Boys” podcast that he had passed on a $4 million-plus NIL offer from an SEC rival to remain in Music City. What’s more, he won an injunction versus the NCAA for one more year of eligibility, instead of being penalized for time served at the junior college level.

“I think that it is easy to see the guy who likes to talk a little and who likes to celebrate a lot and think, ‘Oh, he’s that guy,'” Lea says. “But look at what he has done to be here and stay here, and look at the 50 people who come from New Mexico to be with his family at our games. That’s someone who loves this place.

“Talk to our basketball office or [Vandy baseball head coach] Tim Corbin, and they will tell you that Diego is in their offices, asking about what it takes to win. He has big dreams for himself, but he came here and all of those people come here with him because they love it here.”

Now, everyone else is coming, too, to be with the Pavia Mafia to watch college football at, of all places, Vanderbilt. Yes, he is most definitely prone to hyperbole, but Pavia’s observation about the gentle transfusion of black and gold into the college football identity of the bars along the Cumberland River is no exaggeration. It’s visible. As are the construction cranes that cover FirstBank Stadium, long the SEC’s time capsule of football venues, and the ground being broken to replace the team’s cramped subterranean 1990s football facilities.

All of that renovation was already on the books before Pavia arrived. But the kid who used to flip houses with his mother has injected that sweat equity investment mentality into Nashville’s business community and Vanderbilt’s alumni base.

Nashville is a city that has been constructed atop the idea of having a good time. Residents and visitors alike have never had a problem finding that good time everywhere from Tootsies to the Titans. Now, thanks to the QB that no one saw coming, they are discovering a good time at a place that has been hiding in plain sight since it hosted the state of Tennessee’s first college football game in 1890.

“Building stuff is fun, man,” Pavia says. “It isn’t easy. But nothing worth it is ever easy. So when that work pays off, let’s enjoy it, Vandy. We earned it because we built it.”

Straight out the dirt?

“Straight out the damn dirt.”



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“It’s really that simple.” Roblox explains its new IP licensing system

by admin August 19, 2025


You’re no doubt aware that Roblox is a pretty big deal in the games industry. But you’d be forgiven for underestimating just how big.

“At our developer conference last year, we announced this fairly ambitious goal of

getting 10% of the global gaming content revenue flowing through the Roblox ecosystem,” says Greg Hartrell, senior director of product management at Roblox.

“We think we are in striking distance of doing this over the next few years.”

Roblox has grand plans to “enable the creation of anything, anywhere, by anyone,” he says, and a crucial ingredient of that plan is to allow users to make experiences based on various different intellectual properties (IPs).

Hence why Roblox has introduced a new, streamlined licensing platform that will allow outside firms to easily integrate their IPs into the Roblox system.

“Right now, we’re onboarding a select set of IP holders as we are learning about the product and how our community is reacting,” says Hartrell. The inaugural line up of IP holders includes Sega, Lionsgate, Netflix, and the Japanese manga publisher Kodansha, each offering a small number of properties for use within Roblox.

Anyone who wishes to add their IP has to go through an onboarding process, in which Roblox verifies that the company owns the IP and ascertains the scope of their copyright. Then, the firm defines a license for the use of the IP on the platform.

“The tools allow you to effectively take a template, standard licence, and customise it in a few simple ways,” says Hartrell, “setting a revenue share rate, setting content standards, and then defining some eligibility criteria. It’s really that simple.”

“The way that revenue share works with licences is you can set it anywhere from zero to 95%,” he adds. “You need not monetize. If you do monetize, the revenue share comes from the creator’s gross of proceeds after platform fees.”

Starting line-up

There’s a curious mix of IPs on offer in this first tranche. Some are pretty huge: Stranger Things and Squid Game are the jewels in the crown of Netflix, for example. But there’s the sense that other companies have been reluctant to roll out the big guns right away.

Lionsgate, for example, is offering Twilight, Now You See Me, and Divergent, but noticeably not John Wick. And Sega has Like A Dragon in its line-up, but Sonic is nowhere to be found.

Like A Dragon

Hartrell is quick to defend the choices. “Twilight, I don’t believe, has been offered as a game licence ever in its history,” he says.

“It would be fair to say that, yeah, [Sega is] starting with Like A Dragon, but I think it’s deliberate in the sense that they have a hypothesis that Roblox has a lot of battleground games and a lot of action RPGs, and […] it’s fit for purpose for the IPs.”

“We are obviously talking with these IP holders. They’re eager to add more IPs, and I think it’s more a function of logistics and where it’s easiest to, let’s say, start, versus being reluctant.”

The more adult nature of some of the initial IPs might come as a surprise considering how young the Roblox audience tends to skew. But Hartrell notes that they can be adapted to meet Roblox’s community standards, giving the example of Squid Game (“quite a mature IP”) being adjusted to fit a broader audience.

At this point, the watching PR jumps in to point out that the majority of Roblox users are over 13, and that brands can set age restrictions as part of their licensing – for example, only allowing age 13+ games to be made using certain IPs.

“IP holders are always in control here, so they can set their eligibility standards and decide what ultimately gets a licence,” agrees Hartrell.

UGC playground

But the thing about Roblox – and all games based around user-generated content (UGC) – is that there’s only so much control anyone can have about what users ultimately decide to make.

For companies more used to strictly controlled branding guidelines, the thought of letting people do as they will with their most precious IPs might be alarming. So what happens if players start using a company’s IP in ways that are deemed inappropriate?

“There’s a number of layers there,” says Hartrell. For a start, Roblox has its own content standards, prohibiting things like excessive violence and sexual content across the board, and IP holders can set the maturity rating for their IP. But they can also use a tool to scan for uses of their IP on Roblox and issue takedown notices for anything that crosses a line.

“Not all IP holders want to adopt that posture,” says Hartrell. “So another alternative here with the licensing tool is to say, hey, if you’re using my IP, I’m willing to offer you a licence, but then you additionally need to conform to my content standards.”

Creators would then agree to these additional content standards when they receive a licence.

“And I guess the last tool that we give IP builders is for every active licence that they have, they have the means to provide basically a change request, if you will. And from there, the platform facilitates contacting the creator, explaining what kind of change is needed to conform with the standards, and the creator gets some reasonable amount of time to make those changes.

“Any creator that doesn’t comply with that risks losing the licence, and the content could eventually be taken down.”

But isn’t this all a lot of additional work for IP holders, having to monitor and moderate the use of their IP on Roblox?

“I think it’s a fair question,” says Hartrell, although he says that many of the things IP holders might be concerned with would also tend to violate Roblox’s own content standards, and as such would be picked up anyway via a combination of AI scanning and human moderation.

But there might still be a small number of things IP holders are concerned about, he says. “For example, if you have a movie, [or] a TV IP, using the likenesses of real-world actors can be prohibited.” In that case, a creator might need to be asked to remove the likeness to be compliant.

Shopping for IP

From the Roblox user’s point of view, they can now simply browse through the license catalogue and pick something that interests them for their project. Then it’s a case of reading through the terms of the license, including the revenue share and eligibility criteria, and then accepting them.

After that, the license manager gets a notification that there’s a new applicant, and they have a chance to review the project by playing the applicant’s game or reading the description that the applicant provided of what the experience will be.

“At that moment in time, they can approve or reject it,” says Hartrell. “On approval, you get the licence immediately.”

“The only nuance there is we do allow for a creator to propose deferring monetization,” he adds – this is for cases in which the IP hasn’t yet been incorporated into the user’s experience.

“Once you approve a licence, everything’s automated in terms of collecting revenue share”

Greg Hartrell, Roblox

Compared with the usual methods of acquiring IP rights, it’s incredibly streamlined. Hartrell notes that it would typically take months to negotiate an IP deal, but with Roblox’s new system, users can access an IP within days, and sometimes within hours.

“The streamlined process of applying really just simplifies it for a creator, so you don’t need a whole lot of business knowledge to be able to use really incredible IP.”

But then there’s that question again – how much work will this involve for IP holders, especially given Roblox’s vast audience? Will they be inundated with applications?

Hartrell is confident that Roblox’s tools will quickly flag any time-wasting applications for license managers. “There’s immediate data where they know that they can reject certain experiences,” he says.

“Once you approve a licence, everything’s automated in terms of collecting revenue share, communicating to the creator what the expectations are. And then, over time, we’re going to do even more.”

He notes that currently, Roblox uses an AI system to search for and flag the use of an IP in an experience. But in the future, he thinks that AI technology might be able to describe how an IP is being used, and “maybe even comment on how it conforms with your content standard.”

Do it yourself

In terms of what kinds of official assets creators receive access to after signing up to use an IP, the answer is… none.

“No assets are provided or required to be used,” confirms Hartrell. “But on Roblox, that ends up being a feature, in the sense that […] our creators are somewhat unbounded on how they can create.”

He likes to think of it as maximum creative expression. “That said, I think there’s a future where we can imagine providing a library of, let’s say, pre-approved assets, things that the IP holders are excited for creators to use. And I think I can imagine us supporting that sometime in the near future.”

The elephant in the room amid this discussion is that Roblox is already awash with creators using IP in a decidedly unofficial fashion, whether it’s for making, say, One Piece-adjacent brawlers or homages to their favourite TV series.

Image credit: Roblox

Now that Roblox is offering creators access to official IPs, does that mean they will have to police unofficial IP use more strictly?

Hartrell responds by saying that Roblox has to support IP holders according to whatever stance they want to take. He says they typically adopt one of three postures.

One is insisting that their IP cannot be used on Roblox at all. “We have IP holders who are like that,” says Hartrell. “They routinely look at the ecosystem, and they report content that’s […] infringing on their content, and we take it down immediately.”

The second is IP holders who have licensed their IP for specific use in certain Roblox experiences, but take a dim view of it being used elsewhere. Other companies, however, take a much more relaxed approach.

“Some IP holders, believe it or not, they don’t want to take down the content. They do want to call attention to the official content, but they’re very comfortable with fan-created or homage-based content. And I think this is where the licence manager comes in.”

Now, such companies can licence their IP at scale and “allow a thriving community of fan created content,” he says.

“I think Squid Game is probably the best example of that, where there’s just a wealth of different Squid Game inspired content that Netflix sees on the platform. And they’re pretty satisfied with the fan engagement.”

“Eventually, we want to be able to say that any eligible IP holder can sign up”

Greg Hartrell, Roblox

Going forward, the idea is to get a lot more companies involved beyond the initial four that have signed up to the license manager program.

“We’re thinking about how we scale,” says Hartrell. “Working with these initial set of partners [can] help us understand how we further streamline the workflow, understand how the creator community reacts, really working out the kinks, if you will.

“Eventually, we want to be able to say that any eligible IP holder can sign up, but it’ll be some time before we decide that.”

For now, the license manager is restricted to those select companies that Roblox approaches.

“We want to work with folks who understand the vision and are willing to say, ‘Yeah, there is a future where licenced IP on a UGC platform is a different type of licence, versus the historical game licensing models that we’ve seen over the last 30-40 years.”



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